A late lark twitters from the quiet skies;
And from the west,
Where the sun, his day's work ended,
Lingers as in content,
There falls on the old, grey city
An influence luminous and serene,
A shining peace.

The smoke ascends
In a rosy-and-golden haze.  The spires
Shine, and are changed.  In the valley
Shadows rise.  The lark sings on.  The sun,
Closing his benediction,
Sinks, and the darkening air
Thrills with a sense of the triumphing night--
Night with her train of stars
And her great gift of sleep.

So be my passing!
My task accomplished and the long day done,
My wages taken, and in my heart
Some late lark singing,
Let me be gathered to the quiet west,
The sundown splendid and serene,
Death.

The ways of Death are soothing and serene,
And all the words of Death are grave and sweet.
From camp and church, the fireside and the street,
She beckons forth--and strife and song have been.

A summer night descending cool and green
And dark on daytime's dust and stress and heat,
The ways of Death are soothing and serene,
And all the words of Death are grave and sweet.

O glad and sorrowful, with triumphant mien
And radiant faces look upon, and greet
This last of all your lovers, and to meet
Her kiss, the Comforter's, your spirit lean . . .
The ways of Death are soothing and serene.



We shall surely die:
Must we needs grow old?
Grow old and cold,
And we know not why?

O, the By-and-By,
And the tale that's told!
We shall surely die:
Must we needs grow old?

Grow old and sigh,
Grudge and withhold,
Resent and scold? . . .
Not you and I?
We shall surely die!



What is to come we know not.  But we know
That what has been was good--was good to show,
Better to hide, and best of all to bear.
We are the masters of the days that were:
We have lived, we have loved, we have suffered . . . even so.

Shall we not take the ebb who had the flow?
Life was our friend.  Now, if it be our foe--
Dear, though it spoil and break us!--need we care
What is to come?

Let the great winds their worst and wildest blow,
Or the gold weather round us mellow slow:
We have fulfilled ourselves, and we can dare
And we can conquer, though we may not share
In the rich quiet of the afterglow
What is to come.

O, Time and Change, they range and range
From sunshine round to thunder!--
They glance and go as the great winds blow,
And the best of our dreams drive under:
For Time and Change estrange, estrange--
And, now they have looked and seen us,
O, we that were dear, we are all-too near
With the thick of the world between us.

O, Death and Time, they chime and chime
Like bells at sunset falling!--
They end the song, they right the wrong,
They set the old echoes calling:
For Death and Time bring on the prime
Of God's own chosen weather,
And we lie in the peace of the Great Release
As once in the grass together.

Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is ******, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head. is ******, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

A hard north-easter fifty winters long
Has bronzed and shrivelled sere her face and neck;
Her locks are wild and grey, her teeth a wreck;
Her foot is vast, her bowed leg spare and strong.
A wide blue cloak, a squat and sturdy throng
Of curt blue coats, a mutch without a speck,
A white vest broidered black, her person deck,
Nor seems their picked, stern, old-world quaintness wrong.
Her great creel forehead-slung, she wanders nigh,
Easing the heavy strap with gnarled, brown fingers,
The spirit of traffic watchful in her eye,
Ever and anon imploring you to buy,
As looking down the street she onward lingers,
Reproachful, with a strange and doleful cry.

The gaunt brown walls
Look infinite in their decent meanness.
There is nothing of home in the noisy kettle,
The fulsome fire.

The atmosphere
Suggests the trail of a ghostly druggist.
Dressings and lint on the long, lean table--
Whom are they for?

The patients yawn,
Or lie as in training for shroud and coffin.
A nurse in the corridor scolds and wrangles.
It's grim and strange.

Far footfalls clank.
The bad burn waits with his head unbandaged.
My neighbour chokes in the clutch of chloral . . .
O, a gruesome world!

O, the fun, the fun and frolic
That The Wind that Shakes the Barley
Scatters through a penny-whistle
Tickled with artistic fingers!

Kate the scrubber (forty summers,
Stout but sportive) treads a measure,
Grinning, in herself a ballet,
Fixed as fate upon her audience.

Stumps are shaking, crutch-supported;
Splinted fingers tap the rhythm;
And a head all helmed with plasters
Wags a measured approbation.

