Submit your work, meet writers and drop the ads. Become a member
 
Sofia Paderes Oct 2017
she slips in silently
seeking sanctuary, and
every step is a prayer.

step.
father, forgive me for I have sinned.
step.
father, forgive me for I have...
step.
deaf god, dead god.

too many horizons hold his heart
he is hardened and headstrong, yet
every step is a prayer.

right.
father? forgive me for?
left.
father, forgive me for...
right.
deaf god, dead god.

we won't wake to weeping
walking with our veils pulled tight
over eyes, and we know it. maybe
every step is a prayer.

clack.
father, forgive me.
thump.
father, forgive --
creak.
father?
stop.
do you hear me?
one.
deaf god
stomp.
dead god
three.
father?
do you hear me?
Assignment for my creative writing class. We had to write a poem using different sound devices and base it off an artwork. This is my poem for Noberto Roldan's installation, "Archangel".
Sofia Paderes Oct 2017
hold me when the river runs
don't let go.
watch it wind,
see me sink.

hold me when the river runs
to wherever it can't wait to be
rushing, roaring, rigid flowing
sudden stops -- please,
give me warnings

hold me when it all floats up,
when the bones pierce through,
when the gold is birthed,
when my palms fail to release,
when they fail to keep.

hold me when the river runs
don't.
let go.
I'll learn to follow echoes.
Assignment for a creative writing class. Picture poetry. The picture I got was of my friend and seatmate Kristine as a baby being carried by her dad at the entrance of the Underground River in Puerto Prinsesa.
Sofia Paderes Aug 2017
Brother,
For the days we have known each other,
I have come to the conclusion that there
Is something wrong with your eyes, because
Where you see brokenness, I see strength
Holding all your pieces together.
Where you see scars, I see tattoos of triumph,
Stories of how you fought,
Stories of how you lived each battle through.
Where you see ugly, I see beauty in places
You refuse to turn your head to, why
Won’t you turn your head to see
How I see you?
See, you have seen far too many hellos
And even more goodbyes to believe
That I am here to stay.
And I
Am here to stay.

Brother, my hands are here to catch
Whatever falls out of your storms.
I myself have been a storm far too many times
To run away when your rains start to pour.
My feet are ready to come chasing after you
When you stray too far away from home,
And as long as there is breath in my lungs
I swear I will never let you stay lost.
Because I
Am here to stay.

Till the day the world runs out of will to spin one more round,
Till the day the waves stop running back to shore,
Till the day mother and father and sister and brother forget each other’s faces,
Till the day of judgment,
Till the day of blood and trial,
Till the day of denial,
I will stay.
I will stay.
I will stay.
A poem written for my cousin Jaime Morados' short film, Till the Day of Denial.
Sofia Paderes Apr 2017
We will always have the same sky.

Brother, I have always been afraid to write about you. I have always been afraid that you would somehow find my poetry, my prose, whatever you call these letters I stitch together and see that my embroidery looks kind of a lot like you.

I visited the place where we first met last August, and there I found out that you can still make me cry. And to think it's been three years. Crazy, right?

I used to love that city. I still do, but last August I also discovered that there are landmines under almost every sidewalk. Those places have traces of the ice cream we ate, our laughter on the train, echoes of all the poetry and music and stories we gave each other. Bittersweet landmines. Each time they exploded a smile onto my face but the dark smoke would choke it out and take its place.

I only cry for the dead. But you saw how I cried over you at the apartment elevator that night. I think you told me to stop, but I'm not sure. All I remember is street lights, the taste of wet salt, and you looking like you were having a hard time breathing. Know that I felt the same. Or not. Sometimes I wonder why God never let me lose as many people as you. Maybe He knew that I would barely be able to handle losing you.

I haven't heard you breathe in years. All I see are your pictures and posts, intangible you. I can see you have grown in some parts... I hope you have. But I also see a lot of tiredness. And pain. And change. I don't think I can make you laugh anymore.

