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100 Selected Poems by E. E. Cummings
i will be
    M o ving in the Street of her

    bodyfee 1 inga ro undMe the traffic of
    lovely;muscles-sinke x p i r i n    g S
            uddeni
    Y         totouch
                             the curvedship of
                                                         Her-
    ….kiss      her:hands
                                    will play on,mE as
    dea d tunes OR s-crap p-y lea Ves flut te rin g
    from Hideous trees or

         Maybe Mandolins
                                      1 oo k-
         pigeons fly ingand

    whee(:are,SpRiN,k,LiNg an in-stant with sunLight
    then)!-
    ing all go BlacK wh-eel-ing

    oh
        ver
              mYveRylitTle

    street
    where
    you will come,

                             at twi li ght
    s(oon & there’s
    a             m oo
)n.
i will wade out
                        till my thighs are steeped in burning flowers
I will take the sun in my mouth
and leap into the ripe air
                                       Alive
                                                 with closed eyes
to dash against darkness
                                       in the sleeping curves of my body
Shall enter fingers of smooth mastery
with chasteness of sea-girls
                                            Will i complete the mystery
                                            of my flesh
I will rise
               After a thousand years
lipping
flowers
             And set my teeth in the silver of the moon
“kitty”. sixteen,5′ 11″,white,*******.

ducking always the touch of must and shall,
whose slippery body is Death’s littlest pal,

skilled in quick softness.  Unspontaneous.  cute,

the signal perfume of whose unrepute
focusses in the sweet slow animal
bottomless eyes importantly banal,

Kitty. a *****. Sixteen
                            you corking brute
amused from time to time by clever drolls
fearsomely who do keep their sunday flower.
The babybreasted broad “kitty” twice eight

—beer nothing,the lady’ll have a whiskey-sour—

whose least amazing smile is the most great
common divisor of unequal souls.
ladies and gentlemen this little girl
with the good teeth and small important *******
(is it the Frolic or the Century whirl?
ones memory indignantly protests)
this little dancer with the tightened eyes
crisp ogling shoulders and the ripe quite too
large lips always clenched faintly,wishes you
with all her fragile might to not surmise
she dreamed one afternoon
                            ….or maybe read?

of time a when the beautiful most of her
(this here and This, do you get me?)
will maybe dance and maybe sing and be
absitively posolutely dead,
like Coney Island in winter
Lady of Silence
from the winsome cage of
thy body
rose
        through the sensible
night
a
quick bird

(tenderly upon
the dark’s prodigious face
thy
voice
         scattering perfume-gifted
wings
suddenly escorts
with feet
sun-sheer

the smarting beauty of dawn)
let’s live suddenly without thinking

under honest trees,
                        a stream
does.the brain of cleverly-crinkling
-water pursues the angry dream
of the shore. By midnight,
                                a moon
scratches the skin of the organised hills

an edged nothing begins to prune

let’s live like the light that kills
and let’s as silence,
                            because Whirl’s after all:
(after me)love,and after you.
I occasionally feel vague how
vague idon’t know tenuous Now-
spears and The Then-arrows making do
our mouths something red,something tall
light cursed falling in a singular block
her,rain-warm-naked
                                   exquisitely hashed

(little careful hunks-of-lilac laughter splashed
from the world prettily upward,mock
us….)
         and there was a clock.   tac-tic.   tac-toc.

Time and lilacs….minutes and love….do you?and
Always
            (i simply understand
the gnashing petals of *** which lock
me seriously.

                       Dumb for a while.my

god—a patter of kisses,the chewed stump

of a mouth,huge dropping of a flesh from
hinging thighs
                       ….merci….i want to die
nous sommes heureux

                                    My soul a limp lump

of lymph
               she kissed
                                and i

                                       ….chéri….nous sommes
listen
beloved
i dreamed
  it appeared that you thought to
  escape me and became a great
  lily atilt on
  insolent
  waters    but i was aware of
  fragrance and i came riding upon
  a horse of porphyry    into the
  waters i rode down the red
  horse shrieking    from splintering
  foam caught you clutched you upon my
  mouth
listen
beloved
  i dreamed    in my dream you had
  desire to thwart me and became
  a little bird and hid
  in a tree of tall marble
  from a great way i distinguished
  singing and i came
  riding upon a scarlet sunset
  trampling the night    easily
  from the shocked impossible
  tower i caught
  you strained you
  broke you upon my blood
listen
  beloved i dreamed
  i thought you would have deceived
  me and became a star in the kingdom
  of heaven
  through day and space i saw you close
  your eyes    and i came riding
  upon a thousand crimson years arched with agony
  i reined them in tottering before
  the throne and as
  they shied at the automaton moon from
  the transplendant hand of sombre god
  i picked you
as an apple is picked by the little peasants for their girls
little ladies
than dead exactly dance
in my head,precisely
dance where danced la guerre.

