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Poor courage,
break down pleasantly.
Feed the nameless
with siren calls.
Feed them all!
Their hungry bellies can have myth.
Feed them all
splinters of health in your absence.
Be a doll and let them feast.
Behold! You're tragic
after all.

After all drips have fallen
from the auto-feeder,
believing so much in -- no!
Run right back to mother hope,
covered in wire.
Metal bones frame our warm lit home.
Covered in wire.

Stares hurt too
much to remedy.
Breathe the pain in
your oxygen.
Breathe to mend
old bite marks on which critters gnaw.
Breathe to mend!
But breathe instead, poison
cutting coughs.
Begin orbit, notice your throat bleed.
Behold! Your answer
to their call:

Silence. Retreat.

Whisper frustration into bedsheets like a lover,
feel the warmth you radiate imitate another, to
take reward in the title "savior", to be reborn
in your listlessly pulsing head, and sing your solo
song, song, song,
Reborn, born, born
in leery echoes.
5a.m. for the fourth day in a row
ruby red filigree in my eyes glows
sleepless fissures reflect in the window glass
and
I ride this train again
and I
still feel
nothing

6p.m. for the fifth night in a row
snuffer of light continues on his show
sleepless pursuit demands another dosage
and
I ride this train again
Focused
I feel
Nothing

12 o'clock noon for the tenth day in hand
lunchtime finds me at an old street side stand
hypnotized, eating, still entranced by a man
and
I scan his dossier
and I
still feel
nothing

2a.m. neon tracers over dance
undulating bodies keep up to task
sleeplessly bound for fate encounters of chance
So
I stand in rain again
Lonely
I feel
Hopeless

Would waking correct me
I'd kneel down, delighted!
Fall softly to sleep
under these streetlights.
Would my call permit me
I'd retreat in belief
that all will be well!
Under these blinking white streetlights,
under the cosmos
but my work commits me
to wakeful burden, to half-light alley-
ways in Hell
I don't want to see your ****.
You
never asked me if I did.
You
whipped it out and showed me pictures.
Maybe if you made a date.
You
could present it next Friday.
You
could proudly display your ****-dang.

As long as it's consensual there will be a question mark
-- but I should let you know that I'm not into that, no,
for years I tried to loosen up but there was no ill to fix.
Understand, please
I love ***** and *******
-- but it all starts with the one thing I've only found once
and now I cannot let it go.
You try and sell me your wanting body
when I'm looking for a lover selling scented pillows
so I can ******* sleep.
She's there, suddenly noticed, woman from the dream
Above the dance floor, red hair fire falling down around a moonlight face
All others blur in the sea of bodies and burn on the sidelines of tunnel vision as the freckles of stars
Cerulean eyes vacuum the dark within a frame that illuminates and
I'm struck, suddenly pulling a name from ether

Julia,
I whisper*

Gunshot
rings, three drinks in
reach to the rib to feel dress wear for which metal was traded
Gunshot
bartender dead
one stray bullet punctured his head burst through the back and then popped

a fifth of Jameson.

Kick
Punch
Elbow
Motion slicing and justified
Neck
Snap
Disarm
Violent crash when pacified
Autonomy engage,
Bang, bang
Enrage
She
A

Knife

Gunshot
nine times in row
nine suited men dropped still in tow, two more take employees' door
Gunshot
following fast
upstair sprint with empty clip, K.O. with strong arm hefty throw

She leaves safe with escort
Up one more flight to the rooftop
This isn't the first time Julia's run away
This is the first time she's been chased by wanting legs
Who otherwise stood still on the platform watching a present face
Depart when maybe just maybe there was a chance in three words, sure

In three words

Violent crash in memory
Autonomy engage,
Retrace the pain
and follow
dream
A
l
i
g
h
t
Why waste your time talking, are you insane?
You're pushing real buttons when you could play.
Offer me a gun,
Offer me a blade,
Offer me an answer
Cemented firmly in old ways
Or I will crush you in insults with the language you would use to say,
"Expand"

Only one solution to such a simple problem.
Get what is rightly yours or just defeat or justly save.
Offer me the newest
best displayed gun
with the best gimmick
and I'll offer you several days
but once I hear the pleas with common language and you choose to say,
"Expand"

I have no choice but to crush you into the dirt from whence you came!
So say it. Say what you will. I need to use this answer I obtain.

