Wondrous, wondrous is the sight:
from the front, from behind, from the top, from beneath, all around,
fulminating planes, universes, formed, bubbling out forming,
events, from all times existing as one,
beings, of all kinds, everywhere,
gods, angels, daemons, beasts, life from many systems,
including men, of this small speckle of a world,
known, unknown, and the beholder included
unfold, in this being vast, that knows no end,
that prompts awe and gestures of remorse
for having called It the friend and the other and the like,
who can tell what it is, it is inside, outside and everywhere,
our limited vision itself is not enough to grasp it.
It must grant a boon to allow the mortal man to gain a glimpse.

Such is the sight, encountered assuring fearlessness,
amid the din and the clamour of the ferocious war about to begin.

Yet, a realm exists, eternal, where joy is a term unworthy,
where bliss is a term unworthy, where ecstasy flows
out of every pore of the very fiber of existence,
to prompt the poet to say, ah, suffering I can take, but
this my receptacle is too weak to take in your bliss:
where delight takes the form of a radiant blue and plays the flute
having heard which once, all other joy pales in experience known
here a hundred thousand coloured plumes flower out of darkness,
here the ardent souls,  sit numbed by the bliss of love,
not winking once, so not to interrupt the moment.

The portal to which is guarded by a simple faith.
Even a passing desire and a glimpse pours forth, of the river of love
dancing away to the flute, in the depth our being.

Oh, to be a mother, and glimpse universes
in the mouth of one's babe, calling it forth exasperated
to open up and throw out the eaten mud.
Or be the Creator, befuddled that
his proud creation is but one puddle among the millions
this magician conjures up, who smiles innocent as a five year old.
Or be the simpletons guarded in awe by the mountain held up
as an umbrella to the deluge ordered by the rain gods.
Oh, the bewitching smile, that rended the hearts of the maidens,
to which sworn enemies cast their bows and arrows
and fall down in obeisance.

That the lord of all existence, can be a prankster
delighting in butter and frolic, who knew, who knew?

He is the unseen charioteer:
steering the ignorant soul, seated in the heart; Aeons pass
and we know not, even as He carries us in his arms across.
Oh, we can work, and approach him by work.
Meditate! Yes, sunder the knots in the heart.
Sacrifice too, is acceptable as offering, and renunciation ascetic.
See Him in any form, or in no form at all,
offer Him anything, even a leaf, a blade of grass,
He submits but to the ardent soul, this lord of love,
this eternal teacher of the ways of union.

And yet, it all began on a rainy day, on a day
when evil reigned and the rivers were in spate,
in a prison, where righteousness was consigned.

Yes, Truth, the weapon to put the guards of delusion to sleep,
and He slips out, when the rain goes mellow in her hymn,
when the river parts to the babe guarded by the snake,
when the jungles sing to the ecstasy unfolding,
when the world is asleep, ignorant and lost,
assured in its uncertain knowledge
and rival claims and fearsome philosophies
and numberless rituals and lifeless creeds,
unknown to the wicked kings, here He arrives,
to the muffled joys of a pastoral village erupting in celebration.

Gospel truth. Obsession.
Structure. Assumption.
Life path, revelation?
Bokonon, redaction!

Creator. Nature.

Existence?
.....Relevance?

What about peace?
What about it?

That passeth understanding?
Precisely. Oxymoron.

Reason, confusion. Religion, delusion.

Footnote, background, legend:

Small candle: beautiful shrine.
Put it out, darkness and grime.

By night, these figures mute, in the whispers
come alive, guardian deities to ancient shrines:
tonight, though, after aeons by the gates, alert,
they begin to wonder, who do they guard?
Gods no longer visit these their abodes on earth.

Tall statues, of somber stone, much garlanded,
dusty, layered in withering flowers of neglect;
Out of season now, but the shadows at noon
are wet in tears, this longest day of deep sorrow
who did they fight for, to be remembered for?

Long has she suffered, matron, deity, enthroned
in the shrine, but trodden of the earth, cuffed
at her home, weighed down of custom, wearing
tradition on her bangle and ankle and bearing
honour in her veil, invisible shadow of the race.

Like the mythical stream of the distant lore,
has this ancient river, at last found her desert?
To that man holding the book in his hand,
thundering to the empty skies, I ask, what law
do you uphold when the jungle invades the land

I was on a ship, a ship on the high seas;
With nobody on the deck,
Sailing through heavy, stormy waters.
Who's at the helm?