Mimi à
la voix fragile
qui chatouille Des
Italiens

the putain with the ivory throat
Marie Louise Lallemand
n’est-ce pas que je suis belle
chéri? les anglais m’aiment
tous,les américains
aussi….”bon dos, bon cul de Paris”(Marie
Vierge
Priez
Pour
Nous)

with the
long lips of
Lucienne which dangle
the old men and hot
men se promènent
doucement le soir(ladies

accurately dead les anglais
sont gentils et les américains
aussi,ils payent bien les américains dance

exactly in my brain voulez
vous coucher avec
moi? Non? pourquoi?)

ladies skilfully
dead precisely dance
where has danced la
guerre j’m'appelle
Manon,cinq rue Henri Mounier
voulez-vous coucher avec moi?
te ferai Mimi
te ferai Minette,
dead exactly dance
si vous voulez
chatouiller
mon lézard ladies suddenly
j’m'en fous des nègres

                        (in the twilight of Paris
Marie Louise with queenly
legs cinq rue Henri
Mounier a little love
begs,Mimi with the body
like une boîte à joujoux, want nice sleep?
toutes les petites femmes exactes
qui dansent toujours in my
head dis donc,Paris

ta gorge mystérieuse
pourquoi se promène-t-elle,pourquoi
éclate ta voix
fragile couleur de pivoine?)

                                with the
long lips of Lucienne which
dangle the old men and hot men
precisely dance in my head
ladies carefully dead
little tree
little silent Christmas tree
you are so little
you are more like a flower

who found you in the green forest
and were you very sorry to come away?
see       i will comfort you
because you smell so sweetly

i will kiss your cool bark
and hug you safe and tight
just as your mother would,
only don’t be afraid

look       the spangles
that sleep all the year in a dark box
dreaming of being taken out and allowed to shine,
the ***** the chains red and gold the fluffy threads,

put up your little arms
and i’ll give them all to you to hold
every finger shall have its ring
and there won’t be a single place dark or unhappy

then when you’re quite dressed
you’ll stand in the window for everyone to see
and how they’ll stare!
oh but you’ll be very proud

and my little sister and i will take hands
and looking up at our beautiful tree
we’ll dance and sing
“Noel Noel”
my girl’s tall with hard long eyes
as she stands,with her long hard hands keeping
silence on her dress,good for sleeping
is her long hard body filled with surprise
like a white shocking wire, when she smiles
a hard long smile it sometimes makes
gaily go clean through me tickling aches,
and the weak noise of her eyes easily files
my impatience to an edge—my girl’s tall
and taut, with thin legs just like a vine
that’s spent all of its life on a garden-wall,
and is going to die.  When we grimly go to bed
with these legs she begins to heave and twine
about me,and to kiss my face and head.
my love
thy hair is one kingdom
  the king whereof is darkness
thy forehead is a flight of flowers

thy head is a quick forest
  filled with sleeping birds
thy ******* are swarms of white bees
  upon the bough of thy body
thy body to me is April
in whose armpits is the approach of spring

thy thighs are white horses yoked to a chariot
  of kings
they are the striking of a good minstrel
between them is always a pleasant song

my love
thy head is a casket
  of the cool jewel of thy mind
the hair of thy head is one warrior
  innocent of defeat
thy hair upon thy shoulders is an army
  with victory and with trumpets

thy legs are the trees of dreaming
whose fruit is the very eatage of forgetfulness

thy lips are satraps in scarlet
  in whose kiss is the combinings of kings
thy wrists
are holy
  which are the keepers of the keys of thy blood
thy feet upon thy ankles are flowers in vases
  of silver

in thy beauty is the dilemma of flutes

  thy eyes are the betrayal
of bells comprehended through incense
my love is building a building
around you,a frail slippery
house,a strong fragile house
(beginning at the singular beginning

