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I never want to feel
my **** rubbing through a pile of broken tree branches
or the thought of dead leaves
piling up on my abdomen
only you can tell me
how it really is, to be covered in moss
to be covered in death
sprouting mushrooms from your molars
I want to hold something
feel it grow inside me, nurture it and spill
out into the wide expanse of nothingness
a false sea
a lonely planet
a fading ghost
and scream into the laughing pit
the empty chasm of anger and self-loathing
baaing in insignificance and hollow
with my chest nearly exploding
I find the words:

I am here and I will die and nothing matters and it is terrifying
just send me a W-2
let's do it all again, next year
MMXX
I was fading out
Searching for the horizon
Fading on... To the wind
My sheets carried ideas,
my sheets restricted flesh to flies
Eyes sailed... Did my bed
On...                 My tears
Four years... Toes tingling with numbness
Held sky... Inside this room
And that
of prior walls dooring
to that dock
I waft... Away
I waft...
After the fade
I will waft

On the Mediterranean coast of Africa
I waft
with the seeds of a Phoenician queen
in my corpuscule
her sweet fruit
being eaten
by your
heavy tongue
perverse, Moloch sun.
MMXII
Words can be unsaid with contradictions
Actions dismantled by apathy
Torture is a weapon of the timid
****** is a thought that breathes

I held a man’s life in my hand
I looked him in the eyes
I spat on his face and I said
“Stop your god ****** lies”

Pity can’t describe the tone
And black is too bright
A colorless voice filled the room
Smoke circles the dry air

“Thing’s have been done for a reason, commandant,”
Orders and protocol of course,
“People have died by your words, commandant,”
His voice was tired and terse

“Battlefields are full of life, General.
Trees and shrubs and grass.
Once we drive into the city
Asphalt fills the path.
It’s concrete and it’s steel.
It’s muddy bricks and dirt.
Beneath the street lie fault lines
Of lust and greed and hurt.
We can’t abandon principle.
We can’t behave as sheep.
We must **** out all the wolves
And help protect the herd.
We must feed their minds with despair
And wet their mouths with vengeance.”

I received the order.
Pulled the string taut.
No more breathing.
No sound came out.

We left the bag on his head
And dug a shallow grave
We threw his body in the hole
Dropping dirt on top
“Here lies a victim of design,
A person with a name.
He had no reason for which to die.
We killed him just the same.”

They wiped sweat off of their brows
And turned to walk away
The sun shone down upon them all
But I turned the other way

I looked down at the grave below
Then above as if to pray
I cupped my face with my hands
It was a shade darker than grey
MVIII
Die Tuer ist geoeffnet und leer
Im Zimmer liegt Kopf um Kopf
Und Dunkelheit ueberall
Im Tiefsten, am tiefsten
Der Herzschlag, ich
Schlug, der Schlag
Durch die Tuer
Doch die Tuer ist schon geoeffnet
Und leer



[The Open Heart

The door is opened and empty
in the room lies head upon head
and darkness all around
in the deepest, most deeply
the heartbeat, I
beat, the beat
through the door
of course the door is already opened
and empty]
MMXI
Days slowly become years as we wander further
Down the path toward the water
The banks engulf us and carry us into
The shallow depths
We cannot know what is below the surface until
We plunge our fingers into the sand and watch the sand
Drift slowly downstream
Life in this way carries on to the next place of settlement
To the next area of contentment
Where the soul will linger inside the banks and
Carry one more body into the water
Where it will discover the sand and it will
Plunge its fingers into the deep
MMX
We hold these truths to be self-evident, that no man is an island, whole unto himself/herself.

Every person needs to feel safe to express his or her desires in as open and direct manner as is available.

Each person should be told what is expected of them, and what can be done in the case said expectations cannot be met.

Each person should be encouraged to pursue his or her own interests and given the tools necessary to do so.

The striving of each person is as important as the collective aim of all mankind.

We believe in a world which achieves its goals through the focused, deliberate behavior of determined agents.

Any person striving against another’s interest or aim should declare their reasons for doing so.

No person should secretly plot against another.

All motivation for action should be weighed against the public good, and all actors should be held responsible for behavior directly hostile to the betterment of one’s neighbors.

One should act with the mindful awareness of the impacts his or her actions could have on the other.

We are indebted to each other’s needs and desires for our very existence, as it is the movement of the commodity market which ensures our existence and this is dictated to a large extent by real human demands.

We are dependent on one another to use resources wisely and economically, bearing in mind that waste threatens the survival of our species.

Being the bearers of a legacy stretching back to the haze of pre-history, and an even longer biological chain of inheritance, we as humans, are dependent on each other for a collective understanding and appreciation of the world.

Without wasting time, we must acknowledge that it is in our best interest to act deliberately, without giddy outbursts of petulant exasperation, to solve the problems that our mutual dependence creates.

There is no alternative to the necessity of working together to understand and amend the dire circumstances of our existence.
I wrote this in my bathtub.
It is not a poem.
(The paradox is that all writing is technically "poetry")

I think the point of this writing exercise was to freely associate and see how much of the pervasive ideology had become a part of my thinking. I wouldn't claim this as an enlightened document on political philosophy, but it is a jumping off point.
A few titles
A few songs
A few artists
Combine
for compound fractures
of my consciousness

For, lo, the ulcer just by nourishing
     Grows to more life with deep inveteracy,
     And day by day the fury swells aflame,
     And the woe waxes heavier day by day—
     Unless thou dost destroy even by new blows
     The former wounds of love, and curest them
     While yet they're fresh, by wandering freely round
     After the freely-wandering Venus, or
     Canst lead elsewhere the tumults of thy mind.

