I. Prologue

Splash words across: images on canvas.
Before Abraham was, I am:
the cubist of poets. Mangled and tangled;
Here thoughts emerge, in reverent perspectives.
The real world: how many dimensions,
depends on who you ask; Monotone
in my unidimensions. Filter. Baritone.
Coffee-brown is the best colour around.

II. Love

Here we sit by two-arms distance. To north,
to south. Facing opposing poles.
There is an attraction.

Here are images from the industrial world
gone post-industrial. Broken commodes.
Outsource your misery here. The sky can afford
a hole from on here. As long as
there's none in my shoe.

Sometimes, I roll over in waves.
Sometimes, you wave over.
Questions still hidden in the corners.

III. Peace

All that's passed remains flickering
green like the wireless router
silently at nights: recover, play it over.

Flush it all up. Splash it all around. Cubism.
Art nouveau. Portmanteau. Now fruck the world.
Neon shades rippling through the smoke
riding out dancing to metal clang;
Crazy laughter like that of an empty skull:
smoke the pipe, brother,
spread the peace around.  2013, stupid.
Idealism died in 1967. And many times since.
Repeats always a farce.

IV. Spirit

Only one man died for the poor.
Who called the dead to life.
All other stories are about barons and hedgehats:
while the millions were ground over
to oil the world. While they roiled the world.
How the poor die under the heels
of those that claim to love that man?
Disagree? Drone. Agree? The throne.

Yes, we can, brother, we can defeat this
****** corruption. Brother,
be not corrupt.

V. Prospect

A sigh of disapproval, soft in sleep.
I come and lie, back to your back,
waiting for love to seep over.

Yes, we can, brother, we can overcome
bigotry vile. Brother,
say not, mine, the only way ever.

Happy lovers day. Shout out aloud,
peans more to the meek women's rights.
Forget not, there's some in your sights.

Two arms' distance is about the right in the day.
There are two faces seen in this bubble,
formed at the mouth of the tooth paste tube.
Peace to the world, every morning after.
Every little home by home.

I.

A beat pulses through the song
rising like a plume of smoke
across the ridge.

The night rolls on.
A love languishes.

I can't help but
self-destruct.

The scattering clouds.
Heart-beats to the head-song.

Do you even exist?

II.

Arms upraised like those of a
tote bag. I surrender. Fold
up, like a gunny sack.

Not this, not this.

Stars flicker mourning my
slow disappearance.

You must, when I ask like this.

Dead man's procession. Every
***-holed road is a graveyard
of dogs. Dead, unsung.

III.

Milk spreads in the tea cup,
shooting out, widening,
tentacles, like fear.

IV.

Why is your voice this feeble?

My face, flatter than is usual
in this mirror?

You mean, you are me too?

I mean, does that even like
supposed to
mean something?

V.

I'm an Olympic hero. All of us.
Hubbub. Throb, to
the music-plume.

Mysterious plume.

Holy yards of hallowed houses of prayer
rise in sublime chants and hymns
at this hour of the blessed dawn
when auspicious shades of light
grace the scabbards of swords
long sheathed and covered in shadows
of figures on the stained glasses

A divided land of long used to darkness
engulfing, rejoices: a saviour rises,
a hero who can unite and heal:
purple robe and the rag, Roman
and Celt: the long suffering realm
finds solace at last in order and justice;
A quest brews, of sacred chalices

In the noble hearts of faithful knights:
Alas, a tragedy in the shadows,
whither, famed Artorius, wise?
Hades schemes to ****** away
your Persephone to Annfwyn afar:
No mortal wounds could fell you alive,
But this, you carry on to Avalon.

The auspicious chorus of birds announces your regnal arrival
at this hour, as the morning unrolls itself like a sacred scroll,
and everything around comes alive in her ancient symbols.
Trees, topped in ruddy hues, objects in this room, the tower
lamp, the mirror, the table, all joyously content in the glow
of their acquired aura. All strung together in a sublime hymn
sung in some tongue more archaic than phenomena, yet more
familiar than voices in the head. You stood here by my side,
golden mist spreading from your feet, but I remained asleep,
lost to morose worlds. You walked across into the living room
before vanishing into the abandoned well by the backyard.
Alas, I wake up smelling the scattered fragrances of your
silken footsteps. And I go tracing the peals of joy wafting
across these spaces, empty and mourning your departure.

Thoughts
splash echoing
like pebbles into a well.

Confusion.
Woven like a web all over.

Returning at the same spot,
beaten, broken into
a hundred parts.

Echoing.
Returning.

Plumes of obfuscation.
Rising, spreading everywhere.

Frustration.

This spiraling music in the head.
What is the way forward?

The rickshaw slices the expanse
speeding away from my grasp.

A query rises into the wilderness
of a hundred distractions.

The bell. The bell. Distant, sonant.
Door. Phone. Beep. Beep.

The firmament is camouflaged.

Am looking for a direction;

Confusion. Obfuscation. Frustration.

I followed the line of smoke at dawn:
Smoke from ebbing fires that
burned all night, leading to
some unknown end
past the horizon: eagles
circled above and crows
sliced the hum of the wind,
as I walked on,
shadows
of a buried life emerged:
Laughter, cries of joy, who is that
running after severed kites?
Colours splashed in merry
summers; that corner refuge
hiding during scary fights -
Memories like a river
roaring out of the gorge,
ruins
of a buried life,
emerged out of the horizon
beyond the line of smoke,
figures that retreated into shadows
and corners beyond approach,
memories of buried, forgotten times...

You lie curled up this way by my side
budding rose waiting
to bloom, light plays with
shades on your face like in a Monet
piece: your lips in bloom,
touched up bright and curled hair,
waving in the breeze.
You suddenly proclaim in half-sleep,
'get ready, we've got an invite.'
You even cite
a phone number. As random
as it is, it brings a smile; and
when you ask for the time, I'm happy
you are awake, but then you ask,
'what shall I wear? After all, we
mustn't look plain at the do.'