of your smile)a skilful uncouth
prison, a precise clumsy
prison(building thatandthis into Thus,
Around the reckless magic of your mouth)

my love is building a magic, a discrete
tower of magic and(as i guess)

when Farmer Death(whom fairies hate)shall

crumble the mouth-flower fleet
He’ll not my tower,
                        laborious, casual

where the surrounded smile
                                hangs

                                          breathless
my mind is
a big hunk of irrevocable nothing which touch and
taste and smell and hearing and sight keep hitting and
chipping with sharp fatal tools
in an agony of sensual chisels i perform squirms of
chrome and execute strides of cobalt
nevertheless i
feel that i cleverly am being altered that i slightly am
becoming something a little different, in fact
myself
Hereupon helpless i utter lilac shrieks and scarlet
bellowings.
my naked lady framed
in twilight is an accident

whose niceness betters easily the intent
of genius—
                        painting wholly feels ashamed
before this music,and poetry cannot
go near because perfectly fearful.

meanwhile these speak her wonderful
But i(having in my arms caught

the picture)hurry it slowly

to my mouth,taste the accurate demure
ferocious
              rhythm of
                            precise
laziness.  Eat the price

of an imaginable gesture

exact warm unholy
my smallheaded pearshaped

lady in gluey twilight
moving,suddenly

is three animals.  The
minute waist continually

with an African gesture

utters a frivolous intense half of
Girl which(like some

floating snake upon itself always and
slowly which upward certainly is pouring)emits

a pose
          :to twitter wickedly

whereas the big and firm legs moving solemnly
like careful and furious and beautiful elephants

(mingled in whispering thickly smooth thighs
thinkingly)
remind me of Woman and

how between
her hips India is.
my sonnet is A light goes on in
the toiletwindow,that’s straightacross from
my window,night air bothered with a rustling din

sort of sublimated tom-tom
which quite outdoes the mandolin-

man’s tiny racket.  The horses sleep upstairs.
And you can see their ears.  Ears win-

k,funny stable.  In the morning they go out in pairs:
amazingly,one pair is white
(but you know that)they look at each other.  Nudge.

(if they love each other,who cares?)
They pull the morning out of the night.

I am living with a mouse who shares

my meals with him,which is fair as i judge.
nearer:breath of my breath:take not they tingling
limbs from me:make my pain their crazy meal
letting they tigers of smooth sweetness steal
slowly in dumb blossoms of new mingling:
deeper:blood of my blood:with upwardcringing
swiftness plunge these leopards of white ream
this pith of darkness:carve an evilfringing
flower of madness on gritted lips
and on sprawled eyes squirming with light insane
chisel the killing flame that dizzily grips.

Querying greys between mouthed houses curl

thirstily.  Dead stars stink.  dawn.  Inane,

the poetic carcass of a girl
nobody loses all the time

i had an uncle named
Sol who was a born failure and
nearly everybody said he should have gone
into vaudeville perhaps because my Uncle Sol could
sing McCann He Was A Diver on Xmas Eve like Hell Itself which
may or may not account for the fact that my Uncle

Sol indulged in that possibly most inexcusable
of all to use a highfalootin phrase
luxuries that is or to
wit farming and be
it needlessly
added

my Uncle Sol’s farm
failed because the chickens
ate the vegetables so
my Uncle Sol had a
chicken farm till the
skunks ate the chickens when

my Uncle Sol
had a skunk farm but
the skunks caught cold and
died and so
my Uncle Sol imitated the
skunks in a subtle manner

or by drowning himself in the watertank
but somebody who’d given my Uncle Sol a Victor
Victrola and records while he lived presented to
him upon the auspicious occasion of his decease a
scruptious not to mention splendiferous funeral with
tall boys in black gloves and flowers and everything and
i remember we all cried like the Missouri
when my Uncle Sol’s coffin lurched because
somebody pressed a button
(and down went
my Uncle
Sol

and started a worm farm)
notice the convulsed orange inch of moon
perching on this silver minute of evening.

We’ll choose the way to the forest—no offense
to you,white town whose spires softly dare.
Will take the houseless wisping rune
of road lazily carved on sharpening air.

Fields lying miraculous in violent silence

fill with microscopic whithering
…(that’s the Black People, chérie,
who live under stones.) Don’t be afraid

and we will pass the simple ugliness
of exact tombs,where a large road crosses
and all the people are minutely dead.