Yes, a swollen skin
fragmented bone
I walk
and flee her capture.
MMXII
Zarathustra told me "be calm"
And gently folded closed my eyes
“There’s no depth to escape from
There’s no eternal prize.
Your wire was our bridge, dear son
Above the raging current of man”
No, wise one, say it isn't so
Will I balance again
Above the glistening, crystal waters?
Please tell me that it doesn’t end!
“Be calm, dear son, you’ve neither
Lost nor won
Your trials will soon be over”
Why do you carry me into the night?
Why am I in the trees?
It’s cold here, friend!
Don’t leave me here afraid, dark and lonely
“Relax, and breathe,” he said to me
“It’s begun to end" and raised me upward slowly
I’m propped atop an arbor burial
Like a dead-egg’s nest ready to die
Before I realize to my horror
As the bi-ped's shadow awkwardly trots off
He was a stranger and my friend,
Regardless, Zarathustra's just another guy!
"On mine honour, my friend," answered Zarathustra, "there is nothing of all that whereof thou speakest: there is no devil and no hell. Thy soul will be dead even sooner than thy body: fear, therefore, nothing any more!"

The man looked up distrustfully. "If thou speakest the truth," said he, "I lose nothing when I lose my life. I am not much more than an animal which hath been taught to dance by blows and scanty fare."

"Not at all," said Zarathustra, "thou hast made danger thy calling; therein there is nothing contemptible. Now thou perishest by thy calling: therefore will I bury thee with mine own hands."

~Nietzsche
Jim has 1 rose
Carl has 2
Sam likes yellow
Carl has 2
Sam buys 1 rose
Carl has 2
Oh ****, but the recorder did I leave that too?
I’m afraid everything’s turning black in the world beside me
Everything is fading away and I can’t hold on to the world or
The spinning
Or the gravity or the inertia between me and everything that contains love
I’m afraid that all of you are floating away from me and in my eyes you’re
Reflected
But that is not the same as possession, and I’m afraid that you’re going to
Leave me
Now it’s clear, that you’re going to leave me
And I see you flying away with the wings of a
Thousand humans that have discovered their ability to fly
Please don’t hold these words against me
Oct.
MMX
I hold in my hand a paper
It is blank, and dark
And shaped like a Sony voice recorder.

I tell it “I always wondered
when entering leaves
and leaving comes in—
where we go when we
begin,
and who says it’s over”


The little black box catches all of my thoughts
and stares blankly ahead
waiting for more.

“Why do we think it matters
that we suffer alone?
Beaches
cliffs
and valleys,
erode time and Other
forces.

Unread letters
dissent
to their homology
of patted matter
and solitary discomfort under
gravity.

Solace in solitude is wonderful.

Only I feel the weight of Earth’s atmosphere
in the sound of a dialtone—remember that?

Yes, the other side of the conversation
waits for connection—but you must choose
the coordinates.”

Hawaii is volcano islands,
but
Rock and sand
Air and breeze
Prairie and trees—
this is the Midwest.


I’m going to sit down
and envelop myself.

When I am done
The poem will have delivered me
to a place in the grass of a prairie
a cave on the side of a cliff
a beach it pebbles for sand
and a steep descent from the
volcano.

When this poem
is read with gathering perspiration
it will cool the still-flowing
lava of Hawaiian islands,
soften the edge
of each pebble;
this poem will hang a cloth in the opening
of mouths
caving in
to protect the traveler
from his shadow.

If you do not hear this poem
of the Earth escaping itself,
trees fighting their way into
its soil,
rocks being worn away to grains
of sand sifting through our fingers
and clouds taking moisture
to a more deserving place,
let the consolation be
a life
full of prosperity
and feigned kindness--
ready-mades,
hollow handshakes,
doors beaten
by little hands
asking about breakfast
on a Saturday
and
selling thin mints
to your neighbors.

I love you, sisters and brothers,
just weather our sod
and air
and water
and fire

--it will find you
when it is ready.
MMXII
I want you
                  to know that I forgot
the memory I wanted to expound upon here,
                  the tears I never cried make it difficult to dryly
blot the pages.
                  I suppose you know I never loved you, but
more meaningfully, I hope you now see how trifling and hollow
love is. Like a warm Spring day, love means nothing but the
nearing embrace of a dying star.
                   I want you to know what I'm referring to
in this line. It's called "astronomy." It seems to hold the
attention of other mystics, such as her.
                   But I want you
to know
                    that it's just about gravity and
luminosity and
                    what our star hasn't got, but
others have.
                    The wind blows my page as I'm writing this standing on
my porch, and I fail to
                    Look up. My hand holds down the dry, decaying
tree pulp in an attempt to stabilize the
                    metaphor for
Life
                    your absence has become.
When the dead leaves of last Fall rattle, I can see you there,
running past the chain-link fence containing me and the
tennis surface.
                     It would be weeks before sweat dripped from my nervous
head as we jumped up and down while others slow danced.
                     And then I wake up in my new apartment in a city
you've never been to and remember jumping was only me. It's been seven years, but
I still have my diploma from that early graduation--
it's above my fridge so I can ignore it every time I
reach inside
                      To drink the cool water and
remember the things I should have learned
and the time I ran fast, back
                       to your host parents' so I could use the bathroom
without you knowing, because my stomach was convulsing.
                        And maybe what I meant to say is that the earth's on
its yearly sojourn which brings me to that place-- that group of folding chairs
and the endless line of cows dancing slowly past the podium with nothing
but a piece of paper that tells them "you were once here."
                        It takes me on the highway, past my father's farms to that
man-made reservoir that irrigates them. It amuses Nebraskan farm boys
that the girls that ride along seem to know the way
                        better.
                        But you weren't from Nebraska, and you only knew the way
in water, in the bikini I helped you choose at target-- I don't remember the hue.
                         Your skin looked amazing and warm
                         transplanted, prairie-grass nestled gently on your supple thighs
under my grasping hands which held on firmly yet
were knocked off with the jolt as you spurred our gas-powered sea-horse, laughing
as we both sped off from our island rendezvous and
became oblivious of my self.
MMXII

I called this exchange student I knew in high school "Diva." It means goddess in Sanskrit,
so I thought I was being Multi-Kulti.

