He is on the porch,
to escape his wife

and kids. He smokes
a guilty cigarette.

It is yet another
New Year’s Eve.

White paper folded in
the shape of a house,
next to an egg
in the sunlight,
casting a long shadow,
on a pastel green
plastic table top.

I am sitting on a branch,
near the tree’s top, next to

a Capuchin monkey and
we are watching a man

wrestling an alligator. In
the distance an industrial

truck belches black smoke
as it nearly runs into a

very old man slowly crossing
the intersection. Then the

monkey says, Looks like the
dude’s got the alligator in

a choke hold. And I say,
The old guy barely made

it across the street. Then
the alligator gets free and

scurries away, but gets run
over by the truck. ****, says

the monkey, then, I got a
job, working with a private

investigator. The monkey
peels a banana and hands

me a piece as I ask, Doing
what? The monkey looks me

in the eye and says, Help
solve crimes. I say, Sounds

like a TV show, and the
monkey replies, Yeah, very

much like a television show.
And we watch the old man

very slowly amble down the
street—until he is gone.

The minotaur, trapped for many
years in a labyrinth, is the
sailing master, pilot of the
ship. His mother, a depressed
biologist, is below deck,

lamenting the loss of her
husband, a bull who was
killed by a matador—now a
pirate, chief executive of an
international fast-food company.

The rigger, master of the sails,
tracker of air and ocean
currents, hermaphroditic,
was a juggler, a high-wire
walker in the traveling  circus.

The look-out, with telescope,
in the crow’s nest. An orphan,
raised in a Taoist monastery.
Describes his life as a
journey of wandering solitude,

All looking for—refuge—
a place to live, to be,
an island with fresh fruit,
not sinking into the sea,
and not on any pirate’s map.

Thank you.

that's the beauty of attention.

Children imitating
flowers in the
school play. A
father in the
front row falls
asleep,
missing their
great allegory.