I don't know what your plans are now. I don't know if you still want to make films, if you still want to make things, if you still want to go everywhere you said you'd go. But I hope you know that my door is always open. And even if I will never hear you knock again, somehow I am comforted knowing that we

will always have the same sky.
Sofia Paderes Mar 2016
There is something about knowing that your heart
has finally found its place, that the peace you have been searching for
now knocks at your door.

That the storm that has left you in pieces,
that has you so used to the darkness you had
forgotten you once walked on sunlit paths
is finally over, and you remember that the moon and the stars still exist
that hurricanes, no matter how huge, lose their speed
and there is still such a thing as clouds
that don’t bring death with each fall of rain.

I know that there is something about knowing that
there is hope, and not just any kind of hope,
but the hope that is alive,
and knowing this… you know what it does?

It makes me feel like spring,
every fiber in my being so alive and kicking
and suddenly every part of me knows
how to dance, I lose control of my body
and even I don’t know how to stop me,
my mouth seems too small to contain the smile
that is breaking across my
face is flushed pink
like I’m in love, I am in love, how can you not be in love
when you know that a hope like this is living and it
overtakes you and kind of breaks you and
makes you feel like this, makes you
forget how to form words on your tongue,
even the simplest things are now indescribable
brings you to your knees, waterfalls of tears on your cheeks
and you’re not sure if they’re from laughter or amazement
but then it hits you, the word to describe it is
joy.

An inexpressible, glorious joy.

And this joy does not fade.
Even in my hardest nights, in the corners of my heart
there it resides.

How can this joy go away, when I know
that every ugly part of me
every mistake
every failure and every fall
has been taken and exchanged?
Darkness for light
death for life
sin for righteousness
mourning for gladness.

How can this joy be silenced,
when God Himself shamelessly proclaimed
His love for me, an unworthy being,
announcing to the world
that I am now His through the nailing of His body to a tree?

How can this joy be destroyed,
when even after accepting His love into my life
there are times my heart still strays far
but then, again and again and again, His love goes further?

It cannot.
And it is with this joy that my heart has been filled,
more than when all the blessings are flowing
and I am not lacking, this joy
goes beyond this world in which we are living,
pointing us to the only possible source for a
joy like this.

There is something about knowing where the source
of such a joy comes from,
and knowing that your heart has finally opened its doors
and finally found its place there.

And that source is Jesus.
And my heart has opened its doors to Him and
found its place in Him, and I am filled with joy.

An inexpressible, glorious joy.
Written for the invocation of UP Street Dance Club's Street Fusion 16: Doors.
Sofia Paderes Mar 2016
You might not remember my goodbye, but there were white walls. Around 9pm, a handful of other people, and the beating of a silent angel’s wing.

You might not know this, but that wasn’t a goodbye. It was too rushed, too ******, not enough space for letters to form, full of run-ons, no commas, no semi-colons, very messy, no— that was the goodbye in my head, but what I actually managed to whisper was full of commas, full of semi-colons, had too much pauses. But no stops. No periods. My goodbye was unfinished.

It went something like,

“I love you… I won’t let anything happen to the place you love most…. I will write about you, about your family; I won’t let them forget about—”

See? My goodbye was an outline. With Roman numeral number one being "I love you..." so,


I. I love you

   A. I love you; what more is there to say?
   B. Here it is: I love you
   C. And I will continue to love you

       1. long after my tongue forgets how to say your name because I know I won’t be saying it out loud anymore

      2. long after your bed exhales the engraving of your body on its sheets and I forget what sleeping beside you feels like

      3. long after the sound of sirens and wars and famines and earthquakes try to push the sound of your radio out of my mind (I will miss that radio)


II. I won’t let anything happen to the place you love most

   A. where is the place you love most?

      1. I hope the place you love most is within reach and not somewhere I can't go to

      2. or maybe it’s the place you call home, or maybe it’s who you call home

      3. I hope the place you love most is somewhere where I’m next to you

   B. I hope I can keep this promise


III. I will write about you

   A. how you
      1. once ate tortang talong everyday for two years — simply because you loved it

      2. keep everything — that eleven year old bar of Safeguard you once showed me, the children’s picture book Bible you’ve had since you were nine, and my letters you never replied to… I remember always writing apologies for snapping at you, now I’m writing eulogies and I don’t know how to stop

