Drop kick your wit
Into something more fitting
Something forgetting, lace up your ego
And step outdoors, **** that ***** down the street wit his hood up?
Nah he’s too good wit his hood up
Doin nothin but good and good alone
Until one day, evil has shown
Up on the front porch, with heavy hearts and pitch forks
Pork slow roastin on the back of the grill
****
You hear that
Another one bites the rust of the rimless curb of this never ending, but slightly always pending circle of ****, of life
Christ, why do bad things happen to good people
While evil still is a struggle that’s real
Feels, those feels bro, you got me on my feels, rocking on my heels
Avoiding all eyes and prying little flys on the wall
Waiting for that slip up, that stick up, that trick up the sleeve on the eve of your last wish.
Wishes, I have three, one, to never be loved by a shadow of a figure who never knew how to love or figure if love isn’t real, then what’s the waste in time
Time is número dos, time so far in the spectrum of speed and yet, almost comatose. Let me have this time on this rock, pose as a breathing, living, forgiving and seething with life type human, or three will never be for me, humanity. Wish number three, the salvation of man
Because god can, can’t,
Maybe wont, but left in his hands it isn’t, it’s up to the working man, who’s hands are capable with cans, do’s, wills, and preservation
Perspiration, perspire the desire to salvage this green and blue vessel, scavenge this land, back to the roots of our roots in our mother earth. Who’s ground is fertile from the plow and hearth. Seed it with love, time, and the offer of human empathy,
The human experience, fierce with pent up fenced up aliens, feeding off each others brothers, every boy and mothers negativity
That negativity creates negative energy, ******* up the synergy that is the human race for lust, passion, and the same story from times of the dust
Bowl, whole again, manifest density was only applicable in a time where destiny still had the sparkle of a child’s sparkler on Fourth of July.
Lights burst upward, celebrating ever changing forward motion, downward, backwards never ending commotion, two steps forward, three steps back, this roller coaster of insufferable emotion continues onward, forward 3 times now, how rendering change and pain and all that came along with the letters,
F
R
E
E
D
O
M
F for four score and so many years, tears were shed and blood ran fuller than the old miss
R, river, the ever lasting forgiver of time, flowing endlessly and uncaring of the work its sharing, while its purity waxes and wanes, secrets come with battered shame, carried downwards into the open famed arms of the abyss.
E, endless energy and growing conservation of mass media and concentration of governing persuasion and invasion
E, excavation of the once great nation, under all those layers of of white hair and high airs, layers peeled back, revealed the
D, dominating, pervading, intimate lives of the common man, as the not so common wig takes big sips of the white collar melting ***, hands deep in the pockets of the rotting underclass, tee tottering on the edge of what seems like a never ending, case of innovating but not so innovative backwards progression,
O, omit the hand that feeds, heed this, and feed yourselves, provide a nurturing seed for those in dire need, if you give a man a fish, he’ll eat for a day, if you teach a man to fish, he’ll wish it wasn’t so hard to discard the simple facts and facets of true personal reward. Teach a different man to fish, he’ll wish no one else heard word of this gift, there’s
M, money to had in this type of ish. Money made and the lesser fade out into sea to dwell with the rest, never sinking , but barely afloat while the fish scoff at the ironic twist of fate.
Dears, peers, the ones with fears of hate, hear this, wait, your time will come, theres a fine line between the past and the present and that line is today. This day, Sunday, Monday, fill in the blank day, 24 hours per day, waste whats left of life away or take initiative, begin to wish, are you among men, or among fish, will you be seving the one whos eating, or will you be on the silver lined dish, garnished with yesterdays didnts and “maybe tomorrow’s” real pain, sorrows, will follow you into the future of all tomorrows, but you can create, levitate in mid air, hold it there, an image of what you could/couldnt stand to bear, to manage, not take, make, create what’s yours is yours, not mine, hook, line, and sinker.

off his tongue
tasting like
Kadian and
Starlight mints
a hint of coffee
          to speed things along
 
Less to do with sweet
tho I'd lick it from my fingers
Possibly the
mutilation
My intelligence and
self-preservation
severed slow
and easy
 
My thicker skin
slipped off my shoulders
onto the floor
fading into the  denim around
my ankles
 
HaBItS
           the bass inside
pumps
liquid compulsion
 
A branched tongue
on a
forked path
murmurs miracles
brain spins and
 eyes shut 
 
Lips move
A rumor
hushed
ex plor ation
of
sighed effects
 
Ballerina tongue
pirouettes
and dips
skipping
skin trembling
slick and slippery
hard-soaked in
Finish Me
and
beads of cinnamon dew
tipping empty cups
sipping
Love Drugs

1
i carry with me at all times a single fond memory of you ******* out venom from under my skin, right where you forgot you put it a very long time ago, —and beneath my eyes, as the vitreous shrinks and contracts, every sweep of your tongue becomes another dilution of the pigment of my iris, and every stem or stalk taken from the roof of your mouth, here is where hell begins—and i carry in me at all times your own discarded cells, and the stalactites of your bones beneath. here is where

2
you let me drown, which i will not blame you for, but i will blame you for the tears of my lovers all shed over not having a body to bury, or to dig back up, or to hold, simply because you couldn’t swim—but i couldn’t either and did i let that stop me? at least we know now which one of us is more so the coward, or i guess was

3
(…which was my worst fear if i am being honest, if i had ever told you: they say there are two deaths but i know there are three. the first is when you are buried; the second is when your name is said for the last time; and the third is when the worms give up because there is not enough left of you to bother their mouths with)

4
nothing i say makes any sense today
you took my tongue; give it back, give it back

5
it all comes back to an oral fixation, i know that, just wish i could tell you why

6
—no, i remember why now, it’s because
you kissed the soil of my grave when you thought i wasn’t looking but the joke is finally on you because decomposition had begun early—sickness is the only bedfellow we’ll ever have—and after that comes

7
return to start?

