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Sleepy Sigh Jul 2011
I do not know if it was the guarding beam
Of a lighthouse, roving 'cross my prow,
Or the glimmer of a mermaid's eye,
Or just the glancing of moonlight.

I do not know what flashed in the night
As I tended my nets blindly,
Only that for a moment I saw
Something all enmeshed and shining,
And it broke free.

I do not think I could've caught it
Or kept it even if I did
(It was too precious to sell or eat).

Still I will stay and tend my nets
Where silver fish are known to leap
And vanish. If it was a lighthouse beam
I shall know soon when it comes around -
A mermaid I should know by the sound
Of song (which I do not percieve),

And if it was the uncatchable moonlight
Winking at my swaying ship
Then I will sit and watch it dance for me -
Always reaching and just out of reach  -
Until necessity nags me back onto the beach.

I will return each night to fish and gaze,
Envious of the water so kissed with light
And the insensate sands that glimmer
White, stupidly unaware of sight.

Yet it is not my place to say what sand should think,
Nor water, nor fish, nor the imploring moon.
I cannot touch the improbably distant stars,
But I will stand with my hands stretched up
As far as they can go, even if it is futile.

Perhaps one will reach down.
Sleepy Sigh Jun 2011
In the cold creek water, I dipped my feet.
Out past the pasture where the cows
Congregated in mooing groups,
Out in those woods behind the farmhouse,
I sat and dangled my feet in the stream.
Grandmother kept jars of peaches there;
Under the current, they were preserved
Better than in the old broken fridge.

One foot burrowed into the mud,
To the little stones below the bed.
The other came up to the bank,
Out of the water, so I could put my head
On my knee. Half-in and half-out,
I rested my eyes to the songbirds' cries.

That was not a poetic forest, surely:
Neither dark nor deep, and I
(As a child) had no promises to keep,
No miles between me and sleep.

Besides, there was a tractor in the lane,
The engine chatting with the morning
Like an old man (smoking like one, too).
The scent of manure was heavy - hardly
The romantic stuff of poetry.

Yet I tip my hat to the tractor and the creek,
With its load of peach preserves.
Yet I chose to write this poem -
Perhaps as thanks for the daydreams,
Perhaps as an early eulogy.

That farm has no place today,
My mother's wild and gentle home.
When the old guard have passed away,
Inter it with their gentle bones.
Sleepy Sigh Jun 2011
I'd like to catch a songbird when I visit.
One that only lives near your house,
One I've never heard.
I'd like to catch a songbird,
And have it sing for me
The songs you hear each morning.

I'd like to watch the moon when it rises.
Lifting itself over the earth, reflecting
As it passes my window.
I'd like to watch the moon,
The same white moon
That you might be watching tonight.

I'd like to hold the wind in a mason jar.
The warm little south wind
That chuckles and breezes northward.
I'd like to hold it down,
Whisper my hellos into its gales,
And let it go darting off northwards -
Whistling and running like a fugitive
To you.
Sleepy Sigh Jun 2011
If the universe is expanding and
All is in flight from the center outwards,
If what is close soon shall be far;

If all is slowing by miniscule degrees
Until the whole **** lot is frozen;
If every thriving life will cool; if I am
Mistaken and you are not the fool
I hoped you were; if you are;

If, in the vast ending of this story,
It is not the plot but the syntax
That chafes against you;

If you are a mad creature,
A dissonance in the hum,
If you can be defined by your name,
And you think there is anything to be gained
In your coming to the front lines,

If you think you can slow the creeping cold
Of mumbled words and sideways glances,
If you will not be cowed or numbed -
Gather your things, say your goodbyes
And come.
Sleepy Sigh Jun 2011
The excavation of a dark cave
Revealed two jutting stones,
One hanging, one upward-bound,
That had merged together
In a pillar. Laughing, I turned to my friends
Who gazed lovingly at single gems -
Whose edges they could shear and dull,
Whose mass they yearned to strip away,
Lest the simple stone annul
The useless glimmer they coveted.
I turned from them and leaned against
The stalagmite and stalactite embracing,
And knew not to move or listen back
But rather stare in the direction I was facing.
In the joy and rush of claiming
The opulence they sought (to blind their friends)
They forgot me, and I let them go.
I have provisions enough to live until
They come to fetch me back,
And while I wait I'd like to be alone
With no company but these loving stones.
Sleepy Sigh Jun 2011
Down in the forest,
Amid the creaking pines,
Are two rusty old silos.
We call them the tin cans.
A brave few will climb them
And balance on the walls
As sentries to those inside.
Encircled in old metal
There's a pow-wow going
Between the chieftan of North Can
And the princess of the South.
Bubbles drift as smoke from their mouths
And their round cheeks stretch in yawns
That betray the distant setting sun.
Our war is over, the chief declares,
But neither side has won.
That's true, the queen smirks back at him,
And neither ever can. What do we do?
He glistens with battle sweat and
His soldier's breath is heavy.
You and I will draw up a treaty,
He says, and war another day.
She acquiesces and signs her name
On a bit of leaf in invisible ink;
He does the same, and both recline
A moment against the flaking metal walls
While the topmost edge of the sun falls
Below the curve of the earth
And the dark branches of the trees
Cradle a baby night.
Up top a sentry calls dinnertime.
Sleepy Sigh May 2011
If all my words were mating calls,
And all my poems merely
The slapping of the waves by
A whale's fins to garner some attention,
If the purpose of all my work
Was only echolocation,
What answer can I make
When a listener surfaces
From the deep, calm and
Implacable, a beautiful inevitability?
What can I say when the man
I dove for comes to me
And says, Here I am,
You can stop calling now,
I will not leave.
What then, when I hold
Coleridge's flower in my hands?
What can I do now - I who have
Pressed my pen to the grindstone
For the purpose of finding him -
Now when all I know to do
Never needs doing again?
Coleridge's Flower comes from this quote: "What if you slept? And what if, in your sleep, you went to heaven and there plucked a strange and beautiful flower? And what if,when you awoke,you had the flower in your hand? Ah, what then?"
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