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 Jan 2014 Sam
Chris Voss
I.
Well you know that I sip on my sadness, my dear,
filthy palms, filled to the brim.
And I know that you watch trains
passing by, dizzy eyed, still drunk with sin.
Your teeth reek of reality lately,
You smile facts, figures and cracked calcium.
Now, once more with cupped hands
leaking, shaking delirium up to your chin.

Well I know that I’ve missed the point, honey
I should get it tattooed on my wrists,
but you know you talk like firecrackers
so flinching gets awful hard to resist.
I make believe that I’m right like craters
make moons believe.
So I’ll comment on comets and ignore
truths popping between parentheses.

My delusion has your lips liquored up,
but I notice your tongue...

II.
You say,
“It’s fiction we live in. You play in pastels
and fake hollywood rhythms and I’m tired,
staring up at your screen.


You're addicted to this diction. My voice is lost,
screaming these words you keep stealing
and twist for yourself what they mean."


III.
Your lips liquored up,
but I notice your tongue's not numb.
Drink deep, darling. Let's inoculate.

IV.
And you say,
“It’s fiction we live in. It’s intended for men
like you, bottled, up-ended,
but I've watched you drain out in my palm."


It's this clothing, from bedpost to box-spring,
It's all wax-coats and smoke screens,
live lit-candle lasting
When did skin begin to fit wrong?


V.
So they say, one day
Or, one day, they say,
we’ll find ghosts sewed to the seams
of Fringe Wolf bones picked clean
who waltz wicked and crooked a foxtrot to show
that sometimes loss is beautiful.
And when I ask for your hand you’ll look tragic
like this dance was only ever for me
and my feet always fall off beat
Like I beat off any discreet romancing
To pretend that this dancing was
Anything more than masturbatory.
I guess I do dance the way I drink:
Heavy handed and troglodytic
And a little listless, but I always fight it.
So while you walk away, I’m drowning drunk in cinderblock boots; Toe-tapping a slurred S.O.S. like some song you kept whispering.
You keep whispers like keepsakes.
You speak so soft but
Baby, your voice sticks with me
like sickness.

VI.
And you say,
“It’s fiction we live in. It’s intended for men
like you, bottled, up-ended,
but I've watched you drain out in my palm."


Alright, it's fiction that we live in
It's intended for men like me, bottled, up-ended,
but at best I just seeped through your teeth.

VII.
I stitched script to my chest like a scarlet letter vest that attests there's no Soul here worth Saving but ******* come save me anyway.
Your voice sticks
to my ghost-sewn, sea-floor bound foot steps like sickness.
Tread lightly, my love. Let's inoculate.

VIII.
So when they ask for me at the after party
With neon eyes and harlot tongues,
You can tell them I traded this stale air in
For forest fires and tornado lungs.
Because I’ve been reading up in matchbooks
how to dance with disastrous fate,
and I'm finding my rhythm so wake silent
or sleep long, my love. Let's inoculate.
 Jan 2014 Sam
Chris Voss
When my grandfather passed away, my brothers and I held my dad with slanted eyebrows and stiff, silent upper lips. Because we are young and foolish and still learning. Because we’d never really had to do the holding before and, as far as we knew, this is how men mourn.

We dusted antique left-behinds with delicate, moth-wing hands that fluttered here and there and never stopped trembling -- dead giveaways that within the corridors of our arms our heartbeats went stampeding, arrhythmic. We couldn’t quite bend them into the proper shape for prayer, so instead we ran them, with touch somewhere between float and feel, along every ashtray and age-stained picture album. In that moment I think we each wished that memory read like braille, but no one ever said as much. Because this is how men mourn.

We honored our patriarch with whiskey, hidden away for what must have been twice my age, between the carved out pages of old stacked books.
We drank like secrets. His portrait played witness.

We promised between our teeth with tinged lips tight, keeping words in that might otherwise crumble us like great ancient empires.

We singed and smoldered in a burn that coated our throats, quelling a choke that kept climbing its way up from a chest that never quite stayed sunk. Boys grow up loving the clinking twist of unlocking deadbolts but men peek through keyholes. Because this is how men mourn. Silent and straight with head only slightly slanted.

