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Sean Critchfield Oct 2013
I sometimes wonder
If my last regret will be
the things left unsaid.
Sean Critchfield Sep 2014
I now view my mortality as a foe.
And I think I can win.
I know. I know.
The title is as long as the poem...
Sean Critchfield Dec 2013
And the secret things she whispered to me.
Beneath the limbs of the baobab tree.
I held to my lips like molasses and wine
And dreamed of her kiss with the promise of mine.
Sean Critchfield Jul 2011
Dear…

I don’t even know what to call you. But, already, we are beyond such things, aren’t we? When you wander into my head from time to time and form to form I am left with out a course of action. Mostly because action seems… so… very…very… silly. But this time. I took said action. Here it is.

I am sounding this letter off of the sky as postage. I am licking my lips to seal the envelope and throwing my marbles into the sun. I am lifting you, without strings, with the last of my magic.

I am not sure how the universe will choose to eclipse or supernova our meeting. But I am patient. In the mean time, I will remain so.

But I thought you should know.

I promise you passion.
I promise you fire.
I promise you mood swings, and fights, and making up, and making love.

I promise you an insatiable hunger to touch you. Kiss you. Be with you. To a fault if you wish.

I promise you a less than perfect attention. I promise to get too caught up in my vision of you to notice you, from time to time. I promise to notice you, more often than not.

I promise laughing. Together and at each others expense. But laughing. And laughter. And cause for it.

I promise to be serious. And scowl. And furrow my brow and nod my head at just the right times.

I promise to picture you naked at the most inappropriate times. I promise to paint pictures of your smile on the back of my eyelids while I sleep. I promise to sleep next to you, feeling my body scorch as our temperatures press together in red patches of skin.

I promise you poetry. And wine. And both at once.

I promise you adventure. I promise you distant landscapes and matching our rhythm to the train we find ourselves in, watching the blue, gray, and green streak by our window like an exercise in futility and motion.

I promise you futility and motion.

I promise you faith. I promise you doubt. I promise you a clenched fist and an open hand. I promise you my shoulders to stand on and my frame to drink from. I promise you holding hands on midnight drives from place to place.

I promise you silly.

I promise you gifts and flowers for no reason. I promise you a constant reminder of my awareness of the gift of a woman that I have been blessed with.

I promise you breakfast in bed. I promise you all day in bed.

I promise you discipline. And craft. And becoming a master of loving you.

I promise you truth. And empty promise. I promise you the promise of more.

I promise to be artful. I promise to be delicate. I promise to be crass and a brute. I promise to regret what I have said, over and over. I promise you steadfastness through the changes as we learn to navigate the many tides of the sea we find ourselves drowning in together.

I promise to be your opposite and drive you mad. I promise to be your equal and touch you thusly.

And you. I promise to only allow you entry to my heart if you are what I know I want.

I am faithful. I am loyal. I will not fill your space with less than you.

And I’ll only ask that you be worthy of this.

And here is something shiny.
And red.
For you.
To wear.
As your own.

It is all I have.

My return address is on my palm, out stretched to you. I await the scent of perfume on the letter you will write in me.

Red and Shiny.
And worthy.

All My Love,
Sean
Sean Critchfield May 2013
Written as a wedding gift for two dear friends, Gregg and Lisa.*

This is a love poem.

This is a clashing skylines over mountain tops love poem.

This is a desert wind kicking dust clouds off of the earthen floor like time love poem.

It's a phoenix rising from the ashes again and again, smoothing every rough edge to make them beautiful, burning faults like paper lanterns love poem.
It's giant monument cascading down in a rainstorm of embers as the lone giant tumbles to the earth in a offering of solidarity.

This is a love poem.

It's wind and water and trees bowing limbs in genuflect out of respect for the hearts combined.
It's wild and fierce, like great beasts and flashing storms that match the primal song of the passion of two souls aligning.
It's hanging by a single chord from the tallest of ancient brothers. It's laughter echoing off of canyon walls and echoed back like majesty.

This is a love poem.

This is an urban jungle alive with life and color love poem.
This is a chain link fence and beat pounding to vibrate two heart strings into a single rhythm, striking a beautiful chord love poem.
This poem is spinning lights and a body of hundreds. Legion, moving as one, rich with the scent of joy and effort.
It's late nights and early mornings, adorned in affection and whispers. It's music and dance and holding tight and holding on.

This is a love poem.
This is a timeless love moving at the speed of thought, pushing clocks to keep pace in futility love poem.
This is a hand touching skin, like ink touching paper to record the poems of your past, present, and future, to only be recited with a kiss love poem.
It's a forever has too few letters for how long this love has been destined and how long it will continue on love poem.

This poem is learning the other like morning prayer. It's tasting each goodnight kiss like Eucharist.
This poem is sound and fury and steadfast through every storm and letting the wind of your whirling dance fill the sails of the wooden ship you build together.

This poem is aging. Building monoliths of your past. Tearing them down and using the stones to build the cobbled path of your future. It's a new laugh. An innocent laugh. Fresh eyes glimpsing a future made from the hearts of two that will carry the love forward so that it can remain forever a wave giving back to the shore. Rich. Tidal. Steady.

This is a love poem.

This is a wrinkles and cracks forming like cuneiform. Making the sculpture more beautiful with time love poem. A lines spreading out across the cover of the book, wrinkled to resemble a road map of the winding path of the journey of two, circling one and other like a binary star. Bright and radiant.

It's a patina heart. Showing through with red and blue. Lines lit by fire that warms aching bones on even the coldest nights of our minds.

This is a love poem.
This is a celebration.

This is a gathering of witnesses who checked their wings at the door, that we may stand below and watch the dance above. Quaking parishioners glimpsing the face of God and beauty. Jaws agape eyes shining with tears like morning dew.