Of their mattress-life oblivious,
All the patients, brisk and cheerful,
Are encouraging the dancer,
And applauding the musician.

Dim the gas-lights in the output
Of so many ardent smokers,
Full of shadow lurch the corners,
And the doctor peeps and passes.

There are, maybe, some suspicions
Of an alcoholic presence . . .
'Tak' a sup of this, my wumman!' . . .
New Year comes but once a twelvemonth.

To Garryowen upon an ***** ground
Two girls are jigging.  Riotously they trip,
With eyes aflame, quick bosoms, hand on hip,
As in the tumult of a witches' round.
Youngsters and youngsters round them prance and bound.
Two solemn babes twirl ponderously, and skip.
The artist's teeth gleam from his bearded lip.
High from the kennel howls a tortured hound.
The music reels and hurtles, and the night
Is full of stinks and cries; a naphtha-light
Flares from a barrow; battered and obtused
With vices, wrinkles, life and work and rags,
Each with her inch of clay, two loitering hags
Look on dispassionate--critical--something 'mused.

*

The gods are dead?  Perhaps they are!  Who knows?
Living at least in Lempriere undeleted,
The wise, the fair, the awful, the jocose,
Are one and all, I like to think, retreated
In some still land of lilacs and the rose.

Once high they sat, and high o'er earthly shows
With sacrificial dance and song were greeted.
Once . . . long ago.  But now, the story goes,
The gods are dead.

It must be true.  The world, a world of prose,
Full-crammed with facts, in science swathed and sheeted,
Nods in a stertorous after-dinner doze!
Plangent and sad, in every wind that blows
Who will may hear the sorry words repeated:--
'The Gods are Dead!'

In the placid summer midnight,
Under the drowsy sky,
I seem to hear in the stillness
The moths go glimmering by.

One by one from the windows
The lights have all been sped.
Never a blind looks conscious--
The street is asleep in bed!

But I come where a living casement
Laughs luminous and wide;
I hear the song of a piano
Break in a sparkling tide;

And I feel, in the waltz that frolics
And warbles swift and clear,
A sudden sense of shelter
And friendliness and cheer . . .

A sense of tinkling glasses,
Of love and laughter and light--
The piano stops, and the window
Stares blank out into the night.

The blind goes out, and I wander
To the old, unfriendly sea,
The lonelier for the memory
That walks like a ghost with me.

In the year that's come and gone, love, his flying feather
Stooping slowly, gave us heart, and bade us walk together.
In the year that's coming on, though many a troth be broken,
We at least will not forget aught that love hath spoken.

In the year that's come and gone, dear, we wove a tether
All of gracious words and thoughts, binding two together.
In the year that's coming on with its wealth of roses
We shall weave it stronger, yet, ere the circle closes.

In the year that's come and gone, in the golden weather,
Sweet, my sweet, we swore to keep the watch of life together.
In the year that's coming on, rich in joy and sorrow,
We shall light our lamp, and wait life's mysterious morrow.

Out of the night that covers me,
      Black as the Pit from pole to pole,
I thank whatever gods may be
      For my unconquerable soul.

In the fell clutch of circumstance
      I have not winced nor cried aloud,
Under the bludgeonings of chance
      My head is ******, but unbowed.

Beyond this place of wrath and tears
      Looms but the horror of the shade,
And yet the menace of the years
      Finds, and shall find me, unafraid.

It matters not how strait the gate,
      How charged with punishments the scroll,
I am the master of my fate:
      I am the captain of my soul.

Out of the night that covers me,
  Black as the Pit from pole to pole,
I thank whatever gods may be
  For my unconquerable soul.

In the fell clutch of circumstance
  I have not winced nor cried aloud.
Under the bludgeonings of chance
  My head is ******, but unbowed.

Beyond this place of wrath and tears
  Looms but the Horror of the shade,
And yet the menace of the years
  Finds, and shall find, me unafraid.

It matters not how strait the gate,
  How charged with punishments the scroll,
I am the master of my fate:
  I am the captain of my soul.

It came with the threat of a waning moon
And the wail of an ebbing tide,
But many a woman has lived for less,
And many a man has died;
For life upon life took hold and passed,
Strong in a fate set free,
Out of the deep into the dark
On for the years to be.