   B. how you love

      1. not with your words —  maybe words tired you because people don’t always remember words exactly as they were, but they do remember the way they were looked at, and when you’d look at me like that, I was suddenly fine with the way you kept your I love yous to yourself; they spill from your eyes anyway

      2. with your hands — you liked to fix my messes: from algebra equations to broken picture frames; you liked to answer my questions: where is north? who were the other men on the moon? what did you say when you had to say goodbye? I never asked you that last question, but maybe I should have so that I would have been more prepared for this moment and not would not have to have said goodbye to you in the form of an outline

   C. about your family

      1. I will start writing about them once I’ve figured out how to stop writing about you

      2. so I guess I might never be able to write about them

IV. I won’t let them forget about



And here ends my goodbye because I decided that I would be undecided about what I won’t let people forget. Let me remind them freely, without a guide to follow, just things about you I only realize later on actually meant something. And now I realize that that goodbye holds a lot of promises, and I need to tell you honestly… these days… I don’t write about you and I don’t think about you and I don’t see you everywhere anymore. And sometimes I don’t miss you. And I don’t know if that is a sign that I have healed, or if I’ve just simply chosen to ignore the symptoms of something much worse. But these days I swear I’ve been trying. Trying to let you in my dreams again. Trying to write more fragments and phrases and outlines and fulfilled promises. Trying to let you make your way into my words again, until my goodbye becomes a see you later. Until I someday write you back.
I've always regretted not writing about my grandmother more. So here's me trying to write about her again.
Sofia Paderes Jan 2016
I.
Mahal, minsan napapaisip ako...
Ang laki masyado ng mundong ito, ang mundo ko.
Gusto kong hawakan ang bawa't bato, yakapin ang bawa't puno, pero hindi ko kaya dahil nadadala ako sa tinig ng mga iba't ibang boses na humihila sa aking puso at hindi ko alam kung alin ang susundan ko.
Nakaktakot ang katotohanan na marami pang mga lugar na hindi pa natatapakan ng aking paa, marami pa akong hindi alam, marami pa akong hindi nakikita.

Pero minsan, ang katotohanang ito ang nagpapatibok sa aking puso, at nais kong pasukan ang lahat ng mga pintong bumubukas sa harap ko,
nais kong mahalin ang lahat ng taong dumadaan sa buhay ko,
nais kong maranasan ang lahat ng pwedeng maranasan ng isang tao.

Pero minsan talaga, hindi...
Hindi talaga alam ng aking puso kung ano ang gusto nito.
Kung isang mundong malaki o mundong maliit ang gusto niyang tirhan.
Pero yung nag-iisang bagay na kung saan ako'y sigurado, ay...
Na gusto ko na sa gitna ng kaguluhan,
iyong boses ang madidinig,
at iyong boses lamang.

Balik mo 'ko kung saan tayong unang nagkita,
kung saan tayong unang nagkakilala.
Balik mo 'ko sa panahong iyon,
yung unang beses na hinawakan mo ang aking puso sa iyong palad
at nagpangako na hinding hindi mo ito bibitawan.

Halika, balik tayo sa ilalim ng iyong puno.


II.
Habang ako'y nandito sa ilalim ng iyong puno,
hindi na importante sa 'kin kung malaki o maliit man ang mundo.
Basta't kayakap kita dito kung saan walang kahulugan ang oras,
alam kong iikot lang ng iikot ang mundo.
At sapat na yun para sa 'kin.

Dahil sa iyong pagmamahal,
lahat ng takot ay nadadaig.
Spoken word poem written for Risen Collective's first event, Silakbo. This was a collaboration with Coeli, an incredibly talented songwriter and musician. This piece was performed as part of her song, Puno.
Next page