Then you will slowly kiss me
O Distinct
Lady of my unkempt adoration
if I have made
a fragile curtain

song under the window of your soul
it is not like any songs
(the singers the others
they have been faithful

to many things and which
die
i have been sometimes true
to Nothing and which lives

they were fond of the handsome
moon       never spoke ill of the
pretty stars       and to
the serene the complicated

and the obvious
they were faithful
and which i despise,
frankly

admitting i have been true
only to the noise of worms
in the eligible day
under the unaccountable sun)

Distinct Lady
swiftly take
my fragile certain song
that we may watch together

how behind the doomed
exact smile of life’s
placid obscure palpable
carnival where to a normal

melody of probable violins dance
the square virtues with the oblong sins
perfectly
gesticulate the accurate

strenuous lips of incorruptible
Nothing       under the ample
sun, under the insufficient
day under the noise of worms
of evident invisibles
exquisite the hovering

at the dark portals

of hurt girl eyes


sincere with wonder

a poise a wounding
a beautiful suppression

the accurate boy mouth


now droops the faun head

now the intimate flower dreams

of parted lips
dim upon the syrinx
of this wilting wall the colour drub
souring sunbeams,of a foetal fragrance
to rickety unclosed blinds inslants
peregrinate,a cigar-stub
disintegrates,above,underdrawers club
the faintly sweating air with pinkness,
one pale dog behind a slopcaked shrub
painstakingly utters a slippery mess,
a star sleepily,feebly,scratches the sore
of morning.  But i am interested more
intricately in the delicate scorn
with which in a putrid window every day
almost leans a lady whose still-born
smile involves the comedy of decay,
O It’s Nice To Get Up In,the slipshod mucous kiss
of her riant belly’s fooling bore
—When The Sun Begins To(with a phrasing crease
of hot subliminal lips,as if a score
of youngest angels suddenly should stretch neat necks
just to see how always squirms
the skilful mystery of Hell)me suddenly

grips in chuckles of supreme ***.

In The Good Old Summer Time.
My gorgeous bullet in tickling intuitive flight
aches,just,simply,into,her.  Thirsty
stirring.  (Must be summer.  Hush.  Worms.)

But It’s Nicer To Lie In Bed
                                  —eh? I’m

not.  Again.  Hush.  God.  Please hold.  Tight
(one!)
the wisti-twisti barber
-pole is climbing

people high,up-in

tenements talk.in sawdust Voices
                                    a:whispering drunkard passes
one April dusk the
sallow street-lamps were turning
snowy against a west of robin’s egg blue when
i entered a mad street whose

mouth dripped with slavver of
spring
chased two flights of squirrel-stairs into
a mid-victorian attic which is known as
O ΠΑΡΞΕΝΩΝ
                      and having ordered
yaoorti from
Nicho’
settled my feet on the

ceiling inhaling six divine inches
of Haremina   in
the thick of the snick-
er of cards and smack of back-

gammon boards i was aware of an entirely
***** circle of habitués their
faces like cigarettebutts, chewed
with disdain,     led by a Jumpy

***** who played each
card as if it were a thunderbolt red-
hot     peeling
off huge slabs of a fuzzy

language with the aid of an exclamatory
tooth-pick
And who may that
be i said exhaling into

eternity as Nicho’ laid
before me bread
more downy than street-lamps
upon an almostclean

plate
“Achilles”
said
Nicho’

“and did you perhaps wish also shishkabob?”
O sweet spontaneous
earth how often have
the
doting

            fingers of
prurient philosophers pinched
and
poked

thee
,has the naughty thumb
of science prodded
thy

      beauty       .how
often have religions taken
thee upon their scraggy knees
squeezing and

buffeting thee that thou mightest conceive
gods
        (but
true

to the incomparable
couch of death thy
rhythmic
lover

          thou answerest


them only with

                          spring)
O Thou to whom the musical white spring

offers her lily inextinguishable,
taught by thy tremulous grace bravely to fling

Implacable death’s mysteriously sable
rob from her redolent shoulders,
                                    Thou from whose
feet reincarnate song suddenly leaping
flameflung,mounts,inimitably to lose
herself where the wet stars softly are keeping

their exquisite dreams—O Love! upon thy dim
shrine of intangible commemoration,
(from whose faint close as some grave languorous hymn

pledge to illimitable dissipation
unhurried clouds of incense fleetly roll)