Between the gloom of a waning moon
And the song of an ebbing tide,
Chance upon chance of love and death
Took wing for the world so wide.
O, leaf out of leaf is the way of the land,
Wave out of wave of the sea
And who shall reckon what lives may live
In the life that we bade to be?

Kate-a-Whimsies, John-a-Dreams,
Still debating, still delay,
And the world's a ghost that gleams--
Wavers--vanishes away!

We must live while live we can;
We should love while love we may.
Dread in women, doubt in man . . .
So the Infinite runs away.

Some three, or five, or seven, and thirty years;
A Roman nose; a dimpling double-chin;
Dark eyes and shy that, ignorant of sin,
Are yet acquainted, it would seem, with tears;
A comely shape; a slim, high-coloured hand,
Graced, rather oddly, with a signet ring;
A bashful air, becoming everything;
A well-bred silence always at command.
Her plain print gown, prim cap, and bright steel chain
Look out of place on her, and I remain
Absorbed in her, as in a pleasant mystery.
Quick, skilful, quiet, soft in speech and touch . . .
'Do you like nursing?'  'Yes, Sir, very much.'
Somehow, I rather think she has a history.

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellarage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
******* the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.

So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City, prone from mark to mark
In shameful occultation, seems
A nightmare labyrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the *****'s living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.

Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys ******-haunted,
From sinister reach to reach out--out--to sea.

And Death the while--
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time--'tis time by his ancient watch--to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging:  on the way
To what or where
Not Death, who is old and very wise, can say:
And you--how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?

Largo e mesto

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
******* the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.

So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City. prone from mark to mark
In shameful occultation, seems
A nightmare labryrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the *****'s living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.

Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys ******-haunted,
From sinister reach to reach out -- out -- to sea.

And Death the while --
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time -- 'tis time by his ancient watch -- to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you -- how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?

Largo e mesto

Madam Life's a piece in bloom
Death goes ******* everywhere:
She's the tenant of the room,
He's the ruffian on the stair.

You shall see her as a friend,
You shall bilk him once or twice;
But he'll trap you in the end,
And he'll stick you for her price.

With his kneebones at your chest,
And his knuckles in your throat,
You would reason -- plead -- protest!
Clutching at her petticoat;

But she's heard it all before,
Well she knows you've had your fun,
Gingerly she gains the door,
And your little job is done.

A late lark twitters from the quiet skies:
And from the west,
Where the sun, his day's work ended,
Lingers as in content,
There falls on the old, gray city
An influence luminous and serene,
A shining peace.

The smoke ascends
In a rosy-and-golden haze. The spires
Shine and are changed. In the valley
Shadows rise. The lark sings on. The sun,
Closing his benediction,
Sinks, and the darkening air
Thrills with a sense of the triumphing night--
Night with her train of stars
And her great gift of sleep.

So be my passing!
My task accomplish'd and the long day done,
My wages taken, and in my heart
Some late lark singing,
Let me be gather'd to the quiet west,
The sundown splendid and serene,
Death.

In the waste hour
Between to-day and yesterday
We watched, while on my arm--
Living flesh of her flesh, bone of her bone--
Dabbled in sweat the sacred head
Lay uncomplaining, still, contemptuous, strange:
Till the dear face turned dead,
And to a sound of lamentation
The good, heroic soul with all its wealth--
Its sixty years of love and sacrifice,
Suffering and passionate faith--was reabsorbed
In the inexorable Peace,
And life was changed to us for evermore.

Was nothing left of her but tears
Like blood-drops from the heart?
Nought save remorse
For duty unfulfilled, justice undone,
And charity ignored?  Nothing but love,
Forgiveness, reconcilement, where in truth,
But for this passing
Into the unimaginable abyss
These things had never been?

Nay, there were we,
Her five strong sons!
To her Death came--the great Deliverer came!--
As equal comes to equal, throne to throne.
She was a mother of men.

The stars shine as of old.  The unchanging River,
Bent on his errand of immortal law,
Works his appointed way
To the immemorial sea.
And the brave truth comes overwhelmingly home:--
That she in us yet works and shines,
Lives and fulfils herself,
Unending as the river and the stars.