She left me with a lot of **** on my boots.
I was moving out
Parked my bike down the street
With a cart hinged on the bolt beneath the rusty pole
connected to my seat.
The yard was steep, and the stairs leading down
the front
Vanished each car-
go carrying trip
of dictionaries and travel guides that
could have been lumped together in boxes
separately tossed into the neon
green
synthetic fiber
rain-proof buggy
Connected to my seat.
I ran across the lawn, one last time
Buckling the watch I found from high school
remembering it’s broken and not caring
then I saw men wearing polos beneath
Greek symbols beneath a doorway
and held my breath as they stared at me.
This vacant lot held something which I carried back
to find
my bike was gone, replaced
by a life-sized depiction of a bike saying
“no bikes--” A girl inside, explaining where I could find mine
I walked down the grey spiral of handicapped access ramps
surrounded by aquariums or tvs
which comprised the store's interior.
The last ramp faced an exit and went straight past
refrigerators next to vending machines
In the alley behind this office supply store were two old men
Roasting my bike on a chain beside the others
Disconnected, hung
its tires lying on the ground beside their feet
and the carriage slung aside like a bloodied gazelle's neck.
“What the ****!”
A woman got into my face “don’t use that word”
“****’s a perfectly good word, after all, it’s how we
got here”
One man smiled.
He felt bad.
They helped me put the bike together and I walked it back to my house.
I saw my car down the street.
I thought about the long trip to the interstate and wondered why I’d
rode my bike
Then I went back up the stairs of the blue sided hill,
to see the roommate I hated
and thought about stealing his SNES and stereo
but took only my one possession
and walked past rotting turkey bacon in a plastic pouch
on the top of a table
beside some legos
and left.
MMXII
Staring at Space
Touching Time
Miraculous Confection
Absorbed in Soil           and
Water                    and
Gas              and Daylight
MMXII
E D
E D
Perpetuousity of Motive is a
need, not everlasting but maintained
by highest virtue or a desire that is
lacking-- a kind word, halved and
suffixed with an E D
tame paliative of meaning reminds
us all that time's not one, but rather
two things: we reach out for it and
Sense it, but with our mind it is reborn like
each and every thought and deed's encased
in placenta unshorn-- the mind that
holds the key to life rotates what is
worn and evens out the treads below
the tires as we soar; that is, time
is body, time is mind. Two things in one.
More importantly and with impetus: time
IS
What has
Become.
Time is ending and beginning, hence your
time is old yet young.
MMXI
We turn our eyes, grasping with our vision
For the horizon
For the edge
Of a sphere
And we’re lying now
Beside the twilight and the motion
Beside the sea
Beside our fear
We couldn’t fathom
What we should believe in
Reciprocal force, reciprocal affection
Just bodies, Just planets
Just planes
Of existence… in our closets
Under boxes
Beneath yearbooks
On your bed
Weathered autumn
Leaves approaching
In this, our youth’s Winter
Exposing brittle branches
Containing remnants of those lives
Easily extracted from the core
Of my eyes
Then swallowed in the high-tide
Of horizon
Bringing us the future
Of life’s Summer
Enlightened in the morning
Past our fears
As we stand here in mutual Spring time
Grasping vision, with our eyes, of the sphere
MMX
I’m lying in the fetal position
at the bottom of a muddy trench dug during World War One
or
I’m queuing outside a gas chamber
skin exposed to Winter air by burlap
during World War Two

In one of these fantasies- - and that’s what they are- -
a man looks over his shoulder and asks
whether I deserve
to be alive.
“I don’t think so,” I mutter.
Then another man stands over my emaciated frame
and quanders “Have you had time
to
zink about your
life?”

I raise a muddy foot
or
adjust my weight to face
my conversation partner:
“What do you want me to say?”

I want you to say everything
(pointing to a field of shell-craters)
before you go out there
or
I want you to have a chance
(pointing to my head)
before you go in there.

Then, the vapor comes
or
it starts raining.
MMXII
Two ninety-nine in hand can purchase
Straight razor, cream and means
To hide the relics of the human race
Within trimmed hedges and metal gates

Although nature’s Peter Principle
Took man to somewhere new
Various climes and unsteady minds
Allowed life to break through

Then contrary to our instincts
In one morning’s moistened grass
We see reflected what we could be
As foreboding clouds float past

The haggard beast within seeps virtue
From holy soles and weary eyes
With will to vanquish and to end you
In order to avoid this banal strife

His trash-sifting gastronomy
Beyond your view and mine
Contrasts with this frightful luxury
In which we for adventure pine

Though he’s the savage, king of Uruk
Never you, much less me
What he’s seen and what he’s been through
Are what we strive to be
MMX

Gilgamesh... a fairytale
I’m going to die.
I’m going to wake up tomorrow.
I’m going to die, and I’m going to wake up tomorrow and I’m going to die.
Tomorrow I’m going to wake up and I’m going to die.
And when I wake up tomorrow, I’m going to die, but I’m going to wake up.
And when I wake up, I’m going to die.
Tomorrow I’m going to wake up, and die.
But I’m going to wake up to die tomorrow and tomorrow I’m going to die.
So, tomorrow, when I wake up, I will die.
But I’m going to die.
And I’m going to wake up tomorrow.

