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I'm going in there,

the box is locked, but I've been feigning,
shouldering off opportunities,
tormenting
how you lie, how;
you
are too ****
      good,
      too **** sweet,
      for me.

still,
take me with you, please.

how do you manage to,
or, how do I delude myself as,
to get to the matter at hand:
i want
every
last brushstroke
of your co-ordinate skin
surface patch union
in a quilt of
frail, tendre, beauteous,
branching, distant
expansions.
but you're here,
            no mind.

ok, so:

you're a forest fire in my
eyes when
I simply glaze through
your
al-
a-
ba-ster domain,

where your heart sits,
still,
contorted,
left, chinese-puzzled, by a boy you, still,
could never hate.

{nobody ever hates anyway, truly} maybe.
{nobody ever loves anyway, truly} I guess I have proof, otherwise.

And I, well,
I could never not love everything.
Whatever it is, makes up you.
Sorry.

I'm out of sorts at the moment. I'll write something worthwhile, someday. maybe :>
 May 2013 Rebecca Thomas
Ugo
Night is for the hours
Cowards,
Let a man of God speak or night
Will continue to burn flowers

It's been said napkins are the greatest currency
For it holds the food spittle of man
Like how ambulances sit waiting
To clean up after misfortunes
And make fortunes for the fortun-
Who Ate paragraphs of spider webs
And patted weaves like black men seating at the back of the limited luxurious Q46 bus nodding heads to the noise of Toyota cameras they couldn't afford in the land where they spend $300 million to part the seas for summer entertainment
While they only spent $40 on California cuteness and walked on water with 13 Jesus' and ate at the bottom of the sea with only three tokes from the plastic bag

Let a man of God speak or night
Will continue to burn flowers
For we graduated from 30 hot nights of mathematics
Only to find that the future will always be white and in the *******

— The End —