Yes, mechanical leaf mover,
create the shrillest sounds known to man.
See if it doesn't just slowly make the world a ******* place
by taking away the joy of crunchy leafs,
which gradually become moist, squishy leafs,
then, after a long period, emerging from a snow covering
thaw and lie there, fully exposed, recumbent,
depriving the dormant seed of grass its sunlight, preventing grass,
freeing up water for infrastructure needs more urgent and rational
than supporting the most boring of decorative plants encompassing our lives.

I guess what I'm saying is that, not only are your sounds annoying,
they're just another of the short-sighted endeavors our present society insists on.
You are the "circumcision-for-hygiene-purposes" of our urban planning.

*******, leaf blower. ******* and the excruciating environmental ignorance you represent.

I SAID *******, LEAF BLOWER, YET YOU PERSIST!

You need to let that leafy-******* grow,
covering the shaft of ground.
Rid it of the pleasure-impeding growth of grass!
Let the earth cry out for the sensation of tiny points of pressure
moving delicately along its surface.
Let the ground erupt with wild flowers, or at the very least,
the trampled exuberance of plodded soil
and the desperate levels of human debris that would collect upon it.

Or are you trying to hide our wastefulness from us by removing something
which is nothing, a nothing, invisible barrier?

You've already succeeded in giving my apartment complex the ambience
of an industrial production complex
which I suppose it always was.
Maybe your attempt at concealment
has been a revelation.

Or maybe I just can't think straight,
because there's been a god-**** leaf blower
circling below my window all morning
and now a heavy, riding lawn mower is coming to cut the grass
that hasn't grown since September
but has been watered every day
even though it froze last night
and it's almost November.

We hold these truths to be self-evident, that no man is an island, whole unto himself/herself.

Every person needs to feel safe to express his or her desires in as open and direct manner as is available.

Each person should be told what is expected of them, and what can be done in the case said expectations cannot be met.

Each person should be encouraged to pursue his or her own interests and given the tools necessary to do so.

The striving of each person is as important as the collective aim of all mankind.

We believe in a world which achieves its goals through the focused, deliberate behavior of determined agents.

Any person striving against another’s interest or aim should declare their reasons for doing so.

No person should secretly plot against another.

All motivation for action should be weighed against the public good, and all actors should be held responsible for behavior directly hostile to the betterment of one’s neighbors.

One should act with the mindful awareness of the impacts his or her actions could have on the other.

We are indebted to each other’s needs and desires for our very existence, as it is the movement of the commodity market which ensures our existence and this is dictated to a large extent by real human demands.

We are dependent on one another to use resources wisely and economically, bearing in mind that waste threatens the survival of our species.

Being the bearers of a legacy stretching back to the haze of pre-history, and an even longer biological chain of inheritance, we as humans, are dependent on each other for a collective understanding and appreciation of the world.

Without wasting time, we must acknowledge that it is in our best interest to act deliberately, without giddy outbursts of petulant exasperation, to solve the problems that our mutual dependence creates.

There is no alternative to the necessity of working together to understand and amend the dire circumstances of our existence.

Echoing inside
empty buildings bolted with
fall-ed trees, hollowed stones, were reverberating
hand pats. Clapping will go
on.
Mourning cries,
tears won’t echo as well; rather, staring
hand, clasping
shriveled hand
shaking and bouncing
off wooden panels,
fake storefronts.
Acts
incited
feigned appreciation;
palms crashing, esophagi grumbling,
bodies jostling
for view.
As a species, we watched our own performance.
There, bursts from imagined forces
generated sounds, echoing
an otherwise empty darkness--
a yet empty darkness--
through purview.
Voices and people:
gone.
Objects, unacknowledged.
Thoughts, acted on.
Contained by walls
illuminating anything there was
with echoes from voices
and fingers, flapping on impact,
hitting corridor materials.
Below trap doors, no surprises are
waiting.
Everything that could have been said
is permeating,
blissful
nothingness.

They installed locks
handed you keys.
Hold them, silver, golden,
shaking with dis-ease.

A vision of the Earth outside.