This is a love poem trying in vain to describe the beauty of soul mates finding their way back home. For sometimes home is not a destination, but a person.

This is a love poem.
This is a poem about love.
Sean Critchfield Nov 2011
I would inscribe her image on the front of my heart,

were her irises, ink.

And though my hands have wept and bled.

Though my tongue has sworn and stabbed.

Though my heart has hunted and prayed.

Though my lips have lied and kissed.

I haven't the knowledge to capture her.

My masterpiece, a failed rendition of  her countenance.

Put down your pen, poet.

No arrangement can rival the timelessness of her touch.

To try is folly.

Love simply.


Let my half of our kiss be the melody you harmonize to.

*“Hold me tight.”
Sean Critchfield Sep 2012
“Don’t forget me. Okay? I want to be remembered. Just not this way. I will remember you as a dancer who could weave patterns through the rain. And you remember me in a sailors cap and dungarees.”

“The smell of this never seems to go away. I won’t forget you, though I may over look us sometimes, just the same. I meant it when I said it. But if you wouldn’t mind. Do your best to forget me if you please..”
Sean Critchfield Feb 2014
Big World

Our hands met in a mess of rust red. Pressing the clay into heart shapes as they reached into one and other for something to believe in. But our journey began before then, in fits and starts. In passing scenes of first act exposition. My wondering eyes and yours of gloss and experience on summer nights of velvet lines.

We would be forced together, it seems, by happenstance and wine, like a passing note on a harmonica that you hit just right for the first time. And we would become fluent in our own drunken language of 3 am metaphor and sadness.

So many times, my lips began the journey to yours before we crippled them with “what for’s”. But still we’d share winter constellations and whispers and moments so perfect. Me on my knees, drawing your portrait on the path with handfuls of sand.

Even half a world away, my drink still seemed to rearrange itself into letters spelling your name. And then you asked me.

If the world seemed smaller.

And my mind was.

And my hands followed suit.

And then my frame began it’s descent.

But my arms stayed the same length. Just long enough to hold you.

I’d written the answer on the inside of my forearms, so I could press them to your body when I held you.

And my own joy of words, that only you would understand, I scrawled on my palms to serve as affirmations to myself when I covered my eyes to see no evil. Words like:

Majestic.

Precise.

Serendipitous.

And these words sent their letters to my mouth, asserting themselves in phrases like:

It’s a big beautiful world.

It is a big beautiful world.

And still we dance around our imaginary fire of ‘not good enough for you’ like a binary star. Beautiful but incomplete.

So, I loosened my tongue with women and foresight and raced the blood from my eyes to my core and pealed back my layers, until I could find the answers written in God on the insides of your forearms.

And now I know the answer to your question about the big, beautiful world.

And I don’t mind telling you.

I.

Don’t.

Mind.

Strong, stunning woman with hands covered in soil from the roots of the world she tugs on…

It is in your stride. Leaving wakes of timelessness behind you.

You seldom see, dear one, that you are the world. Not the child. And if I ever stoop to lift you, it is only due to the mountain you’ve erected beneath me, so that I can always see you. Across any distance.

You are reserved for made up words.

The story of your life is written on pages of gold.

I breathe honestly into the wind in hopes that it will touch your face somehow far away.

Tonight, I write by moonlight. My fifth glass of port wine is by my side, turning my blood to something sweet. I have no time for less.

I would whisk you away with me, but you are where you need to be and I haven’t found that yet.

But if you ever want to go, I would take you and show you the whole strange world that I see now.

No, my heart.

The world looks bigger.
Sean Critchfield Oct 2011
We make shapes with our hearts.
Concentric rings that ebb and flow like spice and mystery.
And though the rings are not eternal..
They will intersect from time to time like lighthouses.
Look to the shore.
The beacon is simply my eye
reflecting your light back to you.
Sean Critchfield Aug 2011
Maybe. Maybe I said it. Maybe.
Maybe I said, “I love you.”
And maybe. Maybe. It was too soon.
And maybe you panicked or I panicked or we panicked.
And maybe we should have waited longer.
For a lunar eclipse to kiss and whisper it under.
Or at least at the top of a Ferris Wheel.
Even soft neon lights of a gas station before a road trip to say… Disneyland would do.
But maybe.
I didn’t wait. And I said it the first time it bubbled out of my chest like mercury and tried to force itself out of the corners of my eyes, shining like mirrors.
And  maybe we panicked.
And maybe you’ll decide to take some time.
And I’ll think it’s a good idea.
And you’ll get around to painting your bedroom walls blue.
And I’ll finally finish that replica of… Big Ben.. made from… toothpicks.. or some ****..
And you’ll get that job for that network.
And I’ll decide to be a carnie, because my feet have always felt so much better on the road.
And you’ll laugh.
Just maybe less…
Or not as hard..

And I’ll learn to roll cigarettes and run the Ferris wheel. And wind up with an eye patch from a freak dart accident in a pub in Scotland. And get sun leathered skin. And road earned muscles.

And I’ll master all the rigged midway games.

And you’ll have a better time in France than the last time and make it back to Greece to see the oracle. And learn to play the violin.

And I’ll develop a keen sense of when to pause the Ferris Wheel to leave the couple at the top just.. one.. moment.. longer..

Or at least secretly teach him how to throw the dime to win her the really big ******* Snoopy.

And I’ll wonder if you ever wake up and look for me.
And you’ll wake up sometimes and look for me.
And I for you.

And maybe I’ll get self absorbed and write the rest of this poem from my perspective.
But probably not.
And maybe one day I’ll go to the fortune teller to find out how you are. And where you are. And you won’t be far away. But I won’t want to intrude.

And then the fortune teller will tell me not to play the game where you knock the milk bottles over anymore because fortune tellers say weird **** like that sometimes..

And maybe I’ll listen..

And maybe I won’t.