i spill my bright incalculable soul.
Paris;this April sunset completely utters
utters serenely silently a cathedral

before whose upward lean magnificent face
the streets turn young with rain,

spiral acres of bloated rose
coiled within cobalt miles of sky
yield to and heed
the mauve
               of twilight(who slenderly descends,
daintily carrying in her eyes the dangerous first stars)
people move love hurry in a gently

arriving gloom and
see!(the new moon
fills abruptly with sudden silver
these torn pockets of lame and begging colour)while
there and here the lithe indolent *******
Night,argues

with certain houses
perhaps it is to feel strike
the silver fish of her nakedness
with fins sharply pleasant,my

youth has travelled toward her these years

or to snare the timid like
of her mind to my mind that i

am come by little countries to the yes

of her youth.
                    And if somebody hears
what i say—let him be pitiful:
because I’ve travelled all alone
through the forest of wonderful,
and that my feet have surely known
the furious ways and the peaceful,

and because she is beautiful
Picasso
you give us things
which
bulge:grunting lungs pumped full of sharp thick mind

you make us shrill
presents always
shut in the sumptuous screech of
simplicity

(out of the
black unbunged
Something gushes vaguely a squeak of planes
or

between squeals of
Nothing grabbed with circular shrieking tightness
solid screams whispers.)
Lumberman of the Distinct

your brain’s
axe only chops hugest inherent
Trees of Ego,from
whose living and biggest

bodies lopped
of every
prettiness

you hew form truly
raise the shade
will youse dearie?
rain
wouldn’t that

get yer goat but
we don’t care do
we dearie we should
worry about the rain

huh
dearie?
yknow
i’m

sorry for awl the
poor girls that
gets up god
knows when every

day of their
lives
aint you,
                oo-oo.    dearie

not so
hard dear

you’re killing me
somebody knew Lincoln somebody Xerxes

this man:a narrow thudding timeshaped face
plus innocuous winking hands, carefully
inhabits number 1 on something street

Spring comes
                the lean and definite houses

are troubled.   A sharp blue day
fills with peacefully leaping air
the minute mind of the world.
The lean and

definite houses are
troubled.in the sunset their chimneys converse
angrily,their
roofs are nervous with the soft furious
light,and while fire-escapes and
roofs and chimneys and while roofs and fire-escapes and
chimeys and while chimneys and fire-escapes
and roofs are talking rapidly all together there happens
Something,and They

cease(and
one by one are turned suddenly and softly
into irresponsible toys.)
                              when this man with

the brittle legs winces
swiftly out of number 1 someThing
street and trickles carefully into the park
sits

Down.  pigeons circle
around and around and around the

irresponsible toys
circle wildly in the slow-ly-in creasing fragility
—. Dogs
bark
children
play
-ing
     Are

in the beautiful nonsense of twilight

and somebody Napoleon
somewhere i have never travelled, gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose

or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the color of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands
Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and

changing everything carefully

spring is like a perhaps
Hand in a window
(carefully to
and from moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and

without breaking anything.
spring omnipotent goddess thou dost
inveigle into crossing sidewalks the
unwary june-bug and the frivolous angleworm
thou dost persuade to serenade his
lady the musical tom-cat,thou stuffest
the parks with overgrown pimply
cavaliers and gumchewing giggly
girls and not content
Spring, with this
thou hangest canary-birds in parlor windows

spring slattern of seasons you
have ***** legs and a muddy
petticoat,drowsy is your
mouth your eyes are sticky
with dreams and you have
a sloppy body
from being brought to bed of crocuses
When you sing in your whiskey voice
                                        the grass
rises on the head of the earth
and all the trees are put on edge

spring,
of the jostle of
thy ******* and the slobber
of your thighs
i am so very
                glad that the soul inside me Hollers
for thou comest and your hands
are the snow
and thy fingers are the rain,
and i hear
the screech of dissonant
flowers,and most of all
i hear your stepping
                      freakish feet
                      feet incorrigible
ragging the world,
stinging
gold swarms
upon the spires
silver

           chants the litanies the
great bells are ringing with rose
the lewd fat bells
                            and a tall

wind
is dragging
the
sea

with

dream

-S
suppose
Life is an old man carrying flowers on his head.

young death sits in a café
smiling,a piece of money held between
his thumb and first finger

