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  Sep 2021 Silver
Elizabeth Bishop
The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

--Even losing you (the joking voice, a gesture
I love) I shan't have lied.  It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.
  Sep 2021 Silver
Sylvia Plath
"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"
  Nov 2020 Silver
astronaut
“Two teaspoons of coffee, one teaspoon of sugar, and pour it right before it boils down”, my mother said smelling the coffee she is cooking to perfection. I stand there and wonder what scent Hamlet was smelling when he said “Something’s rotten in the state of Denmark”, I’m guessing it’s the same scent colonizing this house. I look at the ***** ceiling and start sniffing the air. My mother looks at me and says “your nose is nearing the skyline, keep it where your feet are. Men don’t like prideful women”.

I looked around trying to see what smelled so repulsive. My grandmother lit incense, my sister baked a fresh orange cake for celebration, my other sister splashed a few drops of the musk that the Arab man gifted us all over the house, and father held a stack of 500 Riyal banknotes to his nose.  

The rich Arab that knocked on our door last week asking if we have an extra womb for sale is visiting again today. My mother prepared a hot bath for me an hour ago; she said I have to smell like freshly uprooted Baladi roses, so I soaked in the bathtub trying to figure out what is this repulsive scent I am smelling.

Right after I finished my bath I told my mother “something stinks”. Her reply was dragging me to the kitchen where she teaches me how to make coffee. I say “mother, nobody drinks coffee here”, she says “You need to learn how to properly make coffee to serve our sheikh some tonight. Remember, eyes on the ground”. I reply reciting the lesson she just taught me “Keep them where my feet are”.

I hear people in the city overlook what lies beneath their feet; a 16 year old city girl will never know what it means to have to walk 30 kilometers with a broken shoe in order to read one book. I guess farming taught me a thing or two about looking down. I remember reading before that African slaves were shipped to America to primarily work in farms, coffee and sugar farms to be exact. I realize now what this stink is. I look at my mother and tell her “I will not marry him. This ring reeks of slavery”. She looks at me in astonishment, and I reply reciting the lesson she just taught me “and pour it right before it boils down”.
my writings are usually inspired by something I've seen or heard. Sense of sight and sense of hearing play a great deal in my writings, so I tried to incorporate sense of smell here..
Silver Oct 2020
I had never had a friend die before. I don’t know what made it harder: the fact that we had been friends or the fact that we were not friends anymore. The fact that some of my friends held fond memories of him, or the fact that many more were divided on which parts of his legacy to hold to light. I couldn’t say I missed him. He had stopped being a part of my life for long enough that his absence would not impact my everyday. I would not miss getting coffee together, or studying at the same table, or sharing lunches between classes. Not even seeing him at parties, when I would squirm away and avoid his company. If anything, I didn’t miss him at all, but a time when he was in my life. That time suddenly seemed so distant, as did the rest of the world under quarantine, as did every part of my student life now that I no longer shared any formal connection to the university besides an alumni ID. A piece of plastic on which my name had been misspelt by some bored administrator. More than grief, I felt guilt.
After I posted our picture together, my phone was flooded with messages from concerned acquaintances, inquiring about my emotional well-being. I did not feel entitled to those kind words, to all their comfort and well-meaning concern. I knew I was mourning something but thought myself to be unfazed by his death per se. Two days after his passing, I sat on my grandmother’s balcony, lit a cigarette and played some music while checking my emails in anticipation of the day’s work. A soft summer breeze blew across the tiles. The words of the song, which I had never truly paid attention to, took meaning. It described a far more romantic, poetic death than that which he had met. On the horizon the sky was still gray with morning fog. Boats slithered across the Nile waters. Children played on the opposite bank. Everything went on as it would have were he still alive to enjoy it.
I had never been close to Mostafa, but I think, were he given the choice, he would have chosen to live. To feel other breezes and hear other songs and watch other skies brighten with the rise of day; to hear other children laugh, do cartwheels on the pavement, and I sobbed. I had never felt empathy for Mostafa while he was alive. I had written him out of my life without a second thought. I could still grant him empathy in death.
I was listening to a song on the balcony and a soft breeze ruffled the pages of my notebook and the Nile looked gray and green and pale with foam from the motorboats and I thought about you and how you’d never feel another breeze again and how we joked about death like a distant impossible and I sobbed.
  Nov 2018 Silver
Arthur Rimbaud
Sonnet.

C'est un trou de verdure où chante une rivière,
Accrochant follement aux herbes des haillons
D'argent ; où le soleil, de la montagne fière,
Luit : c'est un petit val qui mousse de rayons.

Un soldat jeune, bouche ouverte, tête nue,
Et la nuque baignant dans le frais cresson bleu,
Dort ; il est étendu dans l'herbe, sous la nue,
Pâle dans son lit vert où la lumière pleut.

Les pieds dans les glaïeuls, il dort. Souriant comme
Sourirait un enfant malade, il fait un somme :
Nature, berce-le chaudement : il a froid.

Les parfums ne font pas frissonner sa narine ;
Il dort dans le soleil, la main sur sa poitrine,
Tranquille. Il a deux trous rouges au côté droit.
  Nov 2018 Silver
Ai
We smile at each other
and I lean back against the wicker couch.
How does it feel to be dead? I say.
You touch my knees with your blue fingers.
And when you open your mouth,
a ball of yellow light falls to the floor
and burns a hole through it.
Don't tell me, I say. I don't want to hear.
Did you ever, you start,
wear a certain kind of dress
and just by accident,
so inconsequential you barely notice it,
your fingers graze that dress
and you hear the sound of a knife cutting paper,
you see it too
and you realize how that image
is simply the extension of another image,
that your own life
is a chain of words
that one day will snap.
Words, you say, young girls in a circle, holding hands,
and beginning to rise heavenward
in their confirmation dresses,
like white helium balloons,
the wreathes of flowers on their heads spinning,
and above all that,
that's where I'm floating,
and that's what it's like
only ten times clearer,
ten times more horrible.
Could anyone alive survive it?
  Nov 2018 Silver
Jonathan Witte
What am I supposed to tell
the children when they bring
their deformed beasts to me?

I teach them the word menagerie as
they clear the project table and sweep
up cuttings from the kitchen floor.

We gather without you for another
slow parade of meticulously made
animals, and I’m embarrassed to
mistake their swans for butterflies.

The sky aligns edge to edge,
a yellow sheet of cellophane,
the afternoon cut and creased
and folded like fractal creature:
a crane inside
a crane inside
a crane.

— The End —