Maybe one day, I’ll forget and teach the nerdy highschool kid how to beat the milk bottle game so he can get the frosted mirror with the cheesy rose and the word ‘LOVE’ in cursive for his girlfriend, because *******, sometimes you have to help the underdog  get the girl.

And maybe the gypsy will be right..

And those bottles.
At that moment.
Were some kind of cosmic key.

And as they topple over, all hell bust loose and pours violently out of the mouth of the bottles.

And demons flood into our world in waves.

(And if she kisses him at the top of the Ferris Wheel? Totally worth it.)

And in time, the world would have to notice.

What with the Leviathan coming out of the ocean and the dead rising from their graves and the four guys on horses and all the pesky locusts.

And did I mention the Zombies? And the vampires? And the Vampire Zombies?

And who would have thought that the adorable little fairies would be carnivorous and cannibals and just plain mean?

And maybe it would attract the attention of Aliens. And that U.F.O. you saw that one time in Texas. And maybe the U.F.O’s would attack and fight the Leviathan, which would be kind of bad ***.

And the zombies would fight the vampires and the vampires would fight the zombies and the Vampire Zombies would fight themselves and the Zombie Vampire survivors would find that they had a distinct taste for Soy.

And maybe us carnies would have enough experience with sledgehammers and haunted houses that we’d be rather good at fighting zombies. And I’d be particularly bad *** because of the eye patch and leathery skin and hand rolled cigarettes that I chew on more than smoke. And maybe I’d go lone wolf and ride a motorcycle. Which is also kind of bad *** and I’d do okay considering the apocalypse and all because honestly?

I’ve never been all that scared of ghosts and devils. And the UFOS are busy with the Leviathan and their really is only four of the horseman and we keep a professional distance just the same and the locusts and the fairies are at war, besides locusts don’t bother me, save for the noise.

And look..

I guess what I am really saying is this:

I think maybe I could survive.

And I think maybe I could rescue you.

And maybe we could fall in love.
Sean Critchfield Oct 2011
We are drawn to the soft glow of lantern light, wringing out the darkness like ink from our child hood blankets.

And she sits quietly. Embracing history like four walls around her. Colonial castles of red brick and time. Each mortar blast a bond reminding her that her strength is mighty. Like red bricks and battlegrounds.


And the drip of the bottle is an hour glass. Measuring the night in burgundy sips. Soaking her lips to crimson.

Gentle aromas playing in the heightened senses of a heart choosing to mend. A heart choosing to beat. A heart growing stronger as the wine flows, like blood, through it's arteries.


Take in the night. Anticipate the dawn. Sing out.


There was a time. A time when this silence would have been a language. And touch would have been punctuation. But this is an exploration of solitude. And beautiful might.


The crickets sing songs to the fireflies, illuminating the world for the other in a dance of darkness and light. And she hums the harmonies.


She knows them like nature. Like shut eyed kisses.


And the abrupt giggle feels warm and rich like caramel. Musings of the sweet melting on her tongue matching the color of a foreign beach soon to melt under her toes as the tide rolls buy.


The coast is clear.


The sky is clearer.

The wind is biting.

And serves as a reminder that sometimes we must hug ourselves for warmth.


And yet in this. She fights back desire to reach out to strangers.


It is her way.


The melancholy beauty is a sweet wine. That shall never be bottled up.


Just drank in.


And wished for.


Yes.


Laughter.


And growing strength.


This is what her bricks are made of.
Sean Critchfield Feb 2014
Sometimes we are made aware of beacons in the rest of the dark.
Like stars littered across the attics we trap ourselves in.
Sometimes we chase rainbows with beggars eyes and wishes like children.

Some people are like soup soaked bread crumbs and wool mittens with the fingers cut out.
The rest of us are chimney soot.
And they are ‘chim chim cheree‘.

They are song filling every corner of the antique shop.
Silver under tarnish and weights and measures
balancing on the hands of the scale
suspended from the spear of a woman in white robes
with blue eyes that match the sky when we stare at it
and it usurps the corners of our eyes
and we are made aware of how small we are
as we get lost in how complete it is when it is with out clouds
with silver linings that never seem to follow through to rain.

And some of us?

Some of us are rain.

And thunder that shakes your soul.
And images of gods in black and white that burn themselves onto our minds
for us to study with our eyes closed.
And some of us are doing the best we can.
And some of us are not us.
But are the others.
And we would be lost without them
to point beyond red sails on sundown ocean horizons,
just before the world turns blue.
And some are the pops and cracks between the notes of Coltrane on Vinyl.

And you.
You smell of confessional walls and a nursery.
You smell of camp fire blankets and bruised roses.
You move like corner of the eye shadows
and windshield wipers with no chance of beating the rain.

You write like stone tablets and feathers.
Blown bubbles and spun webs.
And you feel like chance.
And love.
And strength.

You change like ropes on ship decks and tarot meanings from gypsy to gypsy.

And you are beautiful.
And beautiful.
And beautiful.

And everything.
And everything.
And everything.

Strong like ropes on yard arms of old ships in ancient seas.
And you go and you take us there.
And we go, because we want to see too.
And we want to be full on wild flowers and raspberries.

And we want you to show us the line on our palm
that separates the dark from the light.
And we want bed time stories and lullabies.
And with my eyes.
And with your own too.
And more importantly.

You.

You are the place where there is hardly no day time and hardly night. Things half in shadow and things half in light. On the roof tops of forever. Coo. What a sight…
This was an exercise. I enjoyed writing it. Sometimes it feels a little too obvious. Forgive me.
Sean Critchfield Mar 2020
She carries constellations on her arms. Visions of light in points on skin that tastes like milk.
Cascading upward to visions of heaven and hazel eyes, like caramel sunsets.

This one a kite.
This one a compass.
This one a whisper.
This one a secret language.
This one is a sacred thing.
This one. Right here. In the center.
This one is a single star that feels like North.