Dearest, live on
In such an immortality
As we thy sons,
Born of thy body and nursed
At those wild, faithful *******,
Can give--of generous thoughts,
And honourable words, and deeds
That make men half in love with fate!
Live on, O brave and true,
In us thy children, in ours whose life is thine--
Our best and theirs!  What is that best but thee--
Thee, and thy gift to us, to pass
Like light along the infinite of space
To the immitigable end?

Between the river and the stars,
O royal and radiant soul,
Thou dost return, thine influences return
Upon thy children as in life, and death
Turns stingless!  What is Death
But Life in act?  How should the Unteeming Grave
Be victor over thee,
Mother, a mother of men?

Midsummer midnight skies,
Midsummer midnight influences and airs,
The shining, sensitive silver of the sea
Touched with the strange-hued blazonings of dawn;
And all so solemnly still I seem to hear
The breathing of Life and Death,
The secular Accomplices,
Renewing the visible miracle of the world.

The wistful stars
Shine like good memories.  The young morning wind
Blows full of unforgotten hours
As over a region of roses.  Life and Death
Sound on--sound on . . . And the night magical,
Troubled yet comforting, thrills
As if the Enchanted Castle at the heart
Of the wood's dark wonderment
Swung wide his valves, and filled the dim sea-banks
With exquisite visitants:
Words fiery-hearted yet, dreams and desires
With living looks intolerable, regrets
Whose voice comes as the voice of an only child
Heard from the grave:  shapes of a Might-Have-Been--
Beautiful, miserable, distraught--
The Law no man may baffle denied and slew.

The spell-bound ships stand as at gaze
To let the marvel by.  The grey road glooms . . .
Glimmers . . . goes out . . . and there, O, there where it fades,
What grace, what glamour, what wild will,
Transfigure the shadows?  Whose,
Heart of my heart, Soul of my soul, but yours?

Ghosts--ghosts--the sapphirine air
Teems with them even to the gleaming ends
Of the wild day-spring!  Ghosts,
Everywhere--everywhere--till I and you
At last--dear love, at last!--
Are in the dreaming, even as Life and Death,
Twin-ministers of the unoriginal Will.

Down the quiet eve,
Thro' my window with the sunset
Pipes to me a distant *****
Foolish ditties;

And, as when you change
Pictures in a magic lantern,
Books, beds, bottles, floor, and ceiling
Fade and vanish,

And I'm well once more . . .
August flares adust and torrid,
But my heart is full of April
Sap and sweetness.

In the quiet eve
I am loitering, longing, dreaming . . .
Dreaming, and a distant *****
Pipes me ditties.

I can see the shop,
I can smell the sprinkled pavement,
Where she serves--her chestnut chignon
Thrills my senses!

O, the sight and scent,
Wistful eve and perfumed pavement!
In the distance pipes an ***** . . .
The sensation

Comes to me anew,
And my spirit for a moment
Thro' the music breathes the blessed
Airs of London.

At the barren heart of midnight,
When the shadow shuts and opens
As the loud flames pulse and flutter,
I can hear a cistern leaking.

Dripping, dropping, in a rhythm,
Rough, unequal, half-melodious,
Like the measures aped from nature
In the infancy of music;

Like the buzzing of an insect,
Still, irrational, persistent . . .
I must listen, listen, listen
In a passion of attention;

Till it taps upon my heartstrings,
And my very life goes dripping,
Dropping, dripping, drip-drip-dropping,
In the drip-drop of the cistern.

O gather me the rose, the rose,
While yet in flower we find it,
For summer smiles, but summer goes,
And winter waits behind it.

For with the dream foregone, foregone,
The deed foreborn forever,
The worm Regret will canker on,
And time will turn him never.

So were it well to love, my love,
And cheat of any laughter
The fate beneath us, and above,
The dark before and after.

The myrtle and the rose, the rose,
The sunshine and the swallow,
The dream that comes, the wish that goes
The memories that follow!

O, have you blessed, behind the stars,
The blue sheen in the skies,
When June the roses round her calls?--
Then do you know the light that falls
From her beloved eyes.

And have you felt the sense of peace
That morning meadows give?--
Then do you know the spirit of grace,
The angel abiding in her face,
Who makes it good to live.

She shines before me, hope and dream,
So fair, so still, so wise,
That, winning her, I seem to win
Out of the dust and drive and din
A nook of Paradise.