(While I was writing this I flushed a Black Widdow down the toilet)
MMXI
Tempestuous longings from behind the screen of life’s moving picture
You stare back at me, in a glimmering, shimmering afterthought
Laid low by foregoing passion
In a moment’s torrid glimpse from our hollow reflections
Fragrant evenings during seasons of filming
Solemnly captured and revised then experienced
The all encompassing struggle with context and setting
Abides a steely night, in the rustle of autumn branches
Requiem for an unremitting beloved!
Sung in the valley between piercing peaks of sorrow
She floats through the scene as distinct aura and vague essence
An embrace from the trail of vapors and misspent gestures
All emanating from a glass of cider beneath nostrils
Gracefully, you embank on the wind of time’s shadow
And nudge my cheek with impetus and vigor
Lashing out at my skin in ambivalent revelry
As if my follicles were vacuous caverns
Catching the callous moments which flutter the ***** of hillside tents
The unearthly gusts of banality extinguish the projector’s gleam
While nature embodies your beauty furthermore
Toward the end of the pathway
And the credits of the film
And the allegro of the score
And the solitude of eternity
And the rustling of the branches
Nod, vociferous lackey,
Agree that it will end just fine
You raise that hand to me, dying vine behind
Acknowledge every burning sun-drop
Culling and surmounting your radii--
Misled and triumphant
You're half of that.
Vast plantations of regrowth and abysmal
Serendipity in life?
No more;
Cut off-- a world harvest
Of blood, and blue-black poison
In the fields spewed
Once,
Not again
Not there-- again, the stalks
Lay dormant from your careless sickle
Numbers and numbers
Insurmountable
MMXI
Alone I sit, downtrodden

Oh **** this stupid sight

You were waving goodbye

I walked into the night



I came to a bench

The cold resonated

I gasped through my lips

Asphyxiated



What a calm fright

The moon, by clouds overtaken

An enchanting darkness

Don’t dare to stir me



A million nights I sit here now

Puzzled by  the blank distance

But really, all I’m searching for

Is sitting on this creaky bench
MMVIII
Weeks since the Day of Valentine
returned,
the gift I’d had for her was
gone.
Twenty dollars, some coins were
tokens of my affection;
or the value of French words strewn across American pulp.
Insipid or otherwise--
was it the action or result I more despised?
An attempt to carve my personality
in totem
out of trees and other people's words.
To my mind it seemed like children’s doodles
on a colored pencil bookmark
that could be
****** immediately
behind a large magnet on your fridge.
But it's lost within those passages, un-deciphered,
never—turned, regardless.
Swallowed in the palms of the bookstore’s proprietor
and regurgitated on its shelf.
My plan, it seemed to be all along;
as in my first dumb year.
First grade, with little since I've learned
from pop-music, plush monkeys in middle school;
vapid loneliness I glean from
years that have been the same.
Young acquaintances have ricocheted,
as phone calls often do;
All imitate the laughing sun,
renounce
the bitter moon.
MMXI
Abandoned baseball fields
and feedlots in my mind'
span the distance between
pastures and filling stations.
Games from childhood,
those small-town diamond-gatherings with pizza-
joint sponsored jerseys
and open outfields where
the ball could roll
                                forever
if you really got a hold of it.

Here, in this other steer-city', once more I play
Though my back is sore, my mind
remembers pushing through an inside-the park
run home.
It rolled and rolled while I tripped on each corner
of those three plastic safe squares.
I saw the tom-boy with short hair behind the dugout
and asked her if she saw--
that night I thought she came to see me--
perhaps she might have known.
I have, not since then.

Shoeless, I meander on this base-path
holding my hands on my sides
to feel the parts my neighbor girl had
told me made the other boys
men; this distinction
what is good and what is not
was presented to me by foolish children, still
trying to become women-- AM I NOT A MAN!

I scream.

Somehow, these parts hang from my body,
supported by my well-toned calves--
My ankles, *****! My ankles are fine with
and without shoes.
Are the friendship bracelets from boys
that you got at camp in Colorado
not tattered by time now?
I have that trim abdomen you asked for
that triangle where my thighs converge with
torso, like you imagined theirs did
in the dark
while they were tasting all the
nothingness
inside you.

I can be like them, in my fantasy
of hitting the ball that rolls out toward yellow, singeing tallgrass
relieved by Summer evening thunderstorms which let me
ride quietly with my parents
in the backseat of our mom's pewter suburban,
with a box of kleenex always part-empty
crumpled beneath the passenger seat I sat behind.
My younger sister looked at the floor
while I saw
through our countryside with clear-gray
thoughtfulness and ease.

Instead of leaving from home, today,
I started on first base, in the park,
where I walked through
the right-field boundary without
consternation.
Look at strangers on the sidewalk,
and call my shot were they to take my things.
I feel my toes dig into dirt where no holes or even
placeholders were left to chance
vandalism or theft, I suppose.
I'm a thief, stealing seconds with my
piroueting-silence--
punctuated by mindless cylinders, pulsating.
Motorcycles are what they have; men.
Now, what she’s looking for, that girl which is
every woman.

(My bike is still there, I notice, taking an imaginary lead.)

A man with work and maybe a sense
of humor
that makes me roll my eyes.
But she thinks he's funny,
because she's simple, and-- after all-- she knows
those knees won't bend that way
                                       forever.
My adult work is walking, haggard, toward third
watching the adolescent couple running scared
from one another, when
minutes before they kissed; I laughed more loudly at them
than the garbage-fed birds who did roughly the same thing.

I walk toward home, where last Fall’s leaves
still loiter on the ground
that’s dug in
the way a timid batter would scrape earth,
cover his feet and wait to walk.
As a catcher, crouching behind a different kind
that afternoon, those older boys, with triangle-
torso-thighs and muscular limbs
came charging through me
and took my place
beside my girlfriend in the stands.

It was his motorbike that got there faster.

This is how home becomes crusted with dirt,
alternating apprehension and collision
must be wiped from the strike zone
Before I can wag fingers between
the legs to show exactly where to put it
in the top half of the ninth.
Those motorcycle-men don't get a whiff
of any pitch
or breezy desert air from down the chalky bluffs. In my hometown,
they may have felt a part in her that I could never be.
Dark drops beneath her sooty tail pipe
shades and forms are all I see.
But when I go inside, I still hear the echo
of car doors from my sister, mom and dad:

--thwack, Thwack. Thwack!

