Langston* said what happens
when dreams don't come true:
they fester, stink, or explode

but hell, hear what I say
colored girls ain't got no dreams,
what we got is schemes to make it
from here 'til tomorrow

and we don't drown saggin'
sorrow in gin, or the big H--least ways
not all of us do

it's true, the man done piled
on ****, high as it can be stacked on us
but we don't all ride no pity bus

the streets don't weep for the weak
or those of us who spread our legs to get us
a baby--a toy all our own

cause when he's all grown, he ain't
goin' be there to fill our empty bellies
or make us proud

so go on say it loud:
black girls don't need nobody
show 'em the way

and one day, we goin'
take what's ours--we just don't expect
to reach for no stars

we be fine with settlin'
for someone callin' us by name
and not feelin' no **** shame

Covenant Avenue, Harlem, 1968

fine Furhman's Funeral Home
used the best alchemy money could
buy, to keep her flesh fresh

and a master seamstress
sewed her wicked wounds so not
a single soul could see

she was stabbed forty times
from her rubicund cheeks to her
pedicured toes

Furhman's was the best, above
the mediocre rest, in gifting mourners
with a pleasant view

when I got their bill in the mail
it had an itemized list, which included
a charge I had to contest

not because of penury or pettiness
for I am a wealthy weeping father, but
I couldn't see spending a red dime

for crimson polish they painted
on dead toes, slid in slick hose, and
hid in patent leather shoes

my wife said write a check for the
full amount, crying this was not about
what we the living could yet see

Baton Rouge, April, 1989

I see black ones, white ones,
tall ones, short ones

the stops have no benches;
only signs, saying:

we stop here, to ****** you peasants
from the mean streets

some lean on the poles, weary
of waiting for their ride

or the winning lottery ticket
they dream of buying

others hunker, if their knees
still allow such a stance

or by chance, pride doesn't
keep them upright

the last one I saw was curled
in fetal repose

dead or just resting, preparing
for a new beginning?

I will never know, for I didn't
stop, at the bus stop

but I'm with them, traveling hope's
haggard, hapless highway

from the bank
I see the ghost of a pier
old posts standing solitaire
a ramp rotted, long gone

moored to one stubborn beam,
a bass boat, tethered to time, rocking
with the whims of the waters
fickle, but steady

storms upriver may hasten
the current, bloat the stream
though the flow never ends,
lapping against the hull

hiding inside are more ghosts:
phantom footfalls of fishermen,
odors as old as Eden, sounds
which once made songs

by those who cranked the motor,
manned the rudder and cast the lines
into the depths, seeking a tug--a pull
that meant dinner, a small success

a simple surrender of one species
to another, from beneath the surface
into the sun, a sublime suffocation,
then stillness before the gutting

many a day ended this way
the boat buoyed again to the dock
bellies then filled from the sacrifice,
the waters licking long the wood

he shoulders shame
carrying the weight of the dead,
slung over him

partnering with gravity,
these memory moguls slow him down
though he keeps trudging

when one drops, another
takes his place -- first his father, then
a brother, stillborn

not half the weight of a stone,
yet his carcass bends his back
like any full grown beast

for he did not weep
with his mother when its blue soul
was yanked from her womb

nor did he shed a tear
when his father's heart gave out
a billion beats too soon

when he forgets his sins as son  
he recalls another one--the boy he
slew on a brown river's bank;

floating still in the Mekong, riddled
with the rifle's rabid rounds, he often catches
a ride in memory's stream

leading a relay team of shame shifters
he carries with him every step, though
the world sees him walk alone

in black sky above us, the shreiks
of the shells cut the air, sharp, until
the dreaded booms which tell us
how close

how close the rounds landed
to our trench, where we hunker, drenched
in dreck, mud and blood, an unwilling
audience to this martial symphony

screams stream skyward
and comingle with the next volley,
a cacophonous courtship of vibrations,
invisible, but we know it's there

a miserable marriage of metal
and flesh--monkeys made into men
who ****** their own; who are determined
to sing these sour songs

when the lobbies stop, the only sounds
are the winds, the ones which will gently carry
the sounds of men moaning, crying,
praying for silence