I don't know - swaying from side to side
the vessel tottered on, metal
oar-rests clanging to wheezing winds
and boisterous, surging waves.

I suddenly get a call on my mobile - how
on earth did I have network?
'I can see her', says the voice, 'an austere
lady leading the ship'. Is she
the same helmswoman who charters
universes before they come alive?

I walked downstairs, finding the parlour.
And decided I should paint,
to **** time: time, the enduring mystery.
Is this a dream? I consulted
Varo and dipped my brush in black
and splattered oil over canvas.

Dots, like sparkling stars, I see threes and
twos, and fives. Looking eerily
like loaded dice. Am I cruising through
skies? Is this my destiny loaded?

This is an allegory, says Martel. Agrees
Jung; Breton seems pleased.
Freud, though, says I'm just paranoid,
and this, my willful imagination.

I wake up, and find myself on a ship.
There's no one on the deck.
I have a mobile phone in my hand.
Miracle: there's network,

I. Éclaboussure

I drew a handful from my bag of words and splashed them across the canvas of life painted dark, dark, dark. (oil colour: shades of pain, and purposelessness).

I saw stars splattered across the night sky. And misty spiral halos.

How do I know this light is for real? This bright star here, might long be gone - ancient light.

All events are done before we are aware.

Who is the witness? Is there a canvas?  

II. Montage

How do I know. Splattered across. Misty spiral halos. Dark dark dark. I drew a handful. I saw stars.

Gone - ancient light. Who is the witness? Canvas of life painted. Before we are aware.

(Oil colour: shades of pain. Is there a canvas? This bright star here.  All events are done.

And pain and purposelessness. And splashed them across. The night sky.)

Might long be. And. From my bag of words. This light is for real.

An abyss that echoes shrieks of eagles circling above:
the moon lies smashed in her sunken depths by nights,
this pit of enveloping darkness, a vessel emptied of life.

Brick by brick, aeons layer her walls, who knows when
she was dug? she carries fragrances of primordial waters
gathered in the heart of earth to the winds of the present.

Long before Joseph's well, she stood when desert land
was verdant wood, and before the earth was tread
asunder by the chariot, this graveyard of the stars.

Plunder she has seen, and abuse as she towers over the past.

Not a wellspring, emptied dry, but a bowl abegging.
The bowl that gave a creed to a continent?
Caravans pass by disgraced crevices remnant
of that era, gone long of stone. Effeminate, she pawned
her bricks over for a life. Or a well to collect the dead,
frightened by the hundreds by the colonial bullet.

Rise and fall, she carries in her wheel of life, her spoked zero.
Of which yet arises a homespun yarn of dreams.

Darkness wells forth from this abysmal chasm, and her
waters cause feuds by brother to brother. Men of straw,
of whom in a few years, no trace would remain,
yet remain and the dove that flew the night a tryst was made
still challenges the jacketed savant on Parliament square.
A pair of inverted eyes guard the gates of darkness.

And now and again, you see yet a star
shooting out to the skies again from the waters: to the moon,
a mushroom cloud, a circling satellite, and an octet notes.

She's not one well: her waters brackish, are
a thousand islands, that came together under the shadow
of an empire on whom the sun never sets.
Count the roots of the banyan, trees.
Her sons grow weak and lumpen. Her daughters rise.
And so she endures, this ancient mother.

In her depths, on the day, when the star of David is reversed,
she endures the ******* reversed, that shined in her of ages ago.
Of men, two quarters great, arise from the same shadow:
The eagle on the west, and the dove on the east.
The not is the all, the zero is everything.
Eternity, two zeros conjoined.

Crimson hope smears the still curtain of the worlds;
Larks slice the silence hovering by the brooding clouds;

Ridges of pain past traced on the firmament,
lingering fragrances scattered on silken hair,
saline tears dripping off the edges of the horizon:

I hear more in your frozen gaze.
Your heart pulsing to the rhythm of a new dawn;

But the discord, the occasional discord.
Why does pain visit us?

A swirling vortex of colours:
At the center, a heart of bluish white;
This vortex called life;

You must die humiliated
carrying the unbearable burden of love
wearing a crown of bristling pride
nailed across the twilight sky,
and hung for three nights;
Before resurrection
into a body of love.

A sink, yes, a salvaged sink.
It is on display.

After your pride has been flushed down
a line intersects a plane
and becomes a dot.

Change your view to spot it.

A clear body of water. Ripples on the surface,
by the last rain. An emergent sun, out of the
brooding clouds in the skies.
A hundred of them
on the waving waters.