I will be fluent…

And from the start my boyish heart wondered
what your lips taste like stained red with wine and dripping with poetry like honey.

Haunting stanzas in the pauses between the notes of your voice.

These days we all need to carry a phoenix on our back.
These days we all need to be reminded that we can rise from ash.
Like high tides and crashing waves. Furious and poetic. Serene and powerful.
And at your core sits the eye of a beautiful storm. You are mighty. And mysterious.

You are serene and powerful.

And she weaves her hands around those strands of time gracefully. Casting spells like ripples, carrying outward, unaware that the pool stares back, jealous of her reflection. Her candle is lit.

“And what are you conjuring?”
“Subtle magic of the ancestors.”

The divine sits slyly in the moments between the moments. If god exists, it must be right now, with your head on my chest. Your hand in my hand.

The red and fiery windswept canyons make me think of her. And I. Earth that has accepted the kiss of fire and blushes the length of mountains. To crash against a sky so blue you could drag your knuckles across it.

And in that breath, I watched her take between the sips of wine, I felt that old and timeless ache become the days behind.
The moon is high now. The stars have danced from her arms to the satin sky, and some have even chosen to live as the shine behind my tired smiling eyes.

Tomorrow is dawn. Her smile will sing the sun up like an ovation. Cracking the horizon open with potential. And we are forever changed. Facing that horizon, eager to see what may lie beyond it.

I predict laughter. And adventure.

Perhaps I do believe in magic…
Sean Critchfield Aug 2011
Standing in the pool of light. Moving in small circles. Smiling. Glancing. Talking in brief phrases, punctuated by laughter. And all the while aware that things had shifted. The planes of our potential, meeting, and pushing, and forming a snowy mountain between us. And each wrapped in skins marching up the face, between the tall pines, to crest the top and over, if need be. Me, crashing into you and you in to me. In my head the mantra goes on. Verse by verse. Each one with it's own meaning but the words not varying a jot. As easily constant as, "She loves me. She loves me not."

Don't go.
Stay with me.
Don't go.
Stay with me.

Over and over. Hoping that something in the way the light from the stars catching my eye would convey these words so powerfully to you., that it would stop you from continuing on, into the world, away from me, and gone.
And I am left with coyote to howl at the moon. He and I in harmony, singing a woeful tune, with words paraphrased from the tongues of Gods. Longing for you to come back soon. And each page of each poem I write for you will be drawn upon. Little margin Picasso's of letters trying desperately to gather into an order that holds some merit or worth. My pen, racing along the line, trying to capture the feel of the goosebumped skin of your thigh. Trying to find a rhythm of rhyme that beats in time to the quickened pace of my heart when you kiss me with an unrelenting ferocity that pushes my bleeding lip against my teeth and settles my mind into a moment of peace. But frees my hands to their own devices.

The kiss, feeling less like an affection and more like a crisis.

And this ink rolls off my pen like saliva off of my tongue as I race along it's lines in an attempt to scribble down something that will make you understand. I'd sacrifice every even numbered breath for the ghost of Byron to lend me a hand. As his sword/pen slashes through and through until the only letters that remain, when put together, cascade into a new mantra of:

I love you.
I love you.
I love you.

And once again I stare at you. As the earth, the moon, the sun, and the ring around the outer-edge of my eye move in perfect circles, and hope that the way the reflection of that look, that breath, that way that you touch me, is caught in my pupil and you see it. And it stops your step, as well as your breath. And you understand, somehow, that as desperately as I want to...

I, sometimes, don't have the words for you.
Sean Critchfield Aug 2014
Place your hand upon my chest.
It reminds me how it feels when it's mended.
Then use it to cradle your head while you rest.
The worst of it, like the day, has ended.
Sean Critchfield Aug 2011
Shut the Windows.

Turn off the lights.

Lock the doors.

Make no sound.



Cover your eyes.

Cup your ears.

Until the only sound that remains is the steady beating of your heart.



This is where we will begin.



If you were the only thing this town had to offer,

It'd be enough for me to stay.

Or go.

Or try.

Or talk.

Or tear the roots of a sequoia from the earth and mend it together into a spine,

That I would wear for you.

Earthen.

Beautiful.

Strong.



It is like being shown how to breathe and then asked not to.



And these cycles keep forming on my chest like a bulls-eye.

Making me a target, once again, for beauty just out of reach.

And how we seem to perpetuate patterns. Circling uselessly through our transgressions.

Like a broken record.

All grooves and needled and cracks.

Skipping like heart beats.



Seems I am always chasing some sunset or another.

They just have different names.



And we believe the promises. Inscribed on the back of dewy eyes at dawn.



Not me.

Not this time.

Babies in skins.

Mountain tops.

Running away.

Steaming trains.

Landscapes and bedrooms and windows and moonlight.



But then they are always just warning labels.

Fine print.



We have already made promises.

Pastries and the smell of fresh coffee.

Rain on green hillsides.

Mountain tops.



Mountain tops.



But my hands only seem to fold into prayer or failure anymore.



My wolf heart smells familiar scents.

Like endings.



Once again, my branded heart is folly.

And the river of doubt snakes through our canyons, making our mountain tops further away, and settling about our necks like guilt.

Guiding us parallel.



But not yet as one.

I have already lost what I had won.



And my trap has been set and released.

Golden teeth like shackles, clamped to my leg.

Victory on it's grin like plague.

Plating your outstretched wings.



I can see beyond these words of breath and know you are poised to fly.

And finally I understand what it is to stand on this side of the ocean.



It is cold here.



My shoreline is my prison.



Let. Me. Be. Something.



Or just let me be.



And I have held my heart out. Netted together by cast iron plates, rivets, bolts, violin string, and wishes.



Again and again.



And each time, I am told, yes..



yes..



I will take it as it is.



Yes



I will take it into me.