One with the ruined sunset,
The strange forsaken sands,
What is it waits, and wanders,
And signs with desparate hands?

What is it calls in the twilight--
Calls as its chance were vain?
The cry of a gull sent seaward
Or the voice of an ancient pain?

The red ghost of the sunset,
It walks them as its own,
These dreary and desolate reaches . . .
But O, that it walked alone!

On the way to Kew,
By the river old and gray,
Where in the Long Ago
We laughed and loitered so,
I met a ghost to-day,
A ghost that told of you--
A ghost of low replies
And sweet, inscrutable eyes
Coming up from Richmond
As you used to do.

By the river old and gray,
The enchanted Long Ago
Murmured and smiled anew.
On the way to Kew,
March had the laugh of May,
The bare boughs looked aglow,
And old, immortal words
Sang in my breast like birds,
Coming up from Richmond
As I used with you.

With the life of Long Ago
Lived my thought of you.
By the river old and gray
Flowing his appointed way
As I watched I knew
What is so good to know--
Not in vain, not in vain,
Shall I look for you again
Coming up from Richmond
On the way to Kew.

You are carried in a basket,
Like a carcase from the shambles,
To the theatre, a cockpit
Where they stretch you on a table.

Then they bid you close your eyelids,
And they mask you with a napkin,
And the anaesthetic reaches
Hot and subtle through your being.

And you gasp and reel and shudder
In a rushing, swaying rapture,
While the voices at your elbow
Fade--receding--fainter--farther.

Lights about you shower and tumble,
And your blood seems crystallising--
Edged and vibrant, yet within you
Racked and hurried back and forward.

Then the lights grow fast and furious,
And you hear a noise of waters,
And you wrestle, blind and dizzy,
In an agony of effort,

Till a sudden lull accepts you,
And you sound an utter darkness . . .
And awaken . . . with a struggle . . .
On a hushed, attentive audience.

She's an enchanting little Israelite,
A world of hidden dimples!--Dusky-eyed,
A starry-glancing daughter of the Bride,
With hair escaped from some Arabian Night,
Her lip is red, her cheek is golden-white,
Her nose a scimitar; and, set aside
The bamboo hat she ***** with so much pride,
Her dress a dream of daintiness and delight.
And when she passes with the dreadful boys
And romping girls, the cockneys loud and crude,
My thought, to the Minories tied yet moved to range
The Land o' the Sun, commingles with the noise
Of magian drums and scents of sandalwood
A touch Sidonian--modern--taking--strange!

It's the Spring.
Earth has conceived, and her *****,
Teeming with summer, is glad.

Vistas of change and adventure,
Thro' the green land
The grey roads go beckoning and winding,
Peopled with wains, and melodious
With harness-bells jangling:
Jangling and twangling rough rhythms
To the slow march of the stately, great horses
Whistled and shouted along.

White fleets of cloud,
Argosies heavy with fruitfulness,
Sail the blue peacefully.  Green flame the hedgerows.
Blackbirds are bugling, and white in wet winds
Sway the tall poplars.
Pageants of colour and fragrance,
Pass the sweet meadows, and viewless
Walks the mild spirit of May,
Visibly blessing the world.

O, the brilliance of blossoming orchards!
O, the savour and thrill of the woods,
When their leafage is stirred
By the flight of the Angel of Rain!
Loud lows the steer; in the fallows
Rooks are alert; and the brooks
Gurgle and ****** and trill.  Thro' the gloamings,
Under the rare, shy stars,
Boy and girl wander,
Dreaming in darkness and dew.

It's the Spring.
A sprightliness feeble and squalid
Wakes in the ward, and I sicken,
Impotent, winter at heart.

Praise the generous gods for giving
In a world of wrath and strife
With a little time for living,
Unto all the joy of life.

At whatever source we drink it,
Art or love or faith or wine,
In whatever terms we think it,
It is common and divine.

Praise the high gods, for in giving
This to man, and this alone,
They have made his chance of living
Shine the equal of their own.

These, to you now, O, more than ever now--
Now that the Ancient Enemy
Has passed, and we, we two that are one, have seen
A piece of perfect Life
Turn to so ravishing a shape of Death
The Arch-Discomforter might well have smiled
In pity and pride,
Even as he bore his lovely and innocent spoil
From those home-kingdoms he left desolate!

