Submit your work, meet writers and drop the ads. Become a member
In the seasons
where leaves break like bones
beneath treading soles,
I tied impetuous hands,
which grazed her hips,
and bound them to the trail
of her hair down her back.

Frigid -- the droplets of ice
beating my veins like
a metronome clock—
hands shook, and dirt
grew beneath nails.

Clouds formed a river of stars
gazing in the blue moon.
I watched as it receded
and dried along the edges of
of the roof.
The dusk smells like the dank moldy parts of the basement, old and decrepit. The days are short, like lives of butterflies. Only stray cats roam the streets after dusk like men in trench coats looking for your children. This is where the buzz of sports games fights through voices like car accidents, wafting through the air with the liquor that fuels them. The mix of rotting seaweed flesh and burnt cheerios intoxicates the wharf, drunker then the teens in their parent’s basements. Anyone can tell you where every **** store and Tim Hortons lies, where bass and basket ***** echo in the roads of chicken wings and blizzards. ‘Beautiful River’ you are where the hearts are strong as bison and tongues sharper then sabers. Yet among the old eyesores you'll find the hope of a city. It screams through the rusty and cracked windows; negligence made mosaics. Based on a pride that runs deeper then it's waters, the strength of those who reside in this urban Crayola box crown and shine like the tips of the waves cascading past the falls.

and the streets breathed
as crows rose and took the sky
crying in anguish.
I have wide hips, a wide waist.
chubby cheeks and
short legs
given to me

by my mother.

she is not a witch.
she has wrinkles, yes
but they do not define her
nor would she let them.

I have no interest in making friends with fish,
small birds,
candlesticks or clocks,
or rodents.


I need human contact to survive.

If you put me alone in a house in a forest,
I will not clean.  
I will not wait to be saved.
I will not ask for your permission to go outside.

I will leave.


I do not need a prince to live happily ever after.

I have short bushy hair
and a ******.
yes, it's there.
underneath my cotton underwear and long lace skirts
that no one is telling me to wear.

I have a sister.
I go to her for advice.
I look up to her and I talk to her about
Everything anything everything

I do not need a prince.



I look up to my mother.
She is not a source of fear,
she is a source of comfort
and relief.


what are We teaching our daughters?

these imaginary princesses
teach our babygirls

to have long eyelashes
to have two inch waists
long luscious hair
*** appeal


and if they don't,

they will never live happily ever after.

If I need all that to get one,

I do not want a prince.

I do not want to be anyone's
cinderella.

I will not chase after anyone
if they choose to leave.

I will weep into my sister and mother's shoulders

But that poor,
poor
princess

will always be chasing
squirrels
to talk to

and men
to be saved by.

When will we teach them to save themselves?


When will they teach themselves
that there is no such thing as perfect
 Aug 2011 Sarah Mae
Brycical
He told me it was a protest
against the evils
in Somalia--
      Darfur--
           the bailouts--
                the tea party intolerance--


I questioned the intelligence behind this plan.

How does silence bring about change?
What if a King or a Lennon stayed silent?
Silent marches tend to draw little attention

I think he merely wants the temporary attention
and faux-righteous sympathy
from others.

Silence makes for great introspection,
but a lousy outcry.
I believe in predestination like a hard cover
book lying open underneath a ceiling fan. I believe
in imagination unfettered like the wheels
of a bike kicking up rain. I believe in tasting
everything like the teething puppy chewing
all the furniture. I believe in arrangements
like the photographer with no camera. I believe
in impetus like the dry clump of dirt that erupts
into fine powder because of a little tension
in between your fingers. I believe in relevance
like the poetry addict who wants to ask Emily
Dickinson where she got her cardigan. I believe
in economy like Curiosity who found her way
home by following the trail of cat crumbs she left earlier.
I believe in complacency like the larkspur
in love with a promiscuous hummingbird.
I believe in delusion like  the saxophone player
who can’t distinguish Carnegie Hall
from the subway station.
We catch the sunset
while eating
breakfast: ignoring
mothers, ignoring
landlords, skinning our knees
and skipping supper,
using the kitchen with some
improvisation, forgetting to stir
the pasta, blotting bacon
with coffee filters,  
flinging linguini on the walls
and the ceilings (for
if cooked it will cling
but if raw it will fall).
“Is that pasta on the wall?”
“Is it purple?”

Outside a boy
in a dress shirt and a girl in
a paisley skirt walked past
the window, holding hands
and clutching palm
Sunday leaves.

Then the strand of linguini
began to detach itself from
the ceiling, like a break dancer,
with flimsy limbs,
and when it dropped
it fell through the air
like an Olympic
diver, twirling and curling
with two ends clung
to one another
and then unfolding
underwater.
Next page