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Shvaugn Craig Nov 2013
part two*

i told you
i love you (i love you)
quickly without breath
in my memories
of the embellishment
of the act
and the tug of the words
from my lips
in one go
almost to the point where
i wondered if
i'd just thrown
my confession away
i told you
i love you (i love you)
"really?" you asked
really, truly
actually,
probably by now
for long enough that
i am no longer fighting it
and this will only
grow from here
i told you
i love you (i love you)
and you asked for time
but i knew that
before i decided to speak
i knew that as i
opened my mouth
i knew that as
i watched your face
in response and
it's ok
i'll give it to you
willingly

for i see no reason why
we won't get there
in the end
companion to 'make do'
Shvaugn Craig Nov 2013
part one*

i was going to write
you a confession
to tell you
i love you (i love you)
probably filled with words about
the way you make me feel
written like all other poems
and all other loves
shared by
other people
so generic that in the end
i couldn't
i was going to write
you a love poem
in confession
about it all
and i can't
not sure why
or how or when
but this relationship is now
everything
not in a creepy or
desperate manner
but in a fashion that it's
slightly too large
to kiss open across the page
in a way that makes
any sense at all
i was going to write
you a confession
to tell you
i love you (i love you)
but instead
wrote one
on why i couldn't

you'll just have to
make do with this
i'm sorry but love poems are hard sometimes
Shvaugn Craig Nov 2013
and this is different.
or not.
****.
you should push me,
grab me, bite me,
break me, pry me
open along the bed,
kiss me, stroke me,
hold me
together,
still. i keep expecting
something, as if the world
should have shattered,
i should have cried,
whether from complication,
fear or embarrassment, i am not sure.
yet this is normal, almost,
for i am still faintly left
with the rocking sensation
of your inhabitance of my body,
the beat of my heart in knowledge
of the act, the churn of my mind
in remembrance.
****.
you should push me,
grab me, bite me,
break me, pry me
open along the bed,
kiss me, stroke me,
hold me
together,
still.
for i do not feel to have lost
myself yet.
on the first time
Shvaugn Craig Nov 2013
the real question is
whether or not i will make you immortal*
as i press my lips to the curve
of your cheek on the page,
feel your fingers gently grasp
around my wrist in a light grip
and sigh.
because this is such a slow moment
in time, stretched out along
the length of my bed
in the soft darkness of the night,
my body wrapped tightly in yours
as the two of us drift off
into sleep.
i do not know any other way
to love people,
but to write the lines
of your body clear across the page,
slowly claw the desire
of what you do to me
along the edge of my skin
as i shudder,
shiver and then collapse forward
into the memory of your arms.
and in doing so, i used to wonder
what you
and other people think of this,
because i will not regret it
in the end,
for this moment existed once
in this type of love,
carved out against the thudding
beat of my heart
as i slowly try to climb
into you, elicit
a smile and a laugh, trace
my fingers through your beard
and eventually fall asleep with
my head on your shoulder
and your arm around my waist.
for we'll exist,
immortal,
as love letters on this page together
long, long after these moments
are over.
the first two lines of the poem are taken from They eat out by Margaret Atwood.
Shvaugn Craig Nov 2013
one.
two.
three.
four. i am still breathing.
tonight and every night,
your fingers in my hair as you **** me. hard.
almost to the point where i wish
for no mercy. one.
two. three.
four. five. six.
it's at the point where i no longer question it,
though i am often surprised
by the popular opinion,
for the internet is a bad place to be
when i have questions.
i have been told i should be choking, i should not
enjoy this, there should be no enactment
of agency to be found
within this moment.
one. two. three. four.
five. six.
seven. eight. nine.
ten. and each time i do this
i do not want
to apologize, not for the gasp
that escapes my lips as you bite me,
the grip of your fingers around my wrists,
the whole of your weight against me
as you pin me to the bed, or even
the frantic motion in which i move to kiss you.

for there is no point in questioning
the logic of how my lungs and body
breathe together in this natural state
of being.
i am tired with being told there is a proper way how be ******.
Shvaugn Craig Nov 2013
and in the end
i don't know why
but all i feel like
is crying

just enough to ***** open
the length of my pelvis
grip my fingers deep
into the give of my blankets
while i bury my head into my pillow
as to not allow myself
the temptation of screaming
in attempt to remedy
the situation
before i shatter apart
in the emptiness of tonight

i do not know what is wrong
how to tell you this or
even just to ask for you to hold me
tightly on your arms
until the confusion ends
or i finally start crying
whichever comes first
Shvaugn Craig Nov 2013
you
set me on fire.
like a love poem
along the edges of the page
as the flame burns brighter
and brighter
until there is nothing left
but ashes.
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