There are those whose ideas work to change the normative horror
but they're working beyond the confines and outside exposure
necessary to ever, ever, realistically begin the revolution leading
to the evolution necessary for our medium to truly newly thrive
and sure it will survive, you're right about that, but I myself
would like to see a future where when given ultimate control
of a problematic situation, I'm not standing on a platform
made of mechanics that come from a singular origin and only
give me a killswitch, saying, "In which way would you like
to end more lives", and though it's a nice enough reprieve
don't get me wrong, I'd rather have an expansive platform
to stand on where I might be given a multitude of options
that may possibly end in my choosing not to become a
soldier.

Get back.
Rescue.
Retrieve.
Destroy.
Revenge.

Are we lost to the tropes which provide the most money for instant growth
that knowingly keep us from ever, ever truly growing and expanding?
Will this be forever the list we're left to roam?
Into the everything,
a hard coded "is":

OOO
U
RRR
F
AAA
T
EEE
S

intertwined.
argh....i really wanted to make the separate "our fates" intertwine like a double helix strand....can't figure out how to simulate the 3D effect.  I even tried making a grid pattern that could be read multiple ways (up-down, left-right), but I couldn't get the characters to line up so it was readable.  I can do it with Photoshop, but we can't post pictures, only text, so you are going to have to use your imagination, which kills the intended effect I think...
Whenever i meet people online,
i am reminded again that at the
core we are energy.  My mind
ascribes characteristics of hidden
faces that i can't be sure
are verifiable, a blank palette
where every "Alice" looks like
the first "Alice" i ever met,
and every "Steve" like the first
"Steve" and so on...

like when Rose Tyler lost her
face to The Wire, and Doctor
Who had to reclaim it for her.
The Wire was so very hungry,
famished even.

And i am so very thirsty,
which, if you think about
it, means that The Wire
and i have nothing
in common at all.
my first blatant Dr. Who reference...

there are many others scattered throughout my work, but this one is on front street.  i'm not sorry.
The sun sends us life as a
coherent cohesive beam, unfiltered.

Our science has shown us that
all it takes to rationalize this
is a prism, the rainbows'
gatekeeper, after whose interference
we can see the dichotomy of
each ribbon of color, naked
and categorized like society.

A prism isn't necessary to see
that life is beautiful, any
more than society or our
minds are necessary for us to
instinctively know that light
loses something as it meets
the prism.

The light was too beautiful for
us to comprehend, so we broke
it down to build up walls.

We used the walls to build rooms,
and our minds to bar the doors
and windows.  Society took care
of the rest.

The real breakthrough takes place
when we take all that we
learned and use it to tear
back down that prison
of the light.
The Specials had a song called "Free Nelson Mandela."  Wicked cool song back in the day, for a wicked good cause.

Thanks for everything, Nelson.  Now you are finally free.  Godspeed, & R.I.P.
House plants are hostages
we take while we rob  
the bank of life for
all the experience notes we
can carry safely away.

We are using the funds
to build our vivarium
homes, microcosms of
the world beyond our walls
where we first glimpsed
the scheme.

The machinery of the world,
greased by blood and sweat,
remains beyond our control
while at large, yet
under our close supervision
we coax submission
out of our captives for
our own enjoyment:

selfish, ambivalently cruel
benefactors, dispensers of
our plants' waters of life.
Sitting in the circle of confession,
i am unmoved, at inaction,
only minorly involved in the
process of others, an observer
of them and processing me.

          God, grant me the serenity, to accept the things
          i cannot change,
                    (people, places, things)

i am quiet and respectful, knowing
that for some this is all they have,
that i am fortunate,
that we never flirted with disaster,
we openly courted it.

          the courage to change the things i can,
                    (me)

i hear the voices in the distance,
but i can't connect, my mind
wanders, thinking about prehistoric
jewelry in museum cases, broken
pottery shards unearthed with
great effort from ancient graves.

Were these items symbols of broken
promises?  A ring:  till death do
us part...a vase:  i will carry the
water for you...an arrowhead:  
i will protect you.  These things
hold a value that words
cannot ever truly convey.

i don't really understand how it works,
the promises i broke were the ones
i made to myself first, all the
others were incidental and yet
so equally destructive...

my track marks have faded with
disuse, but everything that it was
and i wasn't are now forever
tattooed under my skin, something
that is always only mine to
observe and behold, something
terrible and yet darkly beautiful.

          and the wisdom to know the difference.

i empathize with the lost, but
i do not share.
They would understand, but as
they learn more
i comprehend less,
and i know where that road leads.
So i remember when i should
be listening, and i will keep
what i have earned.

          *Just for today.
"It works if you work it so keep coming back..."     --the unofficial end of the Serenity Prayer

and if not:  "Fake it 'till you make it."
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