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Dec 2011 · 533
what it means to live
SH Dec 2011
“how would a man live
if he neither
fully
believes in rationality,
nor in God?

how would a man resolve
the paradox of
meaningful existence
and yet, the
purposelessness it brings?

how would a man find
comfort in
fellow men who are
as equally as you,
mortal?

how would a man understand
Creation when he is
the Created,
and part of
the Plan?”

the blind one asked.

“how is it man’s obligation
to answer these doubts?

how could man not see,
that his duty is to
live,
not question,
not answer?”

the wise one reveals.
Mankind likes to contemplate the reason for one's existence - which often, I find, cannot be answered.
Dec 2011 · 718
to be free
SH Dec 2011
a lonely nightingale
laments tunelessly at midnight,
a stiff tone echoing in this empty shop.
the metal resonates with sympathy.

outraged by her clamouring:
bribed her food pellets for silence.
she croons less unbearably now,
but with the same wistful eyes.

she beckons with her broken beak,
she longs for life beyond a cage,
watches my relenting eyes,
the sympathy residing in me.

to free or not to free this child?
i think her life deserves much more.
with a tinge of hesitance and of worry:
a lonely nightingale i free

she bustles in the shop with freedom,
her wings still unaccustomed to air.
her croon has sprouted into an anthem,
she circles the cage and bids goodbye

until she reached the window ,
and is re-greeted by cold metal grilles:
reminded of endless entrapment…
she finds herself still contained.

the way i see it,
she will never be free
until she lies
in the arms of death.

sympathetic human i am,
i picked a nearby tool of freedom,
plunged it into her heart,
and freed her eternally.
The poem here discusses the concept of freedom controversially.
Dec 2011 · 580
wine-water
SH Dec 2011
the first of drinks in days descend,
in short successions, teasing rain.
the trees and earth will crane their necks,
to receive like wine on lips, the shower.

they savour not the cool of wine-water,
for the rain itself has travelled long.
and when it lands to quench their thirst,
you hear the sounds of glass and liquor.

the rain has passed, as transient as nature.
another glass later, when the earth croaks dry.
but now, the wine has cooled their lips,
the air revived by a rain perfume…

and down are the necks of the heavy drinkers.
Inspired on a rainy day, when I took a close look at the greenery around me.
SH Dec 2011
take the man who knew everything:
he walked the boulevard knowing and thinking,
that a poorly-planted tree could, possibly,
let go its roots and knock him with a thump, or,
that he could perhaps, trip over a careless rock,
muddy his shoes in an unevaporated puddle
of yesterday’s rain, cross paths with ten thugs.
such foresight, he walked that boulevard with
a shield, thicker glasses, even thicker yellow boots,
except he could not stop no one ****, so,
he crossed the boulevard with that one discomfort.

now, take the man who knew nothing:
he walked the boulevard, and
crossed to the other side.
Sometimes we tread through lives, and are afraid of the actions we take. Here, I juxtaposed two attitudes towards life and let the reader judge for himself/ herself whether this 'fear' is healthy for us. Inspired by the lines: 'If you are going to walk on thin ice, you might as well dance!'
Dec 2011 · 1.2k
ushering in the wind
SH Dec 2011
no man has seen him, but
when here, when making his grand appearance
the world prepares for him.

the trees are first to bow down,
bending their trunks and shedding their leaves
and swaying about their roots to royalty

the half-damp clothes on hanging bamboos prepare
with its fabric flapping to play a fanfare,
then sound off with a fluttering finale as he whistles by and leaves.

the angled windows then, as if by unanimous consent,
slam themselves painfully into perfectly parallel
posture – like soldiers in a straight file.

