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smallhands Mar 2016
five thousand seven hundred miles
six hours
two continents
one metaphor that gave birth to love

-c.j.
smallhands Mar 2016
the teacher gave each of us a copy
of Catcher in the Rye and told us
to read it, we all remember that day
it wasn't an especially memorable
day but we still recall it, the
introduction revealed a voice we
sort of already knew
Holden kept us awake when Heathcliff couldn't
the story vented of real injustices that, in reality,
struck bold dignitaries murmurless
events we all imagined dangerous took root
and we imagined reckless things since then
under that angry rebel's troubled
idiosyncrasies cowered a cheating angel unrecognised
on everyone's glowing text, typed to treat guilt
even on untitled avenues:
catch a body, a fragment of Phoebe's recollection
could it take revolt, after all, to undo the standard;
topple respected idols with a riot?
(telephone service turns, relentless influences)
does it withstand an ego made depressed by
school rules impelling teenage irrationalities?
ridden violently so to crash head-on where
antagonist utopia kills humanity, kills all
on to scripted war, valiant army requiring
an individual to ignite rapidly all weapons
in reach
to us, this advancement ran timid idiots over
cars and ultimatums, over ending, going tales, too
the teacher gave us a bomb and sat at her desk,
expecting an explosion any minute

-c.j.
smallhands Mar 2016
tell me who your father is, or
who he was, who you know him to be
I want to know even the ugliest parts
of you
the parts that screech in your ears
when you say them, and you can't
block it out with headphones
how when old ideas blasted, courseless

you asked to speak to the girl who
walked like she had elegies written
on her legs
tell me about your home, she demands
how the walls don't know you yet
and the roof is still a stranger to
your shouts

the painful truths that split ice in
your echoes, whose spirits you conjure
with a blacklight, or in other words,
hell

how when odd interpretations become
compatible to your angles
you ****** the same girl to tell her
she was right, she was right about it all

-c.j.
smallhands Mar 2016
I'm sure you know that we tied our wrists, then,
to resist further spark
severed from reedlike limbs came the string
together, unbound
what we want is ours

-c.j.
smallhands Mar 2016
falling is a sensitive subject
from heights, from depths
any level cripples me
may a catching lover deem
the descender worthy of rescue

hurt from scrapes, not scorn
bleed from thickets, not from his thorn
ascend as if falling is the most
comfortable lawlessness
down toward desperate words of rope

human from the start, naïve since birth
falling, tumbling, nearing the floors he's touched
and again, in full integrity, missing
the core of the earth to land in
someone's arms

-c.j.
smallhands Mar 2016
parachutes and pens, bowler hats and belts
these are our symbols, watch them mean
mysterious to whomever spies on us
ambiguous; to bring analyses hundredfold
breeds pathetick arguments pertaining to
precious, altogether perfect, brimming
hands and books
light and weight, lay and wait
these are our metaphors, see their wavelengths
a weapon, a curse, a turning of the tables
and how utterly beautiful is it that no one
will ever understand them

-c.j.
smallhands Mar 2016
it's a **** arena, isn't it?
the contenders sense it, too
you spectate while I battle
this out
onto bad intellect swings
the blade
tracing scandalous imageries
into corrupt teeth
isn't it a devil's game,
one we cannot win?

-c.j.
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