(i say “will he buy flowers” to you
and “Death is young
life wears velour trousers
life totters,life has a beard” i

say to you who are silent.—”Do you see
Life?he is there and here,
or that, or this
or nothing or an old man 3 thirds
asleep,on his head
flowers,always crying
to nobody something about les
roses les bluets
                    yes,
                              will He buy?
Les belles bottes—oh hear
,pas chères”)

and my love slowly answered I think so.  But
I think I see someone else

there is a lady,whose name is Afterwards
she is sitting beside young death,is slender;
likes flowers.
Ta
Ta
ta
ppin
g
toe

hip
popot
amus Back

gen
teel-ly lugu
bri ous

            eyes
LOOPTHELOOP

as

fathandsbangrag
Take for example this:

if to the colour of midnight
to a more than darkness(which
is myself and Paris and all
things)the bright
rain
occurs deeply,beautifully

and i(being at a window
in this midnight)
                      for no reason feel
deeply completely conscious of the rain or rather
Somebody who uses roofs and streets skilfully to make a
possible and beautiful sound:

if a(perhaps)clock strikes,in the alive
coolness,very faintly and
finally through altogether delicate gestures of rain

a colour comes,which is morning,O do not wonder that

(just at the edge of day)i surely
make a millionth poem which will not wholly
miss you;or if i certainly create,lady,
one of the thousand selves who are your smile.
the bed is not very big

a sufficient pillow shoveling
her small manure-shaped head

one sheet on which distinctly wags

at times the weary twig
of a neckless ******
(very occasionally budding

a flabby algebraic odour

jigs
        et tout en face
always wiggles the perfectly dead
finger of thitherhithering gas.

clothed with a luminous fur

poilu

        a Jesus sags
in frolicsome wooden agony).
the bigness of cannon
is skilful,

but i have seen
death’s clever enormous voice
which hides in a fragility
of poppies….

i say that sometimes
on these long talkative animals
are laid fists of huger silence.

I have seen all the silence
full of vivid noiseless boys

at Roupy
i have seen
between barrages,

the night utter ripe unspeaking girls.
the Cambridge ladies who live in furnished souls
are unbeautiful and have comfortable minds
(also,with the church’s protestant blessings
daughters,unscented shapeless spirited)
they believe in Christ and Longfellow,both dead,
are invariably interested in so many things—
at the present writing one still finds
delighted fingers knitting for the is it Poles?
perhaps. While permanent faces coyly bandy
scandal of Mrs. N and Professor D
….the Cambridge ladies do not care, above
Cambridge if sometimes in its box of
sky lavender and cornerless,the
moon rattles like a fragment of angry candy
1

It was one of those clear,sharp.mustless days
        That summer and man delight in.
Never had Heaven seemed quite so high,
Never had earth seemed quite so green,
Never had the world seemed quite so clean
Or sky so nigh.
        And I heard the Deity’s voice in

  The sun’s warm rays,
        And the white cloud’s intricate maze,
And the blue sky’s beautiful sheen.

         2

I looked to the heavens and saw him there,—
        A black speck downward drifting,
Nearer and nearer he steadily sailed,
Nearer and nearer he slid through space,
In an unending aerial race,
       This sailor who hailed
       From the Clime of the Clouds.—Ever shifting,

  On billows of air
        And the blue sky seemed never so fair,
And the rest of the world kept pace.

         3

On the white of his head the sun flashed bright;
        And he battled the wind with wide pinions,
Clearer and clearer the gale whistled loud,
Clearer and clearer he came into view,—
Bigger and blacker against the blue.
        Then a dragon of cloud
        Gathering all its minions
            Rushed to the fight,
        And swallowed him up in a bite;
And the sky lay empty clear through.

         4

Long I watched.   And at last afar
        Caught sight of a speck in the vastness;
Ever smaller,ever decreasing,
Ever drifting,drifting awayInto the endless realms of day;
        Finally ceasing.
        So into Heaven’s vast fastness
           Vanished that bar
Of black,as a fluttering star
Goes out while still on its way.