Yes.



I will walk the path. First to make the prints and then to walk in yours that walked in mine.



I believe in how you love.



I will hold your heart in mine.



Just





Not





Yet.



Or ever it seems.



It used to shine.



Running down my arms as I held it aloft on mountain tops.



A beacon.



A light house.



A fool on a tower.



Now it hardly glows at all.



But it smolders madly.



And it could burn.



For you.



Or burn out.



Forever.



Just



Not



Yet.
Sean Critchfield Jan 2014
The sun had not shown its face for a few days. But this morning he greeted me with angel kisses. A snow storm of tiny floating messages danced through the beam of light from my window to my bed. A path I walked the night before alone. And I watched as he said, "Wake up, Sleepy head. It will be over before you know it. So take in this hug from the world. It is your own. And dance the dance of knowing. Because somewhere far away, someone is thinking of you. Right now. And you of them. And they know it and you know it and in some places built of poetry and ink that is the same as kissing on the wind. So write your song, Sailorboy, and listen to the seagulls. They know best."

And I made my way to a place that tries to be French in China. And had crepes. And now I will go to the beach. Pray until my hands are chalk white and my arms scream for release. Come to some agreement with a rock that is older but not as stubborn as I. And learn that we can bottle memories. But not in photographs. But in poetry. In hopes. In potential. And in potential energy.

I am sending you the taste of foreign salt water in the air. I am sending you the sting of good sweat in your eyes. I am sending you kisses on the wind. I am sending you potential energy. I said hello to the sun today. He said to tell you he'd see you soon..
Sean Critchfield Jun 2013
My Father used to buy cars. A lot of cars. Broken down, busted up, P.O.S. cars. Usually VW's. Always on the door of the great rusting field in the sky. He'd park them on the side of the house in a long row. This area was technically off limits, but rest assured that many battles were fought against mythical beasts and imagined armies.

It was a fort, a hideout, a giant clubhouse, and where I saw the inside of my first ***** magazine.

But the landscape was always changing. Evolving. This time line of rust and oxidized paint.

The cars would move forward one by one into the future like plate tectonics and more cars would be added to the past. And each one would make it's way into the garage. The land of curse words and flying tools. It was in the gladiator arena that smelled less like sand and more like grease,  that I learned to be a man.

Busted knuckles and loud music. And these cars would raise up on stands, and my father, like a surgeon would open their insides and make them whole again. Slowly. With the time that he had. And the cars would heal and eventually purr to life. And then, one day, they'd be gone.

Some would stay longer than others. Some would be displayed like show ponies. But eventually, they all left. And all the while, I would watch from my graveyard of cars on the side of the house.

It wasn't until I was older that we talked about it. Those cars. I always thought that this was just my dads hobby. Fixing things. It made sense. Anytime I needed something fixed from a toy to an angry heart, I'd take it to my father. And, I suppose, in a way it was.

I asked him about those cars once. Why he did it? Did he miss it? Why didn't he keep them?

He told me that he never intended to keep them. That in his eyes, they were not cars. They were insurance policies. Rent. Food. Emergency house repairs. Peace of mind for my mother.

And it all became clear. My family struggled in my youth. A young couple. A hairdresser and an airforce airplane mechanic. With two kids. Trying to make ends meet.

It was this line of rusted cars that made those ends meet.

It was ****** knuckles, loud music, curse words, and air heavy with sweat and grease that made those ends meet.

And any time the ends would not... quite.. touch...

One of the cars would go.

My father doesn't work on cars anymore. He doesn't have to. He and my mom are successful. Comfortable. They worked hard to become so.

And I am proud of them.

He has traded in his wrenches for other hobbies. Traveling. Collecting military memorabilia on ebay. Watching movies.

But that row of cars will always live in my heart as the example of what it means to be a good man.

My father loves his wife. He loves his family. His knuckles have healed. And the cars have gone.

And he is still my hero.

My dad is a husband, a fighter, a survivor, a mountain man, a war hero, a father and grandfather to dozens who didn't have one of their own, a firefighter, a medic, a collector, a wicked good shot, a teacher, and a friend.

He is also a mechanic.

And he is a good man.
Sean Critchfield Apr 2014
Let us not be slaves to our fears.
But servants to our hearts.

My body, now, is an old mansion.
Iron gates and heavy oak doors.

Your kiss. Your touch.
Sacred phantoms.
Lingering and supernatural.

Oh, that you would haunt my home once more...
Sean Critchfield Jan 2018
If we are a story, we are a timeless tale.
Weathered pages that smell of dust and vanilla.
Leather spines and oil fingerprint stains on well thumbed pages.
We are timeless.
A story that lasts.
A happy ending.
A myth.
A fable.
Legendary and beautiful.

And you.

You are the Author.
Sean Critchfield Oct 2013
How many can say
They would labor for your kiss
If only once more?
Sorry for the flood of Haikus. Brevity is the soul of my busted heart it seems. At least right now.
Sean Critchfield Nov 2019
Fair warning. I am coming for everything they said I couldn't have.
Sean Critchfield Jul 2013
The calmest place that
I have ever been was in
The eye of your storm.
Sean Critchfield Apr 2014
He may have your heart.
But he'll never have our moon.
Our beautiful moon.
Sean Critchfield Mar 2014
I secretly hope
She doesn't learn from our past
So she'll repeat me.
Sean Critchfield Aug 2011
Please don't run away.
Because I won't chase again.
It's my turn to run.
Sean Critchfield Oct 2013
What is the point in/
being a poet, If I/
can't find the right words?
Sean Critchfield Apr 2014
I understand now.
A midst my glory, I had
Forgotten my cause.
Sean Critchfield Oct 2013
I am sorry that/
my cave is so deep sometimes./
The light hurts my eyes.
Sean Critchfield Nov 2013
Upon the roots
of the Oak
I sat.