Poor windlestraws
On the great, sullen, roaring pool of Time
And Chance and Change, I know!
But they are yours, as I am, till we attain
That end for which me make, we two that are one:
A little, exquisite Ghost
Between us, smiling with the serenest eyes
Seen in this world, and calling, calling still
In that clear voice whose infinite subtleties
Of sweetness, thrilling back across the grave,
Break the poor heart to hear: --
'Come, Dadsie, come!
Mama, how long--how long!'

Something is dead . . .
The grace of sunset solitudes, the march
Of the solitary moon, the pomp and power
Of round on round of shining soldier-stars
Patrolling space, the bounties of the sun--
Sovran, tremendous, unimaginable--
The multitudinous friendliness of the sea,
Possess no more--no more.

Something is dead . . .
The Autumn rain-rot deeper and wider soaks
And spreads, the burden of Winter heavier weighs,
His melancholy close and closer yet
Cleaves, and those incantations of the Spring
That made the heart a centre of miracles
Grow formal, and the wonder-working bours
Arise no more--no more.

Something is dead . . .
'Tis time to creep in close about the fire
And tell grey tales of what we were, and dream
Old dreams and faded, and as we may rejoice
In the young life that round us leaps and laughs,
A fountain in the sunshine, in the pride
Of God's best gift that to us twain returns,
Dear Heart, no more--no more.

'Talk of pluck!' pursued the Sailor,
Set at euchre on his elbow,
'I was on the wharf at Charleston,
Just ashore from off the runner.

'It was grey and ***** weather,
And I heard a drum go rolling,
Rub-a-dubbing in the distance,
Awful dour-like and defiant.

'In and out among the cotton,
Mud, and chains, and stores, and anchors,
Tramped a squad of battered scarecrows--
Poor old Dixie's bottom dollar!

'Some had shoes, but all had rifles,
Them that wasn't bald was beardless,
And the drum was rolling Dixie,
And they stepped to it like men, sir!

'Rags and tatters, belts and bayonets,
On they swung, the drum a-rolling,
Mum and sour.  It looked like fighting,
And they meant it too, by thunder!'

Down through the ancient Strand
The spirit of October, mild and boon
And sauntering, takes his way
This golden end of afternoon,
As though the corn stood yellow in all the land,
And the ripe apples dropped to the harvest-moon.

Lo! the round sun, half-down the western *****--
Seen as along an unglazed telescope--
Lingers and lolls, loth to be done with day:
Gifting the long, lean, lanky street
And its abounding confluences of being
With aspects generous and bland;
Making a thousand harnesses to shine
As with new ore from some enchanted mine,
And every horse's coat so full of sheen
He looks new-tailored, and every 'bus feels clean,
And never a hansom but is worth the feeing;
And every jeweller within the pale
Offers a real Arabian Night for sale;
And even the roar
Of the strong streams of toil, that pause and pour
Eastward and westward, sounds suffused--
Seems as it were bemused
And blurred, and like the speech
Of lazy seas on a lotus-haunted beach--
With this enchanted lustrousness,
This mellow magic, that (as a man's caress
Brings back to some faded face, beloved before,
A heavenly shadow of the grace it wore
Ere the poor eyes were minded to beseech)
Old things transfigures, and you hail and bless
Their looks of long-lapsed loveliness once more:
Till Clement's, angular and cold and staid,
Gleams forth in glamour's very stuffs arrayed;
And Bride's, her aery, unsubstantial charm
Through flight on flight of springing, soaring stone
Grown flushed and warm,
Laughs into life full-mooded and fresh-blown;
And the high majesty of Paul's
Uplifts a voice of living light, and calls--
Calls to his millions to behold and see
How goodly this his London Town can be!