1
with each passing day you only grow yet more sickened by your every birth rite; keep your loathing for your *** and your name in a glass full of soil on your bedroom windowsill where the light will bring life before your societally imposed sense of shame can strike it down. you belong in a textbook of the future, a born-astronaut’s biology class.

2
here is somebody else’s name; here is your voice, with the texture of a nimbus cloud; here are your eyes coloured all blue, but a sickly sort, blue like a vein, blue like the wrong side of the sky, and the wrong shape of skull.

3
by the time you wake up, the world has already determined who you are going to be today. randomised generation: you are, you are a girl, you are doe-eyed, you are bitter, you are sweet, you are a puzzle to be solved, a shell to be broken, a wrong to be put right, you are pity’s cygnet under the wing of the mother bird, you are beautiful. you are beautiful. but you want to be ugly.

4
you want to be a blank slate.

The writer is

                                                             ­ bound by the Oedipus
                                          cauldron stewing          can't relax

                          --all women are mine--
                                                          ­       but this doesn't stop the bloating bubbles.

                     But the writer did not invent Wonderlandia
               --no double-sided tape or wrong number or sloppy poetics.

                              Wonderlandia was born from the ***** of the stars
                                                         --our fathers,
                              and the void of space,
                                                     --our mother's womb.
the writer

                                             was busy staring at the girls that walked by
                                        ditch diggers for renovations on Euphoria.
                The hippies are disappointed in this current Wonderlandia,
   or they would be.

                               Their dreams had dirt in the mud,
                they walked upon.                Our Woodstock
                                                       ­         is celebrity interviews,
                                                     ­           reservations failing,
                                                        ­        political satires--the last ring of change
             sold at five cents a word. Period.

the writer
                                        says it understands and writes:
                      "Sticks shaped from elitism
                        rare.
                        Usually a vibe too brittle,
                        breaking in battle.
                        The bass thundered robins.
                        The snare's firearm stabled the swift,
                        electrifying beat.
                        The brass was addiction
                        to the crowd's ears.
                        All before the elitism was born,
                        a symphony was constructed in the drug's head."

the writer
                                knows about D. A. Levy and his revolution,
                  we all felt that voice, so the writer replies:
                               "Did you hear about the John Lennon poser
                                 waving his gun on TV?
                                 While listening to the Beatles, you
                                 sit and watch the vagabond cry.
                                 He says, "Counter-culture is dead, entombed
                                 in a metal casket.
                                 We need a new flame. Those watching TV
                                 get your hands out of the basket."

the writer
                                        walks with grandma Alice
                                       by lakes,
                                                       thrilling dementia
                                    "Don't tell me what taurine
                                      and caffeine can do to my heart.
                                      I can have alligators in my rib meat
                                      eating away at bone marrow.

                                      High? That's your question?
                                      Hi...I am a float
                                      in a useless pond
                                      bordered by malnourished trees.

                                      By the love of hell you better not
                                      fertilize those ****** trees
                                      because if I die
                                      the alligator of my ribs
                                      will dine and take your ****
                                      girlfriend straight to the vet.
                                      I thank you for asking though."

    the writer misses
                                 the syrup in the tree completely
              
                     I am not your beatnik
                                or future idol--burn your 1970's classrooms away.

There was a liquid secreting from the cracks in your lips,
Something like justice, something like idealism
The two combined within your vociferous skins and
Coated me clean
And I was who you wanted me to be
Our eyes shut and our fingertips grasping,
We held each other inside of our roles
Without giving any thought to the figure we were
Sculpting
Into us

you wanted me to see your gods but i am afraid of heights;
i wanted you to touch mine but you cannot swim

you washed your hair in salt by the shore, smiling
with your cracked-skin lips like a perfect line of stitches

holding my head in your wet wet hands,
and i hadn’t heart to tell you that to me you smelt like death

but i suppose you thought the same of i—
like seaweed in the sun, sand in all my joints; breathless

“i’ll get my sea legs some day,” you said,
sealed beneath a new spring moon

and i just, just hadn’t heart to tell you
how these things always tend to end

bad people do good things
and
good people do bad things
and
good people do bad people
and
on
and
on
you

open. a little. crack the spine of a bird to expand its wingspan. leave kisses along it's crown until it weeps and says: "i am a boy. i am a liberal. i'm a deist now. please believe me."
                     no. this wouldn't happen.

you open. a little. you meet up and exchange poetry. he says "what does this mean?" and your voice becomes cinders, burning in your throat. (it's about him. it's about things you can't say. it's about the bits he'd never understand even if this would happen. it's about the loathing pooling in your ******* and the dreams he'd reject, the feeling he left in you that feels a little like heartburn, the antacids you take and--)
                             no. this wouldn't happen either.

it's all wrong.

the library is open tonight, but you don't invite him to coffee. you look at your paltry sympathy and half-hearted methods of fixing things and tinker with them. you've torn up the paper. it cannot be returned. the case with him, the case with her -- this, this would happen again and again until you could get it right.