Joined by
the works of
Whitman and Kant.

Where I ate of the wild
until my heart grew fat.

And whispered,

"Yes... this is where I will hang my hat."
Sean Critchfield Jul 2011
Let us go forward then, in full bloom.
Daring to be only what we are, at last.
For in our kiss, we felt the future.
But in our haste, we taste our past.
Sean Critchfield Jan 2014
I can bottle up some sunshine
to better light your purgatory.  
I can write a happy ending
if you need one for your story.
I can offer a tender moment
and a chest to rest your head.
Or a gentle reassurance
that someone hears what you have said.
I could do more...
If you'd ask.
Sean Critchfield Dec 2013
My hands would find the notes hidden beneath the skin of your lower back. Pressing into your spine like piano ivory. Taking care to avoid the black keys. Breath to carry the melody past your ticking mind. Warming your belly like fire and hope.

You are so silly sometimes.

Unaware that the song was written all along in the sheet music stretched behind your eyes. I play by ear.. because I see it. And I hear it. And I've heard it before.

It's caught in you. Owned like the tide in the shell.

It is a secret song. Something sweet and strange. Nostalgic. Honest. Beautiful.

When it isn't a siren call...

It is a lullaby.

In the key of "we".
Sean Critchfield Jun 2021
“I love you without knowing how, or when, or from where. I love you straightforwardly, without complexities or pride; So I love you because I know no other way than this: where I does not exist, nor you, so close that your hand on my chest is my hand, so close that your eyes close as I fall asleep.”
-Pablo Neruda

Though this is beautiful, it is wrong.
I don’t want your chest to be my chest.
I don’t want your hand to be my hand.
I don’t want your breath to be my breath.
I don’t want your eyes to be my eyes.
I don’t want your sleep to be my sleep.
I want to exist apart from you but with you.
If you’re chest were mine, I could never offer it to rest your head upon when they day has been long or listen to your heart beat as we lay together in the soft morning light.
If you’re hand were my hand, I could not hold it on long drives from place to place or adorn it with rings.
If you’re breath were my breath, I would have no breath to be taken away when I wake and see you sleeping, cast in the blue of night, like art. I could not hear you singing softly in other rooms of our home.
If you’re eyes were my eyes, I would have no place to get lost as we chip away the time talking under blankets to the smell of coffee. I could not see them soften as you kiss me on the tips of your toes.
If your sleep were my sleep, I could not dream of you and all of our futures yet to come. I could not hold you to me on cold nights when our shivers match.
I do not want that love.
I want to love you full of knowing. Practiced. Perfected. Artful. You deserve nothing less.
I want to love you full with pride for the complex extraordinary creature that you are and are becoming.
But I do not wish to be one. If you were not you and I were not me, this love could only be half as good.
And no poetry could make that beautiful.
You are beautiful.
You are perfection, separate from me. And we are perfect together.
Sean Critchfield Sep 2011
I am learning the art of forgetting.
I am learning the art of letting go.

I am rising. I smash at you like high tide. Reminiscing about our tidal waves and yard arms, wrapped around our throats like business suit neckties. You see, I got lost, one more time, in our complicated little world and remembered that womb is not synonymous with ****. But rather with mother. And we played house together awhile. While the moon peeled off half it's dress. And I laughed at your 3rd grade poetry. And we regretted nothing, like Edith Piaf, on your couch, in the dark, entering worlds we'd torn apart.

It is worth mentioning that you were the first to ask me to your bed, rather than taken to mine, which proved prophecy wrong and wrong and wrong.

I was waiting for the kiss, like crimson stains, to ask me to say. But we muted them with burgundy.

I was willing to pay.
I was willing to show you.

But instead, we let wine separate us and bottle us up in action we didn't take, corking something perfect now, with the lie that it will be better in time. And I bought it.

Like hands raised in prayer.

And kissed oceans off of your cheeks, one.. salty.. drop.. at a time.

That was our crime.

And you. You came back, figuring you could pollute my stream. A virus set about my heart, freezing me like cold wet days when the wind cuts like goodbye. Come to sound yourself like a siren. But I can't hear your song. It no longer plays on my ears. I have forced it back into the foam that crests the waves and have drown myself in flesh and flesh.

So go ahead. Go ahead.

And we. We would have our night and it would drive you to an assumptive dissidence. Our harmony corrupted. Now an awkward, fumbling minor chord. Bleating like a lamb to slaughter.

I never wanted your soul.

I just wanted you not to leave right after we'd arrived.

Which is becoming less and less true as I run out the lines on my face and hands.

I wanted one, just one, to be there in the morning and then gone.

But I am folly.

And Gods teeth shake like parishioners in a collapsing church as I find my way back to the ******* poet I've become.

Consider these words like mercury, temperature rising.

And how I have made mistakes.

In darkened deserts. In hands on small of backs. In rain littered parking lots. Fireside. Ringside. In cold, cold water. In cleverness. In repeated attempts. In repeated attempts. Inrepeatedattempts.

I have made mistakes.

But take me in spite of my faults, Love.

Just until dawn. But be careful. Dawn breaks so easily. So lay quiet with me.

When the sun fills this echo chamber it will translate all this rich to ruin. My staggering meter to a retched stumble. And how should I finish? With a dying fall as my mentor would have me? Ragged claws and turpentine? No.

You see, I am more now than I was before.

And yet, I have never been what I could be.

Don't.

Don't let go.

Lest I forget.
Sean Critchfield Jan 2014
I remember her hands turning the knitting needles like mercury. Beating yarn into fabric.And in her wisdom, she'd spin her words into gold. I studied each line on her brow for truth. Reading the creases like India ink. Dark. Permanent. Earned. And she hums along with the record, knowing each warm pop and crack like lyrics. Like history.