and in mirthful defiance, a wandering page of the news leapt
and caught the wind like a kite, riding the city
on its crests and troughs
When the season for the tropical heat in Singapore is over, you know the winds are sure to cause a stir in the city. This poem was conceived on a windy day when I was home - fourteen levels high, a HDB-flat.
Dec 2011 · 3.3k
the merlion spirit
SH Dec 2011
queer creature of white stone:
the spirit of the island in the head of this lion,
the soul of the natives in the body of this fish,
spirit and soul, lion and fish, mingle together by
mere wry humour of evolution’s word

we revere this beast, (it watches over us
from nine metres above), we bow down our backs,
(worship it as our exemplar): for many of us,
unknowingly, we emulate the spirit and soul
of this queer white creation of stone.

standing tall (unshaken!) even as jaundice bolts of heaven’s
creep tip-toed behind its scales and strike:
its cemented steadfastness of stone we emulate,
for through the towering grey waves of crisis, and
the threatening dark clouds that foretell our very fears,
we too, have floated and transcended and appeared
unscathed.

mutated monster – child of bad genes,
they despise such unfavourable antagonistic features
(shall it rule like a lion or flail like a fish?):
its unlikeliness of surviving, of thriving we emulate:
for this dotted smudge of red pen ink on the globe,
destined to bow down to fate – bowed down not, and
flourished.

beams of white water spouting out in a
perfect shape of a quadrant’s circumference, endlessly,
its majestic spewing action we emulate:
this island of expectations, sterile smell of success,
fate of our future in the setting of an exam hall,
(in there do you not think we resemble the merlion,
our mouths the hoses, the papers our well?)

but, oh, the merlion – so many of it –
the merlions, same-maned, same-scaled,
fluttering and bursting with imitation across our home:
such congruity, conformity we emulate:
for years of yearning to swim in the mainstream waters,
of being goldfish, instead of losing the waters for flight like flying fish,
have made us very much, about
the same.

queer creature of white stone:
do you see not how we resemble your very self,
how we offer you praise (by
lifting our human arms, arching on our mere knees,
hoisting our lowly mortal heads, surveying your colossal royalty,
camera in hand)?
I tried as wittily as possible to draw comparisons to reveal how one of our national icons are eerily reflective of the Singapore culture in many ways. This touristy icon almost seemed pre-planned to capture the essence of what Singapore is.
Dec 2011 · 783
july bells
SH Dec 2011
the July bells ringing at twelve today I hear,
lulling sirens throwing their soft voices,
with much foresight for that moment which arises with a need
to blare and scare the people from their sleep.
they hear these chimes and for them it celebrates –

the start of July where revival rings in, or
the time to align the hands on their clocks to twelve, or
the moment their paychecks come rolling in richly, or
merely a deviance from their rigid routines.

the July bells ringing at twelve today I hear,
and for me this celebrates –
the penning of poetry inspired by such bells.
It is on the first of every month that the Singapore Civil Defence Force sounds the siren to test out the Public Announcement system in Singapore. Before I knew the rationale behind the bells, I have had (and heard of) weird theories why the bells are played - and they are addressed in this poem.
Sep 2011 · 666
yours
SH Sep 2011
to walk across a street and see:
lined golden bulbs with fixing glow,
and flickering flames from waxy tips,
and lying radiance – worthless stones,
and then to find that no one light
is yours to keep nor yours to lose.

to look across a forest hued:
a hundred golden sun-lit leaves,
that scatter themselves on fresh brown earth,
across a palate of flaunting flowers,
and then to find that no one shade
is yours to keep nor yours to lose.

to read a book from end to end:
and taste that rhythm and rhyme and sound,
then tear its form and see its meaning,
then piece it back with admiration,
and then to find that no one word
is yours to keep nor yours to lose.

to meet again with one another:
and see them age with grey and sorrow,
with merely hope to see tomorrow,
the grains of sand in glass they borrow,
and then to find that no one friend
is yours to keep nor yours to lose.

to venture life and only find, that:
nothing
is yours to keep nor yours to lose.
Life can sometimes appear gratuitous - I lament about this in this poem.

— The End —