Each strike reverberating in the glove of our garage.
Every flimsy-ankled batter dispersed,
just like the infrequent pinging of our cooling engine
after the key has been removed. Lowering
a barrier, between the boys and men,
I watch wet cement like a warning track
backed by a white,
metal-reinforced plywood fence.
Through plexi-glass, I see that it came down
from the ceiling
the ordering presence of separation
suspended from my father's ceiling beams.
Solitary base-runner, stranded in this
half of the inning;
                            the home team
doesn't need to bat.
Still, she's rolling past me through thick, tall grass,
well-watered by a wetter climate,
in the empty fields at
Elmwood park this Spring.
MMXII
`Minatare
`Omaha
Wo es war... ____

Eyeing one sticky handprint;
left behind--
another's form, whisked away before
I got there, just in time
with an issue

"Field" Nobember of 2012,
even though they don't print them in that month.

I had empty paper, a notebook. A story
at a ***** table.
I would write on top of all this,
thoughts of avoiding the mess
left, there, unwanted by others.

I have been wrong
in as many ways as I have been right
I have been wrong.

It's true, what Freud said:
                                           Wo ES war! [Where IT was!]
Wo war es? [Where was it?]
                                            Wo ich jetzt bin! [Where I now am!]
ES IST ICH [IT IS ME]
ICH BIN ES [I AM IT]
                                      I am here.
IT
    is Omaha,
                      and
in so many ways,
                              it wasn't. ______
http://www.youtube.com/watch?v=T33oGr4rlx0&feature;=youtu.be

http://en.wikipedia.org/wiki/The_Instance_of_the_Letter_in_the_Unconscious,_or_Reason_Since_Freud#.22Wo_Es_war.2C_soll_Ich_werden.22

MMXIII
I swilled pupils behind your glass               Then sighed into the telephone.
                                                      ­      (…)
reflections of me peering out.                     /Against each felled bough
The sneering nose,                                       /blooms indignity
supports a wire                                             /swelling like vineyards
framing your visions.                                 /over sultry horizons;
Beneath                                                        /I float and stare
a satin camisole                                        /at equanimity
connected to me                                      /vanishing in undue time,
below the belly. This was our ship     /like my young grapes
taking on                                                 /dripped on your bodice
water.                                                    ­ /while you drank with no conscience.
MMXII
July 23, 2012
"I'm mom and daddy's victory"--
like the song said when I was a teenager.
"Do you know who I am? Do you know who I am?"

Well, I'm a coward in my twenties, trapped in the psychiatric apparatus.
But at least I can admit it.

What now?

I could quote my own thoughts:
"The easiest way to escape a bad situation is allow yourself to be a part of it."

Try to know cool bands:
"tripping on the thunder of a paradigm
choking on the thread of a nursery rhyme"

Or imagine having an influence wide enough to drive a few clicks to a link somewhere.

But in actuality, why rhyme.

It's a cruel mechanism to drive information into the collective memory of humans
when they want to forget your song as soon as they hear it.
A sour reflection on my musical taste
From space the earth’s veiled nighttime is not glorious violet.
We know because there are pictures.
But eyes shielded by a woman’s hands forbade the man resisting this notion.
What other color is thick, velvety suede, when it can’t be caressed by vision?
What other hue could the universe be in the moment its embodiment withholds it from you?
There were others, surely; in the houses below surrounding the round building’s roof.
But the smell of modest, floral perfume and finger bones perched on top optical nerves makes that thought irrelevant.
He stood with her, having clambered together, before she divided herself from his sight.
They were both aware of ambient, translucent fixtures, but were unnerved by their subtle hum and the prospect of being caught.
As they stood beside the edge with him reaching backward to touch her, what she saw with arms draped around his neck was an alignment of heavenly bodies in the sky, to the blind man conveyed by apt, moistened lips.
Regretfully, he can only imagine now what she must have seen, recalling her warm tongue, slender fingers and the comfort that smooth skin can bring; he’s left wondering.
Where was each dot in its choreographed performance?
He wanted to know how they’d gotten where they’d gotten, and more pressing to him was why.
He was utterly consumed by a frantic urge to put each minute astral feature on a map and chart their course back to that instant!
But mania gradually diverged to sullen despondence, and his payment of devotion for her passion forced their bodies from the sky.
Most nights now, stars go unnoticed. Because they’ll never be the way they were.
Because earth is purple, because air is fabric.
It’s better looking over shoulders of a
road that isn’t there and leaves held
in the hands of
strangers combing through their sacks.
Eyes, dead, locked-- begging;
Pan the unique kilning porcelain
ornament for gives; stolen heat is hidden under tiles
as salt melts under tires and collapsing
blocks of ice float through
the crevice of your murky stream.
That pine severs from the limb of repose
and jams in meaning to your crook--
where your chasm distorts silence.
MMXI
Yes, mechanical leaf mover,
create the shrillest sounds known to man.
See if it doesn't just slowly make the world a ******* place
by taking away the joy of crunchy leafs,
which gradually become moist, squishy leafs,
then, after a long period, emerging from a snow covering
thaw and lie there, fully exposed, recumbent,
depriving the dormant seed of grass its sunlight, preventing grass,
freeing up water for infrastructure needs more urgent and rational
than supporting the most boring of decorative plants encompassing our lives.

I guess what I'm saying is that, not only are your sounds annoying,
they're just another of the short-sighted endeavors our present society insists on.
You are the "circumcision-for-hygiene-purposes" of our urban planning.

*******, leaf blower. ******* and the excruciating environmental ignorance you represent.

I SAID *******, LEAF BLOWER, YET YOU PERSIST!

You need to let that leafy-******* grow,
covering the shaft of ground.
Rid it of the pleasure-impeding growth of grass!
Let the earth cry out for the sensation of tiny points of pressure
moving delicately along its surface.
Let the ground erupt with wild flowers, or at the very least,
the trampled exuberance of plodded soil
and the desperate levels of human debris that would collect upon it.

Or are you trying to hide our wastefulness from us by removing something
which is nothing, a nothing, invisible barrier?