We skip generations like the songs on the album and I am more like her than I'll ever know. A vinyl copy. Pressed and shiny. But she was gone before such things began to stick.

She is like the smell in a well used kitchen, even when the oven is off.
An afterthought.
A sweet recollection of a melody you hum under your breath.
But I am drawn to her like warm covers.
Like a soft glow.
And me, mid-life, and still with wet wings.
And she prepares me for the world with these moments. Keeping each second accounted for.
One pearl stitch at a time.
We listen as the room melts to afternoon sepia. the song lifts and sways. Kissing my ankles like the tide. Stroking my face like wind.
The woman makes the music sweeter with each rock of her chair.

"Why does the album skip sometimes Grandma?"

She laughs. Doesn't look up.

"Because it is old and eventually it won't play anymore at all."

I knit my brow up like her blanket.

"Then why do you listen to it so much? Won't you use it up?"

She organizes her work, spreading it across her needle as she does the same with the words in her head. The album sings out to her.

"Because it tells the truth."

I listen harder. Looking for hidden words between the notes.

Nothing.

"It doesn't talk, Grandma."

She smiles at how little I know. Sad for me. And says,

"Yes it does."

"What does it say?"

And our game is done. I now have Grandmas eyes, smile, and attention all to myself. She sets her labor in her lap and fixes on me. I am now her project and she will knit me together with the same love.

"Listen. That part says that your friends won't forget who you are. Even when you do."

And they won't. And you will.

"Ah. This part says, You, My Love, are the prize. Not them. Remember that."

And I am.

"This part says that Men don't cry. But if she loves you. If she really loves you, she'll hold you when you do."

And she will.

"This part knows that God is not counting on us as much as we are counting on him. He knows we will let him down and loves us regardless. Remember this part of the song when you are a father."

And I will.

And Grandma sat quietly. Her fingers still seemed to be a blur of motion. Her mind, even faster.

"One day Grandma will quit playing too. I've already begun to skip."

And then we sat together. Quietly.

And sepia became blue. And blue became black.

And all at once, the music stopped. Replaced by a motor whir and a methodical thump.
A one legged tap dancer, facing finality.

"What do we do now, Grandma?"

We sat, listening to more time pass like music. Clickthump. Clickthump.

It was in this moment that I would finally se the jigsaw puzzle for the beautiful picture that it was.
All creases and landscape and hello goodbyes.

Grandma reached over and cast magic as the years in her hand settled the needle into the groove once more.

She answered all of my questions as the music whispered it's truth to me a new.

"We let the song play out."

"Why?"

"Because it's romantic."
Sean Critchfield Mar 2019
Distant phantoms that shake my bones and make me wonder at potential.
And potential energy.
As if the things that once were, now  drive the things that are.
Like windmills waving spiral arms
as mad as

GIANTS.

The words that play on the back of my eyelids, seldom make it to my mouth.
And if they do, they hide behind my lips. Begging to be read, like braille.
Sean Critchfield Aug 2013
I got caught caring again.
I got caught believing the little lies were light and that they marked the end of the tunnel.
I got caught letting my mind slip to the hairs on my pillowcase turning gray but always smelling like her.
I got caught believing that beautiful things last and promises are things we intend to keep.
I got caught hoping.
Hoping that my forever wasn't the losing half of a wishbone.
Hoping that storms passed and the sails, though tattered, would be true.
Hoping that my brand of love was not a fools errand. Not folly.
I got caught up.
Caught up in all the things we said we'd do.
Caught up in plans and promises and kisses and contracts.
Caught up in a ball of yarn so dense that it felt like a forest in my heart and I with no way to see the path for the trees. Until I saw the trees for the path.
Caught up in every should have. Every would have. Every childish want for a do-over.
I got caught waiting. Biding time. Angry. Jealous. Hopeful. Discontent. Capitol. And sipping wine with Etheridge Knight when I knew the Knight was darkest before the dawn.
I got caught in the middle. The rope in a tug of war between my head and my heart.
I got caught gnashing my teeth in futility. Clawing the roots, begging the tree to move.
I got caught wandering a path around the outskirts of the hole in my chest like a crater.
I got caught lying. Trying to convince myself that I was better off and better for it and better when the soles of my feet touch open road.
But the wine is sour. And the trees are burnt. and the dawn has come.
And I will not be caught again.
Sean Critchfield May 2014
Give them to me.
All the pieces of your broken heart.
Give them to me.

I'll take them.

All the rough-hewn misshapen bits of your shattered dreams.


Give them to me.
I will take them.

Give them to me.


They are wanted here.


All the parts of your misspent childhood. All the regrets of ticking seconds behind you.

Give them to me.

And we will build a cathedral. A stained glass window of who we are as tall and as beautiful as it should be.

Let me have them.

And we will make a mosaic that stretches as wide as the sky. Showing every color your heart gained from the bits and pieces left on the ground.

I will take them.

And forge a sculpture of how beautiful the ideas are that we cast out in our failings and we will cast it in our failings.

Let me have them.

And we will ***** a monument of all the small things in the shape that you remember them.
Towering. Looming. Striking. Beautiful.

Let me have them so we might bind the words said and regretted, (or worse) left unsaid in leather and call it scripture.

Our Psalms. Our Proverbs:

“The tip of my finger dangles like my tongue. Wanting to touch something beautiful.”

“If it were not for him, it would have been us.”

“You were all my brightest colors.”

“I wish I were more like you.”

“I wish I were less like me.”

“I am sped.”


And we will read them at dawn like litany.

Stretching our voices to the corners of the universe. Asking for the wishes you make when you are scared. Or alone. Or both.

That we may take them.

And make a blanket.

A blanket to cover our childhood and let it rest at last.

I will take them.

All the parts you no longer want.

Give them to me.

Because they are what make us beautiful.

Give them to me.

That I may forge them into pitch and feathers and craft mighty wings.