For earth and sky and air
Are golden everywhere,
And golden with a gold so suave and fine
The looking on it lifts the heart like wine.
Trafalgar Square
(The fountains volleying golden glaze)
Shines like an angel-market.  High aloft
Over his couchant Lions, in a haze
Shimmering and bland and soft,
A dust of chrysoprase,
Our Sailor takes the golden gaze
Of the saluting sun, and flames superb,
As once he flamed it on his ocean round.
The dingy dreariness of the picture-place,
Turned very nearly bright,
Takes on a luminous transiency of grace,
And shows no more a scandal to the ground.
The very blind man pottering on the kerb,
Among the posies and the ostrich feathers
And the rude voices touched with all the weathers
Of the long, varying year,
Shares in the universal alms of light.
The windows, with their fleeting, flickering fires,
The height and spread of frontage shining sheer,
The quiring signs, the rejoicing roofs and spires--
'Tis El Dorado--El Dorado plain,
The Golden City!  And when a girl goes by,
Look! as she turns her glancing head,
A call of gold is floated from her ear!
Golden, all golden!  In a golden glory,
Long-lapsing down a golden coasted sky,
The day, not dies but, seems
Dispersed in wafts and drifts of gold, and shed
Upon a past of golden song and story
And memories of gold and golden dreams.

She's tall and gaunt, and in her hard, sad face
With flashes of the old fun's animation
There lowers the fixed and peevish resignation
Bred of a past where troubles came apace.
She tells me that her husband, ere he died,
Saw seven of their children pass away,
And never knew the little lass at play
Out on the green, in whom he's deified.
Her kin dispersed, her friends forgot and gone,
All simple faith her honest Irish mind,
Scolding her spoiled young saint, she labours on:
Telling her dreams, taking her patients' part,
Trailing her coat sometimes:  and you shall find
No rougher, quainter speech, nor kinder heart.

She sauntered by the swinging seas,
A jewel glittered at her ear,
And, teasing her along, the breeze
Brought many a rounded grace more near.

So passing, one with wave and beam,
She left for memory to caress
A laughing thought, a golden gleam,
A hint of hidden loveliness.

Some starlit garden grey with dew,
Some chamber flushed with wine and fire,
What matters where, so I and you
Are worthy our desire?

Behind, a past that scolds and jeers
For ungirt ***** and lamps unlit;
In front, the unmanageable years,
The trap upon the Pit;

Think on the shame of dreams for deeds,
The scandal of unnatural strife,
The slur upon immortal needs,
The treason done to life:

Arise! no more a living lie,
And with me quicken and control
Some memory that shall magnify
The universal Soul.

Space and dread and the dark--
Over a livid stretch of sky
Cloud-monsters crawling, like a funeral train
Of huge, primeval presences
Stooping beneath the weight
Of some enormous, rudimentary grief;
While in the haunting loneliness
The far sea waits and wanders with a sound
As of the trailing skirts of Destiny,
Passing unseen
To some immitigable end
With her grey henchman, Death.

What larve, what spectre is this
Thrilling the wilderness to life
As with the ****** shape of Fear?
What but a desperate sense,
A strong foreboding of those dim
Interminable continents, forlorn
And many-silenced, in a dusk
Inviolable utterly, and dead
As the poor dead it huddles and swarms and styes
In hugger-mugger through eternity?

Life--life--let there be life!
Better a thousand times the roaring hours
When wave and wind,
Like the Arch-Murderer in flight
From the Avenger at his heel,
Storm through the desolate fastnesses
And wild waste places of the world!

Life--give me life until the end,
That at the very top of being,
The battle-spirit shouting in my blood,
Out of the reddest hell of the fight
I may be snatched and flung
Into the everlasting lull,
The immortal, incommunicable dream.

Blue-eyed and bright of face but waning fast
Into the sere of virginal decay,
I view her as she enters, day by day,
As a sweet sunset almost overpast.
Kindly and calm, patrician to the last,
Superbly falls her gown of sober gray,
And on her chignon's elegant array
The plainest cap is somehow touched with caste.
She talks Beethoven; frowns disapprobation
At Balzac's name, sighs it at 'poor George Sand's';
Knows that she has exceeding pretty hands;
Speaks Latin with a right accentuation;
And gives at need (as one who understands)
Draught, counsel, diagnosis, exhortation.

The greater masters of the commonplace,
Rembrandt and good Sir Walter--only these
Could paint her all to you:  experienced ease
And antique liveliness and ponderous grace;
The sweet old roses of her sunken face;
The depth and malice of her sly, grey eyes;
The broad Scots tongue that flatters, scolds, defies;
The thick Scots wit that fells you like a mace.
These thirty years has she been nursing here,
Some of them under Syme, her hero still.
Much is she worth, and even more is made of her.
Patients and students hold her very dear.
The doctors love her, tease her, use her skill.
They say 'The Chief' himself is half-afraid of her.