You've already succeeded in giving my apartment complex the ambience
of an industrial production complex
which I suppose it always was.
Maybe your attempt at concealment
has been a revelation.

Or maybe I just can't think straight,
because there's been a god-**** leaf blower
circling below my window all morning
and now a heavy, riding lawn mower is coming to cut the grass
that hasn't grown since September
but has been watered every day
even though it froze last night
and it's almost November.
MMXII
This poem is about something that was stolen from me.
Uniform- Bloc Party
"There was a sinking disappointment as we left the mall-- all the young people looked the same"

Bought for a Song

All we could ever buy was bought by someone from something
An apparatus of production so maniacal; how could we know
what made our fingers bleed?
It was the sewing and the apprehension our hands holding string
we sat down in the factory but shortly stood up to sing
something forced us, past the window, it was still early
our minds returned to our benches our selves were in the seams
and we laughed, when we died, but it was all in jest
we knew someday we'd give our lives so your dog could own a sequined vest.

The Dog

Your dog's a personality, it's so lovely I'm impressed
It looks so jaunty prancing there, alive its sparkling vest.
Now tell me Baps, who made it? However did you find a sequined silver vest to fit on your canine?

It's really rather simple--it's not even that smart
I bought my dog this lovely vest at the giant mart.

The giant mart? How daring! How intriguing, I declare!
It contrasts very vibrantly with his top hat and black hair.
I tell you Baps, he's precious, look at him standing there!
I can imagine him singing show tunes like the late great
Fred Astaire!

"Yeah, you're right" Baps said, the conversation lingered there.

And I'd like to say what else was said, but frankly I don't care.
I hate these *******' feelings, I don't resemble Fred Astaire.
I wish they take these things off of me.
Dogs don't wear underwear.
MMXII

At the park/in the park
If i had another glass-- but it’s supposed to last until monday
then i’d fill you full of words-- even if i must drink it on friday
and sip down the spout each flux-- you’re right, that is a bad metaphor
i wish you’d pour it for me-- but into the drain, my mouth
and salivate, “salve,” Elmira.
You’re leaving so soon? But i had an empty carton and a bowl
of cereal.
i’m saying
a sandwich without bread-- STAY!
I can’t make you, and not even if i wanted to
could i hold you-- with my shaking hands
the bottle tips-- it’s monday again
and the blazer stays ahook.
maybe our cask stays empty.
maybe the wheelbarrow full of earth.
and who knows-- when’s the next time that i’ll see you?
MMXI
You want your pickled herring
you want de jure
you want all the caesar
sections
gobbled up
pure
and shallow
waters
drip
from bellies
to replace salt
to preserve
the children's minds
you eat
while you
transport them
to the other side
of your soulless
empire
with no objective
existence
in reality.
fruit flys, umarm mich
die, the filth!
you take what is lacking in me, the emptiness;
that is your sustenance.
I take from you everything, my act of disposal
is violence.
what kept your body, your fluttering,
was my
waste.
my waste of utility, life, being.
call it what you will, I hate fruit flies.
The mornings spent running?
I hardly remember them
The afternoons, asphyxiated?
No
What I see are the absence of clouds
Between the clouds
When all earth is shattered
And the moments of happiness
Consumed
It is momentous
It is stupendous
It is callous, and hardened and reproachable
I hate thee, and thy silver charms
Mrs. So I told you so
Mrs. Goodbye forever
I hate you
And I hate this evening
Whither, whither to whom?
Goodbye
Periodically I hide myself from the world
Chastising them
Punishing them with my absence
My opinions are like bricks before the throwing
With little compromise, I roll my eyes
Hating them
The ones oblivious
Diesel burners, peaceniks, consumers
Sitting contradictions
Simmering catastrophes, an embodiment of what they’re making me
Powerless, with no resort
My impression on this society will be forever minimal
And I bite my tongue with every syllable
I type
Holding judgment, holding on
To the world I was promised
The world I was conditioned for
A world with angels, untouched by violence, corruption or greed
A world we defiled, without animals
A world achieved
Where grass is preserved in museums
In compartments behind glass
I see my part in the reflection, I hate myself more
My impression of this society will be forever minimal
MMX
My high school ethics class taught me so much
For example, the fact it is completely fictional
Reminds me that I shouldn’t care
About the world we inhabit or our gaseous air
Why worry that we’re ****** every single resource?
Why worry about dying breeds of animals or melting polar caps?
Should we bother helping honey bees, or consider our affect on bats?
Would it be ok to take a person’s land then tell them what to grow?
When we took the land from natives, was it generous to tell them where to go?
Have you wondered why people living even now think it is ok to **** like Pol?
Or why some think we’re better off to be completely baffled by the genome?
When do embryos become humans, and what does that mean?
Is it ok to grind up cows in machines, or change their names to “Beef”?
Should we ignore terrorists sincere qualms?
Or refute their “strife” with nuclear bombs?
Are we making the planet a more peaceful place?
What a success my education has been!
Apparently school district officials were just challenging me
Because I would have found a purpose
If I knew there were so many chances for improvement
And I guess I should be thankful
That my dawdled years were not interrupted by concern
That one philosophy teacher might create
Because the way of life they placate
May just be in jeopardy
The day we learn that ignorance is greed
MMX
I fell asleep in
The shower today, water
ran and ran and ran
Previous eras were motivated by mystical forces such as god or universal structure of being
(EXISTENTIALISM)
as well as morality and a feeling of putting others before yourself
(RELIGION?)
and these approaches to life led to advancements in society and man’s relation to nature
(TREES)
but the problem with capitalistic society is that we have only one motivation prevailing over all others
(***)
that is, the motivation to reproduce the productive forces through monetary exchange.
(MONEY)
This structure of society will ultimately limit man's aims toward maintaining the status-quo and
will stagnate our advancement as a species
(MICROWAVE DEVELOPMENT)
the only way forward for mankind is to end capitalistic production and free our minds.
(POPCORN TUBE)
MMXI
The Title is because I hope we get overtaken by something greater.
I
kept saying “I’m just glad no one got hurt,” last night when
I crushed a car driving a semi.
Just about to sleep
on the road by the sugar factory in my hometown
when I heard a horn honking and people yelling at me.
Before I heard aluminum bend at once.
I recounted it to spectators after the fact--

IN MY DREAM--
it was this
yelling, this
honking
inDICTED the victims in my
mind.