         5

So I lost him.   But I shall always see
            In my mind
The warm,yellow sun,and the ether free;
The vista’s sky,and the white cloud trailing,
        Trailing behind,—
And below the young earth’s summer-green arbors,
And on high the eagle,—sailing,sailing
        Into far skies and unknown harbors
I.

the emperor
sleeps in a palace of porphyry
which was a million years building
he takes the air in a howdah
of jasper beneath saffron
umbrellas
upon an elephant
twelve foot high
behind whose ear
sits always a crowned
king twir-
ling an
ankus of
ebony
the fountains of the emperor’s
palace run sunlight and
moonlight and the emperor’s
elephant is a thousand years old

the harem of
the emperor
is carpeted with
gold cloth
from the
ceiling(one
diamond timid
with nesting incense)
fifty
marble
pillars
slipped from immeasurable
height,fall,fifty,silent

in the incense is tangled a cool moon
there are thrice-three-hundred
doors carven of chalcedony and
before every door a naked
****** watches
on their heads turbans of a hundred
colours
in their hands scimitars like windy torches
each
is
blacker than oblivion

the ladies
of the emperor’s
harem are queens
of all the earth and the rings
upon their hands are from mines
a mile deep
but the body of
the queen of queens is
more transparent
than water,she is softer than birds

                2.

when the emperor is very
amorous he reclines upon
the couch of couches and
beckons     with
the little
finger of his left
hand
then the
thrice-three-hundredth
door is opened by the tallest
****** and the queen
of queens comes
forth
ankles
musical with large pearls
kingdoms in her ears
at the feet of
the emperor a cithern-
player squats with
quiveringgold
body
behind
the emperor ten
elected warriors with
bodies of lazy jade
and twitching
eyelids
finger
their
unquiet
spears

the queen of queens is dancing

her subtle
body weaving
insinuating upon the gold cloth
incessantly creates patterns of sudden
lust
her
stealing body ex-
pending gathering pouring upon itself     stiffenS
to a
white thorn
of desire

the taut neck of the citharede wags
in the dust the ghastly warriors
amber with lust breathe
together      the emperor,exerting
himself among his pillows throws
jewels at the queen of queens and
white money upon her nakedness
he
nods
          and all
depart through the bruised air aflutter with pearls

                3.

they are
alone
he beckons,she rises she
stands
a moment
in the passion of the fifty
pillars
listening

while the queens of all the
earth writhe upon deep rugs
the glory is fallen out of
the sky the last immortal
leaf
is

dead and the gold
year
a formal spasm
in the

dust
this is the passing of all shining things
therefore we also
blandly

into receptive
earth,O let
us
descend

take
shimmering wind
these fragile splendors from
us crumple them hide

them in thy breath drive
them in nothingness
for we
would sleep

this is the passing of all shining things
no lingering no backward-
wondering be unto
us O

soul,but straight
glad feet fearruining
and glorygirded
faces

lead us
into the
serious
steep

darkness
the hills
like poets put on
purple thought against
the

magnificent clamor of
                                    day
tortured
in gold,which presently

crumpled
collapses
exhaling a red soul into the dark

so
duneyed master
enter
the sweet gates

                               of my heart and
take
the
rose,

which perfect
is
With killing hands
the hours rise up putting off stars and it is
dawn
into the street of the sky light walks scattering poems

on earth a candle is
extinguished     the city
wakes
with a song upon her
mouth having death in her eyes

and it is dawn
the world
goes forth to ****** dreams….

i see in the street where strong
men are digging bread
and i see the brutal faces of
people contented hideous hopeless cruel happy

and it is day,

in the mirror
i see a frail
man
dreaming
dreams
dreams in the mirror

and it
is dusk    on earth

a candle is lighted
and it is dark.
the people are in their houses
the frail man is in his bed
the city

sleeps with death upon her mouth having a song in her eyes
the hours descend,
putting on stars….

in the street of the sky night walks scattering poems
the mind is its own beautiful prisoner.
Mind looked long at the sticky moon
opening in dusk her new wings

then decently hanged himself,one afternoon.

The last thing he saw was you
naked amid unnaked things,

your flesh,a succinct wandlike animal,
a little strolling with the futile purr
of blood;your *** squeaked like a billiard-cue
chalking itself,as not to make an error,
with twists spontaneously methodical.
He suddenly tasted worms windows and roses

he laughed,and closed his eyes as a girl closes
her left hand upon a mirror.
the moon is hiding in
her hair.
The
lily
of heaven
full of all dreams,
draws down.

cover her briefness in singing
close her with the intricate faint birds
by daisies and twilights
Deepen her,

Recite
upon her
flesh
the rain’s

pearls singly-whispering.
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