Submit your work, meet writers and drop the ads. Become a member
 
In my dream,
drilling into the marrow
of my entire bone,
my real dream,
I'm walking up and down Beacon Hill
searching for a street sign --
namely MERCY STREET.
Not there.

I try the Back Bay.
Not there.
Not there.
And yet I know the number.
45 Mercy Street.
I know the stained-glass window
of the foyer,
the three flights of the house
with its parquet floors.
I know the furniture and
mother, grandmother, great-grandmother,
the servants.
I know the cupboard of Spode
the boat of ice, solid silver,
where the butter sits in neat squares
like strange giant's teeth
on the big mahogany table.
I know it well.
Not there.

Where did you go?
45 Mercy Street,
with great-grandmother
kneeling in her whale-bone corset
and praying gently but fiercely
to the wash basin,
at five A.M.
at noon
dozing in her wiggy rocker,
grandfather taking a nap in the pantry,
grandmother pushing the bell for the downstairs maid,
and Nana rocking Mother with an oversized flower
on her forehead to cover the curl
of when she was good and when she was...
And where she was begat
and in a generation
the third she will beget,
me,
with the stranger's seed blooming
into the flower called Horrid.

I walk in a yellow dress
and a white pocketbook stuffed with cigarettes,
enough pills, my wallet, my keys,
and being twenty-eight, or is it forty-five?
I walk. I walk.
I hold matches at street signs
for it is dark,
as dark as the leathery dead
and I have lost my green Ford,
my house in the suburbs,
two little kids
****** up like pollen by the bee in me
and a husband
who has wiped off his eyes
in order not to see my inside out
and I am walking and looking
and this is no dream
just my oily life
where the people are alibis
and the street is unfindable for an
entire lifetime.

Pull the shades down --
I don't care!
Bolt the door, mercy,
erase the number,
rip down the street sign,
what can it matter,
what can it matter to this cheapskate
who wants to own the past
that went out on a dead ship
and left me only with paper?

Not there.

I open my pocketbook,
as women do,
and fish swim back and forth
between the dollars and the lipstick.
I pick them out,
one by one
and throw them at the street signs,
and shoot my pocketbook
into the Charles River.
Next I pull the dream off
and slam into the cement wall
of the clumsy calendar
I live in,
my life,
and its hauled up
notebooks.
Back bent, she scrubs the last soiled shirt on the board
her mother used when she was a child. She rises, stretches
the shirt before her wearied eyes, knowing there are stains
that never fade away, and pins it aside the others on the line.
As she pours the pan of defiled water onto the snow-capped
ground, she suddenly, as for the first time, observes her hands:
their redness, rawness, their winter-weather-beaten
lines and valleys, like blood on the desert. And she remembers
a time when white satin gloves covered those hands, briefly,
the day she vowed to live with a man, in sickness, for health
had nothing to do with her marriage. She replaced the gloves
for washboards and soiled laundry of blood-soaked shirts
from wounds of a war never won, drenched from the stump
where an arm should hold her, but never can. As she hangs
board and pan on the hook by the door, she recalls
her wedding day, just hours before he, her dutiful husband,
was to dash off in heroics into a battle where dignity remained
on the field among dead soldiers and shattered lives...
where months later shame returned to her half-dead, half-man.
© 1995,  Iona Nerissa

All poetry under the names Lori Carlson or Iona Nerissa are the sole property of Lori Carlson.
Please seek permission before using any of my writings.
~Lori Carlson~
I keep on dying again.
Veins collapse, opening like the
Small fists of sleeping
Children.
Memory of old tombs,
Rotting flesh and worms do
Not convince me against
The challenge. The years
And cold defeat live deep in
Lines along my face.
They dull my eyes, yet
I keep on dying,
Because I love to live.
A free bird leaps on the back
Of the wind and floats downstream
Till the current ends and dips his wing
In the orange suns rays
And dares to claim the sky.

But a BIRD that stalks down his narrow cage
Can seldom see through his bars of rage
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with a fearful trill
Of things unknown but longed for still
And his tune is heard on the distant hill for
The caged bird sings of freedom.

The free bird thinks of another breeze
And the trade winds soft through
The sighing trees
And the fat worms waiting on a dawn-bright
Lawn and he names the sky his own.

But a caged BIRD stands on the grave of dreams
His shadow shouts on a nightmare scream
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with
A fearful trill of things unknown
But longed for still and his
Tune is heard on the distant hill
For the caged bird sings of freedom.
There's no sound so beautiful
as falling icicles from branches
after a sleeting.
There will be no cracking
of branches or crying
of trees this winter's night.
© 2010 Lori Carlson

All poetry under the names Lori Carlson or Iona Nerissa are the sole property of Lori Carlson.
Please seek permission before using any of my writings.
~Lori Carlson~
best thing about life
is that I get to be me
I am who I am
with all my imperfections
the things I need to work on

it's life's challenges
all the obstacles we face
that make it worthwhile
not in spite of shortcomings
but the way we deal with them

all of the problems
particular to my path
character builders
things that I needed to learn
to arrive at who I am

and I like myself
not better than anyone
we're all still learning
a balance of reticence
and delusions of grandeur

people may not see
the universe inside me
some currents run deep
other things are worn on sleeves
some, to me, are mystery

but then all in all
life's jigsaw comes together
as the pieces meld
creating clearer pictures
of the person that is me



Del Maximo
© November 30, 2009
lustrous drops of dawn
strung on a spider's silk strings
early morning gems
from an open air oyster
as priceless as a new day


Del Maximo
© November 3, 2009
Oh, will you ever return to me,
My wild first force, will you return
When the old madness comes to
Blacken in me and to burn
Slow in my brain like a slow fire
In a blackened brazier - dull
like a smear of blood,
Humid and hot evil, slow-sweltering
up in a flood!
Oh, will you not come back, my fierce song?
Jubilant and exultant, triumphing over
the huge wrong
of that slow fire of madness that feeds
on me - the slow mad blood
thick with its hate and evil, sweltering
up in its flood!
Oh! will you not purge it from me -
my wild lost flame?
Come and restore me, save me from the
intolerable shame
Of that huge eye that eats into my
Naked body constantly
And has no name,
Gazing upon me from the immense and
Cruel bareness of the sky
That leaves no mercy of concealment
That gives no promise of revealment
And that drives us on forever with its
lidless eye
Across a huge and houseless level of
a planetary vacancy
Oh, wild song and fury, fire and flame,
Lost magic of my youth return, defend
me from this shame!
And Oh! You golden vengeance of bright
song
Not cure but answer to earth's wrong
Next page