That I may take flight from your worry. And soar on the updraft of your misconception.

Give them to me.
I will take them.

Because I would rather burn like Icarus than to have never dared to fly.
This was a birthday gift to myself. I am giving it to you.
Sean Critchfield Apr 2019
Whisper it.

Like fingers tracing cotton.
Whisper the gentle scratches of pen on paper. Percussive poetry to punctuate the moments. All written down and tucked in pockets to be read and recited.
Read and forgotten.

But still that single look lingers on.
From across the ceramic mug, hot with sweet tea and fortune telling leaves.
Framed by late morning light.
Wrapped in billows of steam.

I was too young to know then what I know now.

We write our own future.
Sean Critchfield Jul 2011
My hands are cold from want and salt-heavy air.

The sails are gray like soggy wool against the purple night.

The wind smells of possibility but tastes of regret

And I can only mutter,

"It reminds me of her. It reminds me of home."

My heart is a compass.

You are North.

Be a lighthouse and I will turn my wheel towards you.

I. Am. Not. So. Far. Away...
Sean Critchfield Mar 2020
It was when the bitter rain was falling against your bedroom window. Tapping out a chaotic rhythm like a heartbeat gone awry.
It was when you sighed. So softly. And pushed your head deeper into my chest, like you wanted to kiss my heart goodnight.
You were only moments away from falling asleep with only my rising and falling chest as your pillow and my arms wrapped tightly around you as your blanket.
It was when you lifted your head, eyes hazy with wine, sweet nothings, and half sleep and smiled.

“I should go to bed. But can I see you again soon?”

That was the moment... That was it.

And it was only a moment ago.
Sean Critchfield Oct 2011
The rest of this puzzle is missing pieces.
So, I will lay it on your ribcage
and draw in the missing parts
with a fingertip dipped in hope.
Sean Critchfield May 2014
You know in the late afternoon when the light turns gold and bronze? And it seeps into windows in striking shafts that look like oil paint? And thousands of little points of light flutter and dance in it like tiny angels? Yeah... That... That is how you make me feel.
Sean Critchfield Jul 2011
Could I pluck this nights moon from the sky,

I'd tether it to the center of my eye.

That you might see your light reflected back,

If only once, before we die.
Sean Critchfield Dec 2013
Burn. Burn like wild fires.
Burn like pages. Burn like leaves in autumn.
And send smoke signals.
Curling around my branches like a cat tail greeting to my leg.
I am a carrier pigeon, sometimes.
Other times, an arrow.
But either way.. I'll get there.
You are too big for the spaces between stones.
Be the infinite space between the lines.
And burn the rest to ash.

You'll need a place to rise from.
Sean Critchfield Dec 2014
Breathe.

Settle yourself.

Try to understand.

We were meant to love.

And if we can not love, then we were meant to try to love.

And failing that we were made to breathe.

And try again.



-Sean Critchfield
This is the product of an exercise. I was instructed to grab the 7th book on my shelf, turn to page 7, and use the 7th line as my first line. The poem was restricted to seven lines.
Sean Critchfield Jul 2011
And all at once, I loved the feel of hands sweeping across my face.

Moving in circles to mark the years I was imagining as we lay still.

The blankets like bark as our roots tangled together sipping wine like rich soil and whispers.

We. The rings. At it’s center. Moving like planets in travel.

Biting our lips shut. Revealing our age, one whispered secret at a time.

Our hearts making rungs to be climbed to our minds. Our minds making light to show the path back to our hearts. And there and back. Again and again.



I loved you the most when you loved me the most.



Had I known the answer to the riddle. I would have bound the hands together when they met. Both facing upward. As if praying to the stars to stop the time and let us live here. When it was best. When it was still before dawn. When you still believed that my shoulders were wide enough to protect us both. Wide enough to carry the world upon.



The weight. It makes my footprints look like canyons in my wake.



Could I have seen that, once again, the falling stars we wished upon were grains of sand passing through the event horizon of our infatuation to fall on us like dust, I would have shouted them back up. Screaming my throat raw.



I have no voice.



There was a time. A time when the titans wished for hearts as large as ours. A time when the moon was brighter as it caught the glow of my hand on your waist. There was a time when our hungry paws found skin and mouths like milk and finger tips like ink and hearts like parchment. And we drank and wrote and laughed so loud the horizon split. The sun coming up as an echo.



There was a time when every answer we’d ever sought could have been written on the palms of our hands and we would not have parted them to read.



A time when we believed that time could stop.



I have read the answers on my palms now.



I wish I had then.
Sean Critchfield Sep 2013
Though I know we spoke these words as children.

The little boy in my heart holding the hand of the little girl in yours.

I truly believed that you loved me bigger than the mountains.
Sean Critchfield Sep 2011
Push harder.

It’s the cork that keeps us from negotiating.
It is the hip lashes that are bound to the wall we are trying to move.
Like rippling beasts.

This will evolve.

Each revolution around a pixilated world are just metaphoric steps, aren’t they?
Because no one really moans like that unless they know someone is listening.

I was listening.

My body is foreign to me now. I am in a new birth.
I am fascinated with the way my stomach dips in on itself when I lay on my back.
Come. Let me show you how new my fingers have learned to see.

I am a pool. I am a spring. I am a bowl.  I offer milk on my skin.

Come drink at me.

Then we can run hands on foreign bodies and make sense of the new curves and make new the old ones.

It would be new to see the tragic swash of red smeared high up your lip and on to your cheek. It would be new to see strange eyes and strange hair framed below my strange body in the half dark.

Strange pieces with rough to smooth edges making shapes with precise intention on a thousand count canvas. Milk. And Spice. And sweat.

The only thing that is the same would be the knowing. Maybe the desire. Maybe the sound. And the scents.

I was listening.

But was it real? Can you summon your talent at will?

This will evolve.
It will evolve.
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