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Barton D Smock Jul 2017
0503-2017

one day my son is dying, the next he is not, and the next he is.  day four:  prayer is dismissive, but welcome.  whose past is how we left it?  body is delivered twice.  beginning and end.  nostalgia and wardrobe.  middle eats everything.  it snowed and I thought my blood was melting.  could be the way you reason that happens for a reason.  I was a kid when mouse was a kid.  there’s no hope and I hope.      

0504-2017

his weight a cricket on a piano key

0508-2017

disability as competition, jesus.  and then these over here are arguing about the use of the word, disabled.  here we will coin transformative indifference.  a body is not a teachable moment.  as a parent, I think I’ll take the shortcut.  meanwhile, I have a glossary of terms you’ll never need that you can read beneath a dog-eared, thumbless god.

0513-2017

sickness in the young is god’s way of preventing nostalgia from becoming the god I remember

0515-2017

there is sickness by repetition and sickness by living once.  echo hasn’t the chance to go deaf.  you breathe and say god gives out  no more than that which I can handle.  the next breath is mine.  god gave us god.    

0602-2017

I was beautiful but now I’m ugly. (now) being the most recognizable symbol of the present. this is the silence I speak of. my son says (more ball) and you hear (moon bone). he is very sick. his moon has bones.

0613-2017

aside:  we don’t come out faking our death, but are born because birth can’t sleep

0620-2017

it takes four juveniles to recruit his thumb.  his fist has been called:  hitchhiker practicing yoga in a junkyard.  I cannot visit the instant ruin that forgiveness creates.  because I want to.  

0627-2017

magician, maybe, on a rabbitless moon- oh cure.  oh silence afraid to start a sentence.  

0627-2017

aside:

I study lullaby
and lullaby
bruise    

0706-2017

the disappearance surrounding said event.

a horse belly-up in water’s blood.

see telescope.  also, cane of the blind ghost

0719-2017

today was more your hand than the photograph it was cut from.  a family of five in the bed of the unremembered present.

— The End —