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Rebecca Gismondi Apr 2013
Ribs close
breathe
heave
and between the spaces lie pieces of others,
memories you cling on to and never wish to let float away for fear that you will never find them with another
that these memories will be the last you have of this nature with this person who knows your ribs,
can feel their fragility and light weight,
who sees the cracks that others have caused and wants nothing more than to crawl in between your heart and make a home, safe, where you know you can always go
but over time they become restless and struggle to break out of the cage,
they have willingly pushed themselves in the cage but now,
oh now, suddenly,
they want out
and they push past your lungs and puncture them
and bruise your heart on the way out until they
lift out of you, squeeze out, breathe someone else’s air
and for a long time you are crumpled on the floor,
a mass of bones and muscle that don’t connect,
that are no longer one but are just a heap of sadness and guilt and pity
and people walk by your bones and kick them and trample them and get dirt on your muscles and spit on your organs and laugh at your disconnected, dismembered body because
they have picked up their bones and muscle or maybe,
if they were really lucky,
they never had to
they could stay together and breathe in each other’s air and have another person live beneath their skin and inhabit their thoughts and be the main feature of their dreams and the hero of their nightmares
but you are not them
you are
bones and muscle and ***** and
discarded, scattered thoughts on the floor who gasps for air and begs for structure and yearns for fusion of her being together,
wants nothing more than to return to being one, to become a solid again
because why should one person push their way out
and walk on two feet
and kiss girls
and wear banana hammocks
and dye their hair red and blonde and brown
and then somehow, so slowly and so unexpectedly and so amicably and so generously
slice back into your skin until it almost smells like him again
until it oozes with his promises
and his words
and his laughter
and his voice
and its almost as if even when apart,
in separate beds, on different sheets,
you are together
and you feel his skin on yours and you can feel yourself
slowly
but then all at once
melting into him
fading back into his breath
fading into his hands
you place every word into his palms with the promise to hold them like eggshells,
“don’t break them”
and he sets his thoughts into your scrambled mind,
words he’d never utter out loud any other time except now, with you
and
does he miss you like you’ve missed him?
he says he’s lonely but he doesn’t realize you’ve never had anyone between your sheets
or
in your bathroom
or
in your kitchen
but you have inhabited those spaces in his
it might be a different place now,
a new air and smell
but he has probably had her there,
not you,
her,
and you think all of the time of what it is –
full of garbage and clothes and his guitar and exactly $100 worth of groceries
and you want to inhabit that space so badly it consumes you
you want to rub your smell all over so no matter where he is, he will think of you
and you want to lie in his bed with no clothes on and just make him stare at you,
watch you
and you want to write notes and place them in unexpected places
like in his couch
and
underneath his sink
or in his leather jacket
notes that say:
“you inhabit me”
and
“I dreamt of you last night”
and
“I love you my first love I love you I love you I love you”
repeated
and he will find them when you are not there,
maybe not in the near future,
maybe months from now he will see the repetition
and it will rattle his brain
and he will wonder why he ever pushed,
prodded,
and pulled his way out of you
and into the arms of another
Rebecca Gismondi Apr 2012
Benches are wooden or plastic or metal but they allow for a connection, a meeting place for two people who somehow become connected and intertwined and woven, like the branches of trees; they grow on each other, something blooms between them and sprouts and you believe that you cannot live without the other person, they are your sunlight and your water and that soft bird that perches on your shoulder, they see your history, the rings of your trunk, all the years you spent wishing and hoping for that one person and then:

you meet on this bench, a piece of hand-crafted wood, in a park downtown, and you talk and you laugh and you make each other smile and you sit without talking and the silence is good... but then clouds form and the silence is unbearable and you feel like you want to explode and break and smash if the silence continues so you whisper and then talk and then yell and the heat brings you closer, you retrace all of those places, you look back on the map of your connection and remember all the landmarks that you saw and lived through together and it is as if no space existed as if your hearts grew and swelled for each other and brought you back and you lie and embrace and breathe again together and it's comfortable

but then you turn, he turns back, on it all, everything, and you try and search his face, look again on that map and try to remember, you make yourself remember but he sees another path near this bench, near you but not with you, and decides to walk down it and you want him to take your hand and ask you to go but you know deep, deep down that he won't, that he can't, so you try and you say those deadly, poisonous words, those three words that change everything whether you want it to or not
and he looks at you
and he sees you

but he can't take you with him
so he gets up and lifts one foot in front of the other and
he walks away from you.
Rebecca Gismondi Apr 2012
I know that I will never marry Jimmy Fallon or Donald Glover or Joseph Gordon-Levitt.
I know that despite the myths, Brussels sprouts taste awesome.
I know that one too many tequila shots will automatically turn you into a philosopher.
I know that the sun sets in the East and rises in the West (or is it the other way around?)
I know that I am most happiest when I'm surrounded by amazing friends in the unseasonably warm March sun and a banjo is playing.
I know that a smile straightens everything out.
I know that although you can't forget the past, you can't let it dictate your future.
I know that having *** for the first time is weird, and so is ****.
I know that my hair is golden, my eyes are blue and I will never be stick-thin as hard as I try.
I know that there are 24 hours in a day, 7 days in a week and 12 months in a year. But it never seems to be enough time to figure out who you are.
I know that people come and go but those that love and care for you will stay glued next to you no matter what.
I know that as much as it hurts, you will get over love.
I know that I will never have the courage to rap publicly.
I know that Kim Kardashian's *** is most likely not real.
I know that travel truly broadens the mind.
I know that I'm insecure and over analytical and anxious and easily frustrated.
But I know that I'm also passionate and determined and a hopeless romantic and a picky eater and a restless sleeper.
And above all:
I know that when I look at you I see past your eyes.
I know that when you're around I smile wider and laugh louder and flip my hair more often.
I know I dress nicer to remind you how beautiful you think I am.
I know that I forget to inhale and that the butterfly on my shoulder has to fly up to my ear and remind me to breathe.
I know that I care about you more than anyone.
I know that I let you into every pore of my body, every opening: my heart, my head, my...
I know that I am willing to jump in with my whole body and risk being drenched in water for you.
I know that I can make you as happy as you make me
But I know that you're scared and vulnerable and hurt
But if I'm sure of anything (and mind you, I'm not sure of much)
I know that I will hurt and be afraid and breathe with you to make you love me.

— The End —