But when my father betrayed his rigidity with words that clicked clean like unfastening locks, we traded this stale air in for wind laced with the electric taste of thunderstorms. We forgot how men mourn.

When my grandfather passed away, my brothers and I held my dad with lightning behind bleared eyes. Because we are young and foolish and still learning. Because we have umpteen days left to dress in bittersweet vestiges and, as far as we know, this is how men live on.
 Sep 2013 Sam
James Hudson Cooper
I sit here and wonder
If the kids in Uganda,
Shed a tear when they hear of my plight
I sometimes work Sundays,
Which I hate, but it's well paid.
I can't help that I'm rich and I'm white.

This screen gives me headaches
We are playing for high stakes
I stare out the window and sigh
I've sacrificed leisure
For a day filled with pressure
But probably no one will die

I'm burdened with tax
Hardly time to relax,
My credit cards pushed to the brink
So spare me a thought
When your crops fail in drought
As you search for clean water to drink
 Sep 2013 Sam
pieces
The Same Girl
 Sep 2013 Sam
pieces
The same girl who always cares about everyone
even if nobody cares about her;
is the same girl whom her friends tell her she's pretty
but she thinks otherwise.
Is the same girl who seems to be happy,
but has scars that show otherwise.
Is the same girl that when she looks herself at a mirror,
finds every flaw on her body
and has no fingers left to keep counting.
Is the same girl who finds difficult to sleep at night
because she can not stop thinking
about things that have happened in the past that still hurt her.
Is the same girl who mortifies herself
by what people think.
Is the same girl that can be surrounded by thousands of people,
but always feel alone.
Is the same girl who helps everybody
knowing who most needs help
is herself.
Is the same girl who hates her face, her body
and everything about herself.
Is the same girl whom you will see smiling of happiness,
but most of the time
she will be filled with sadness.
Is the same girl who's looking for happiness,
although happiness
is not looking for her.
 Sep 2013 Sam
Daisy King
Shorelines
 Sep 2013 Sam
Daisy King
Excuse my drifting-
I didn't mean to kiss you like that,
I was just trying to swallow the space between us somehow
because I think tonight the moon was stillborn.
All the tides seem broken.

The space is dragging with plaintive collectibles=
complacency in yellow-teeth cliffsides, and all the empty shells
in which we'd listened for the corners of our ocean
and heard it ebbing, relenting, reaching.
It rippled on our skins and made us twinkle then.

Now I'm missing you, the grating bottle-glass shards
are what my headaches are made of
and are what fill up my shoes.

When our spines unravelled, I heard rain-
letter-writing weather, bathtub weather,
knitwear-perhaps-on-the-beach weather-
but the puddles were coming from the sun.
I don't know quite when summer blew in.

We would have found canvas chairs in the park.
You would be taking pictures of yellow daffodils
in black and white with your big heavy camera,
and laughing at each sneeze because I'm allergic.

There's really no need now to listen in shells
for the clutter leftover in elegy-
platitudinous phrases, photographs, plenty more fish in the sea.
Words couldn't ever weigh the depths of it.
Only abrade and erode it.

Yours is a world that, for immeasurable gaps
and for whirlpools and whale sounds,
I am not a part of anymore.
But please excuse my drifting.
I will always love the echoes
and walk along the beach in search of shells.
written a long time ago after heartbreak.
 Sep 2013 Sam
Asia Natalia
Unfold
 Sep 2013 Sam
Asia Natalia
I don't have to like someone and I don't have to beg for them to like me back and I don't have to prove anything to anyone and I don't have to lower my standards for anyone.

I believe that the right person will come when I least expect it and they will want me the way that I want them and they won't lead me on and they will make me feel like I'm worth something to them and not just some ordinary girl.

There is someone out there for me that meets my standards and someone is looking for someone that's me and you know what? I'm okay with that. I'm okay with waiting and I'm okay with what life has in store for me.

a.g (8:45pm)
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