Squinting in a dark hallway,
why not turn the ***,
nudge yourself inside?

Someone paid for you to live here,
a father, mother, or friend.

Your chain of life extends far backwards
but on this side it must end.

You may have felt forever,
trapped with your despair,
between rough crust,
precious residue
floating in air.
Pressure can't hold us
with clouds
and shapes from dreams.

We'll soon be gone, and you will too.
Don't waste your voice with screams.

It, too, is faltering,
our voice,
our atmosphere,
hopes for exploration.
Heaving, chest
uncompensated by oxygen,
raided like sarcophagi
with your timid, spinning brain
having no peddler,
to whom to sell it?

No, your home waits here
on solid ground.
Keep your voice wrapped around you,
not in the heavens, as you'd wish.

Take off both shoes,
sit down.
Patiently inhale.
Feel worlds shifting their weight
skin, becoming pale.
Shake off saw-dust covering
your day-clothes.

Stretched
dissected.
Carpet does this to frame,
taking you through thresholds
and mindsets.

Evaporate,
see no more today.
Rain down until tomorrow
in this never-ending night
given to trees
collecting your purple-pink
and blue
dews.
Leaves bending
with gratitude
holding drops of you
aloft
before
no heat can take you up
and they,
becoming coffins
for you,
weep
and cover your dis-may.

A dashed possibility.

Like a dust moat in the sky,
preventing
a window past your mind,
what you saw standing atop
brittle decrepitude
through saccharine eyes
is shifting, impermanent,
time cannot be mistaken.

Relax.
A tear pulls
the horizon,
lightning
rips your sight.

Breathe as long as it takes
to stop breathing.

Alone, shaking.
Silver, golden.
in this eternal night.

No one re-writes directions to that fixture
out in space, yet near.
But you know it once was twirling
because you followed its light
to here.

Turn the keys they gave you
and look, inside the frame
of consciousness.
There is one artwork you create
with every facile, blinking motion
every extended being,
your thick paints of colors,
never able to be seen.

There once was chaos in man
he wanted so much to scream.
Instead he reconciled to whisper
and laugh.

Open-mouthed, blind and plodding--
there's no one to teach him how to dance--
he falls through space
alone on his rock.

I shouldn’t be drinking coffee.
I shouldn’t be reading the news.
It makes me anxious, and it’s not only the chemical interaction.
Somehow, I associate it with “adulthood”—reading the news,
Drinking coffee—I can’t tell you how many days of the last few
Years have been spent entirely in this fashion. The coffee
Growing cold and the news colder still. I don’t even taste the
black, fluid drops. I don’t hear the screams of people I read
about. I just want to hold on to something—so I raise the glass
to my lips. I can’t say

the shocking words when my mouth’s full; I can’t tell

about my experience, my privilege, when I’m drinking it.


The production of the commodity

creates a line from some equatorial region
to central America, and my mouth.
I think about the Autumn I worked in a corn-seed
sorting facility. What a short experience—
and yet,
something that weighs heavy on my imagination.
I was a temp worker.
I chose to work there out of shame and guilt for having
missed the deadline for college enrollment.
I could have done anything else; but there were people
there who wanted nothing more than a job. They needed
to be
there.
And I think of the people involved in producing coffee beans

in much the same way.
Removed
from the thing they’re making, as the raw materials are shipped
to places you pay workers more.
Why shouldn’t I swallow with difficulty when faced with the pro-
spect of a person supporting their entire family with the type
of work
I did
reflexively, as a choice?

Now I sit here, reading about North African riots,
a region, where coffee is produced—
ARABICA COFFEE— and I think about what’s sitting
in my cup, how I have
spent more money than they make in a day
to buy
one container
…
and sit here
for an afternoon
doing nothing but reading about their families’ misery.

I am a human parasite.

And like the bedbugs that have crawled meticulously
between my mattress and bedframe, hiding in a safe spot
until they can come out, undetected, and **** my potency.