That road was endlessly wide.

Their car could have moved enough to miss me;  they wanted to
get hit.

For the insurance, maybe.
Who knows?

IN MY DREAM
people get right out of smashed cars.
Below your driver’s side door giving silent, dis-
approving glances within seconds of your palm-
shielded face;

After it had started to get dark
I remember how my dad had
our truck down filling up
on the corner with
scraps of steaming
food.

I noticed potatoes
cut into halves and
fourths piling in and flowing through the broken
tailgate. I knew
where that truck was going:
back to the country.

Where I was told to park my truck and RUN. in-
stead of
crash into the city. Then I saw the insurance adjuster, ask-
ing him,
“hey,
how much will it cost.”

“Some

number that doesn’t surprise me.”

I walked to the corner, past a car
dealership which doubled as a
firework
stand
in the summer
when I was young
and still does.
MMXII
Holding up a mirror to tomorrow
I see me just standing there
I’m not afraid of catching your eye
You’re clearly well aware

Life’s always changing, mutating
The years exhale and die
Waiting below falling bodies
Why stay here? Why?

Sophisticated and calculating
The risk to reward’s too great
If you feel differently
It sadly is too late

We hardly touched tenderly
Warding off shame
You never took me seriously
But stole my spring rain

Grass, clouds and sun-baked sky
Pervade tenements of my mind
Doused with gasoline
My children’s children striking rocks


And it’s suddenly Winter again
Grass hidden, clouds dreary, sky gray
I’d starve before I let you dig me out
I’d let you freeze in your sleep

All bundled in a corner
Away from light and love and time
Forgotten in our stories
Surrounded by my mind
MMX

Written back in January... really digging for something to post
I was asked today "what
are you really into?"
while I was walking to film
class.

He had changed direction
with a flair of drama
and was walking along,
interrogating me.

I had to think.

I wondered how
I would answer his
question, were it posed
by someone I was interested in.

"I like the smell of hormones
colliding, omnipotent in their
decision to do so and in doing
it."

Could I say that?

"I like to feel like a hormone,"
or
"I like being a hormone."
Were these answers?

"I like patting my contracted
******* against the *****
majora of my partner."

"I like sewing," I might say.

That is, the idea
that if I push
and she opens
both testicles
and ******* may pop inside.

Like a **** needle pulling
a ***** thread
through a tight weave.

I laugh, imagining what the little man
would say, but
he doesn't know why.

"Stitch her up, Doctor!"

I'm
laughing.

He just says "you know, I'm into
chemistry, biology. Just tell me what
you're into."

I've been silent.
Is he still walking with me?

All I think to say is
"music" pointing to the earbuds
dangling over my chest, song
interrupted
by his pedantry.

He says "you've always liked music"
as if we've had this conversation before.
As if we know each other.
And it seems like he will follow me
to class.
And sit by me.
And talk about chemistry
and biology
while we discuss Singin' in the Rain.

Hormones, sewing and music.
Sep. 20. 2012
Down the pathway-- I can’t believe I’m telling this to
I jump frantically-- I can’t believe I’m saying this
On one foot-- Disguised as if a face,
And I leap into the ground-- Bled and grasped for advil
An ending near the pathway-- Of nuclear bombs and shrapnel
I start moving slowly-- It was inside her also
I let out a yelp-- It was inside the autumn leaves
And in between the footsteps-- It was beside the mountain
I learn to walk I learn to talk-- It was when all the water
I can’t remember anything-- It was beneath the river
I can’t see where I’m going-- To hold each other in our hands
I’m constantly invading-- Time after
I can’t hold back my screaming-- I can’t remember time
Time before this-- The territory’s mine
Time while we began-- I can’t see where I’m at
And take our final stand-- Except before the path
It was beside the sea-- I learn not who I am
Slowly came and covered me-- I hop and hop again
It was beneath the valley-- Toward what is to be my death
It was inside the words of every song I heard-- And take in a deep breath
It was within the residue-- Where I am to begin
It was within the seething hands which-- As I come to an end
No one except me-- As the other is impaired
It was in every waking dream and every smiling sorrow-- I jump without care
It means nothing, even tomorrow-- Toward the river
I don’t know what it means-- Every burning footstep
MMXI
I watch stymied
laughters of the world.
They are momentary tragedies.
Halting
Hindi laugh,
silent
Asian laugh.
Poking each other in ribs
infused with ****** morrow.
Why do I surreptitiously laugh, aloud on paper?

Each diseased curtain
of sawed-pulp wafts gently on
my breath, through ink, away--
contained in incense clouds
from sandalwood shrubs
which rustled once
beside a child
whose mother
dipped in Ganges
her ceremonial robe
whet, with tears,
the appetite you have
tonight
from laughing.

Downtown, outside
my cordoned hallway,
other people cackle;
they laugh like Sheikhs.
They laugh like Mullahs,
                                           rolling copies of Qur'ans
held next to black cloth,
who ask us
"Have you heard the one?"

The bishops,
priests and
generals
lean over their broaching bellies
to hear described:

Crackling yellow flames cast shadows
on maps for weary pilgrims
with questions inside their heads
suspended on the moon-tides.
They sang in a circle, one.
Motives for allegiance
unraveled on the ground of man's
passion, now rotting, beside the
carcasses of camels
too meatless to eat.

In the once cloudless sky,
separated from the stars eternally,
they conceived of
pangs as great as loneliness
which laughter disguises.