Staring corpselike at the ceiling,
See his harsh, unrazored features,
Ghastly brown against the pillow,
And his throat--so strangely bandaged!

Lack of work and lack of victuals,
A debauch of smuggled whisky,
And his children in the workhouse
Made the world so black a riddle

That he plunged for a solution;
And, although his knife was edgeless,
He was sinking fast towards one,
When they came, and found, and saved him.

Stupid now with shame and sorrow,
In the night I hear him sobbing.
But sometimes he talks a little.
He has told me all his troubles.

In his broad face, tanned and bloodless,
White and wild his eyeballs glisten;
And his smile, occult and tragic,
Yet so slavish, makes you shudder!

His brow spreads large and placid, and his eye
Is deep and bright, with steady looks that still.
Soft lines of tranquil thought his face fulfill--
His face at once benign and proud and shy.
If envy scout, if ignorance deny,
His faultless patience, his unyielding will,
Beautiful gentleness and splendid skill,
Innumerable gratitudes reply.
His wise, rare smile is sweet with certainties,
And seems in all his patients to compel
Such love and faith as failure cannot quell.
We hold him for another Herakles,
Battling with custom, prejudice, disease,
As once the son of Zeus with Death and Hell.

The full sea rolls and thunders
In glory and in glee.
O, bury me not in the senseless earth
But in the living sea!

Ay, bury me where it surges
A thousand miles from shore,
And in its brotherly unrest
I'll range for evermore.

The Past was goodly once, and yet, when all is said,
The best of it we know is that it's done and dead.

Dwindled and faded quite, perished beyond recall,
Nothing is left at last of what one time was all.

Coming back like a ghost, staring and lingering on,
Never a word it speaks but proves it dead and gone.

Duty and work and joy--these things it cannot give;
And the Present is life, and life is good to live.

Let it lie where it fell, far from the living sun,
The Past that, goodly once, is gone and dead and done.

The rain and the wind, the wind and the rain --
    They are with us like a disease:
They worry the heart, they work the brain,
As they shoulder and clutch at the shrieking pane,
    And savage the helpless trees.

What does it profit a man to know
    These tattered and tumbling skies
A million stately stars will show,
And the ruining grace of the after-glow
   And the rush of the wild sunrise?

Ever the rain -- the rain and the wind!
    Come, hunch with me over the fire,
Dream of the dreams that leered and grinned,
Ere the blood of the Year got chilled and thinned,
    And the death came on desire!

There is a wheel inside my head
Of wantonness and wine,
An old, cracked fiddle is begging without,
But the wind with scents of the sea is fed,
And the sun seems glad to shine.

The sun and the wind are akin to you,
As you are akin to June.
But the fiddle! . . . It giggles and twitters about,
And, love and laughter! who gave him the cue?--
He's playing your favourite tune.

There's a regret
So grinding, so immitigably sad,
Remorse thereby feels tolerant, even glad . . .
Do you not know it yet?

For deeds undone
Rankle and snarl and hunger for their due,
Till there seems naught so despicable as you
In all the grin o' the sun.

Like an old shoe
The sea spurns and the land abhors, you lie
About the beach of Time, till by and by
Death, that derides you too--

Death, as he goes
His ragman's round, espies you, where you stray,
With half-an-eye, and kicks you out of his way;
And then--and then, who knows

But the kind Grave
Turns on you, and you feel the convict Worm,
In that black bridewell working out his term,
Hanker and ***** and crave?

'Poor fool that might--
That might, yet would not, dared not, let this be,
Think of it, here and thus made over to me
In the implacable night!'

And writhing, fain
And like a triumphing lover, he shall take
His fill where no high memory lives to make
His obscene victory vain.

The sands are alive with sunshine,
The bathers lounge and throng,
And out in the bay a bugle
Is lilting a gallant song.

The clouds go racing eastward,
The blithe wind cannot rest,
And a shard on the shingle flashes
Like the shining soul of a jest;

While children romp in the surges,
And sweethearts wander free,
And the Firth as with laughter dimples . . .
I would it were deep over me!