I sit here, in the comfort of an apartment furnished
and paid for by my father who grows corn in a highly-
mechanized, agricultural society. I take more and more,
festering to the size of a blistering, red dot
blinking in the dark, in the form of the record light on
my voice recorder.
I expect so much more from myself, simply because of
this position of luxury.

But I don’t take time to think about my reaction to these
stories or how I am involved in them, in shaping their plots.
I’m even eating more now
as I’ve nearly lost my concern with avoiding certain super-
markets.
I smile at the greeters, make small talk with the cashiers
whom I am openly exploiting. But it’s ok, because
I worked for a month at a cornseed manufacturing
facility
and I read Marxist Ideology,
and I know about the Arab Spring
and I was against American intervention in Libya
and I disdain the air strikes from robotic planes
(unauthorized by congress)
and I disdain congress
and I support gay marriage
(I stopped eating chicken).
I don’t drive to the suburbs of my city.
I walk and ride my bicycle as much as I feel like.
I use public transportation at times.
I try to get to know women.
I practiced safe ***, once.
I write poetry.
I tell my mom I love her.
I bought my nieces birthday presents.
I’m not overly nice to people of different
ethnicities.
I voted for Obama.
I’m trying.
All these things make it seem less bad
to smile at the cashier.
But then I think about my black studies Professor
who used a walker to come to class
because she fell
and spelled the word Amendment “Admendment”
on the board when talking about Reconstruction.
I think about the war in Syria.
I think of people dying from cholera in Haiti, in 2012
A.D.
I think about fracking and oil spills and …
irrevocable damage to Indian reservations.
I think about football coaches molesting children
and people eating fried butter.
I read about people
upset
with a movie
who protest in the streets for days.

It makes me realize I shouldn’t smile at anyone.
I shouldn’t be drinking coffee.
I shouldn’t be reading the news.

I was asked today "what
are you really into?"
while I was walking to film
class.

He had changed direction
with a flair of drama
and was walking along,
interrogating me.

I had to think.

I wondered how
I would answer his
question, were it posed
by someone I was interested in.

"I like the smell of hormones
colliding, omnipotent in their
decision to do so and in doing
it."

Could I say that?

"I like to feel like a hormone,"
or
"I like being a hormone."
Were these answers?

"I like patting my contracted
******* against the *****
majora of my partner."

"I like sewing," I might say.

That is, the idea
that if I push
and she opens
both testicles
and ******* may pop inside.

Like a **** needle pulling
a ***** thread
through a tight weave.

I laugh, imagining what the little man
would say, but
he doesn't know why.

"Stitch her up, Doctor!"

I'm
laughing.

He just says "you know, I'm into
chemistry, biology. Just tell me what
you're into."

I've been silent.
Is he still walking with me?

All I think to say is
"music" pointing to the earbuds
dangling over my chest, song
interrupted
by his pedantry.

He says "you've always liked music"
as if we've had this conversation before.
As if we know each other.
And it seems like he will follow me
to class.
And sit by me.
And talk about chemistry
and biology
while we discuss Singin' in the Rain.

Hormones, sewing and music.

for fifty
dollars
you
park
your car
inside
one
of these garages.
I drive and drive and drive, knowing
that I will not have a place
outside those garages.
I spent fifty
dollars
on a purple v-neck, orange crew cut
striped shirt and ten socks;
it was my birthday money.
I’m going to go inside
restart the laundry
so it will be warm.
My apartment complex has speed
bumps before each module
to slow the traffic
and as I go over one, looking
at a darkened figure standing
in the garage, taking
a plastic bag from their trunk—face obscured by darkness--
I realize what a crude portrait
humanity is.
Trapped on this prison
planet—what was our crime?
In that moment, bobbing head
I thought of love
and how unobtainable its object is;
then I realized
only people who pursue love
are capable of murderous rampage killings.
I thought about how safe my anonymous
neighbor
was
and how lucky someone would be
to know what saints walk among them.
I forget that my bright shirts were bought
to attract someone so
I could attempt to love.

It feels better to be falsely imprisoned
--to be a saint--
than to know ****** and love
are parked inside of you.
The dark figure takes out
whatever's stopping you.