Love, a painful, confusing torment.
of which
laughter never inquires
"Have you the time for me?"
although, every few days,
it should.
Running fingers through our lover's hair,
laughter tempts the intellect eternity to
conceive.
Constant fascination is
more bearable than death,
we dream.

We all need more
persuasion
to let go,
let leather reins pulled
taut behind vocal chords
snap free from our hands
in empathy for what
can't be said
and move our tongues aside
to shout
"Again! Again!"
through laughter.

No need.
It repeats, despite encouragement.
Arriving in self-addressed envelopes in your receptacle
                                                      ­ each year
                                                            ­                                                  
              ­                                                                 ­                                 on your birthday
waiting in the dark, crying:
“Open up!
                   Climb down
out of your body.
                                          Come laugh with me,
                                                             ­               between the stars."
MMXII

*Laughter is a mini-death.
The moments are passing me by now
In the same fashion a hummingbird passes each flower
Until it reaches the one with the sweetest nectar
I am the flower, the days are the hummingbirds
I cannot stop time anymore
Than the clouds can cease to collect above our heads
Then downpour upon us
It is in this way that life is beyond our reach
Because just as the clouds appear solid
So too do our lives appear solid
So too does it seem that we can grasp something
That is innately us although
It is always beyond our reach
MMX
The possibilities are perched and overwhelming with their weight
the withered autumn branches of my street. Whining sinew of my mind
breaks off and flutters down, like leaves from life's misbegotten tree,
a petal or a timid accusation.
What now am I left holding here-- vulture feathers or sapling leaves?
That girl, with tufts here and there, dropped each quill as an embossed coin, effaced
by intrepid maids vacuuming my room of cloistered couches since
soiled by madam president during isolated summit which won't convene again, her golden
gown of rues has not a stitch of fabric for a single pocket more-- sloughing brittle currency under cushions
like Fall foliage under conscious footsteps striding in constraints of time.
She picks that soggy garment from the cleaners' with the sideways background ringing of
mistrust, apprehending
silenced, patient voices; detached from their seams with dis-acknowledgment--
the dress, comes by on the carousel and
fingers her feathers with its motion.
They're washed with him, her feathers and the dress-- shored up by late summertime’s ebbing
flood that year.
Each gust eddied unaccounted toward the beach our circumstance.
What held intact the branch of life and plucked that chord for dancing in the night?
The self-same vibration that severed from the soil his trunk, which was the ship's ballast, with the adz, my will, my want
and hopeful mooring --
cast and sunk, thus.
Sound waves clashing with our spinning crystal surface of wisping nodes
plunge now beneath themselves-- frail, flaxen and woven with water.
Held out near Tyre's port a scanty mast,
thought out for catching air; forfeited this vacuous, unstable mole', their bottle
poured on water to make earth, which swells as moistrous and abridged
as a musty vestule, corked and knotted in the wind.
Encased through sanction, hold and curiosity--
the tine rubbed and singeing, loosed you from me. Those brazen beads, sand percolating, lie with us.
We are now misrepresented; sniffling as sows after the trough who root.
The woman-leaves let will be known-- to dry up and disavow
their lecherous beauty by shriveling in the tepid sun of
late September. Does too, the feather-man eviscerate the model of time
in his way of losing each and every granule
that is the ground which swells with frozen rain 'til
Spring, then thaws and flies away. Or was it
their dainty, dizzied rose petal, suckling smog from sky since birth that has weather-worn
their gowns sheer silver, freshly hewn anew, by being ripped and pressed about
which came to stifle thoughtless dew?
MMXI

'Mole=causeway, such as that used by Alexander in his famous sieg of Tyre.
i’m sleeping on a pillow of doubt
every feather pressing through the seams
hours closing in on the moment i’ll awake
and remember what it means to think i see
MMXI
Running down the slopes of life’s valley
Toward demise, weary Autumn
From upon the slopes of Spring
Visible are tulips
Bright, cruel wistful sky
Baking stony gravel pathways
Leading between the fields
In my father’s acres
Becomes Summer
As Winter fades to memory, each blinding moment
Escapes my eyes in fugue
Relinquished
Replaced
By pastel eggs and rebirth
Torrid are the seconds
The minutes that bind us
But as one we struggle for release
MMX
Echoing inside
empty buildings bolted with
fall-ed trees, hollowed stones, were reverberating
hand pats. Clapping will go
on.
Mourning cries,
tears won’t echo as well; rather, staring
hand, clasping
shriveled hand
shaking and bouncing
off wooden panels,
fake storefronts.
Acts
incited
feigned appreciation;
palms crashing, esophagi grumbling,
bodies jostling
for view.
As a species, we watched our own performance.
There, bursts from imagined forces
generated sounds, echoing
an otherwise empty darkness--
a yet empty darkness--
through purview.
Voices and people:
gone.
Objects, unacknowledged.
Thoughts, acted on.
Contained by walls
illuminating anything there was
with echoes from voices
and fingers, flapping on impact,
hitting corridor materials.
Below trap doors, no surprises are
waiting.
Everything that could have been said
is permeating,
blissful
nothingness.
MMXII

TED is an echo-chamber of self-congratulating neo-liberal (in the conventional, non-American sense of the term) elites.
I am juxtaposing this description with Adorno's "Jargon of Authenticity" in saying that their words are meaningless because they have a pre-arranged, synthetic value.
Oh, and, by the way, all of language is convention, so it's all jargon and it's all meaningless and poetry is kind of silly and that's just how I feel today living in the 21st century.

The end.
A glimpse which drags me toward—that frothing moment
Gasp; We’re almost dead—so nearly, nearly:
WE ARE!
Trite symbiloque and habadashed sorrows
thread between devising motives for that handshake in the
wash.
Take me there, that empty shelter covering fears
re-move sheaves
one by one. Twisting
back, a wave
goodbye—glowering redemption and preempted desire
trailer, hitch—inclined
sleeves unstitch
our spinning translucent halos
and a magazine.
MMXI
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