Around the vase of Life at your slow pace
He has not crept, but turned it with his hands,
And all its sides already understands.
There, girt, one breathes alert for some great race;
Whose road runs far by sands and fruitful space;
Who laughs, yet through the jolly throng has pass’d;
Who weeps, nor stays for weeping; who at last,
A youth, stands somewhere crowned, with silent face.

And he has filled this vase with wine for blood,
With blood for tears, with spice for burning vow,
With watered flowers for buried love most fit;
And would have cast it shattered to the flood,
Yet in Fate’s name has kept it whole; which now
Stands empty till his ashes fall in it.

The wind flapped loose, the wind was still,
Shaken out dead from tree and hill;
I had walked on at the wind’s will—
I sat now, for the wind was still.

Between my knees my forehead was—
My lips, drawn in, said not Alas!
My hair was over in the grass,
My naked ears heard the day pass.

My eyes, wide open, had the run
Of some ten weeds to fix upon;
Among those few, out of the sun,
The woodspurge flowered, three cups in one.

From perfect grief there need not be
Wisdom or even memory;
One thing then learned remains to me—
The woodspurge has a cup of three.

Like labour-laden moonclouds faint to flee
From winds that sweep the winter-bitten wold,—
Like multiform circumfluence manifold
Of night’s flood-tide,—like terrors that agree
Of hoarse-tongued fire and inarticulate sea,—
Even such, within some glass dimmed by our breath,
Our hearts discern wild images of Death,
Shadows and shoals that edge eternity.

Howbeit athwart Death’s imminent shade doth soar
One Power, than flow of stream or flight of dove
Sweeter to glide around, to brood above.
Tell me, my heart;—what angel-greeted door
Or threshold of wing-winnowed threshing-floor
Hath guest fire-fledged as thine, whose lord is Love?

As growth of form or momentary glance
In a child’s features will recall to mind
The father’s with the mother’s face combin’d,—
Sweet interchange that memories still enhance:
And yet, as childhood’s years and youth’s advance,
The gradual mouldings leave one stamp behind,
Till in the blended likeness now we find
A separate man’s or woman’s countenance:—

So in the Song, the singer’s Joy and Pain,
Its very parents, evermore expand
To bid the passion’s fullgrown birth remain,
By Art’s transfiguring essence subtly spann’d;
And from that song-cloud shaped as a man’s hand
There comes the sound as of abundant rain.

I. Herself

To be a sweetness more desired than Spring;
A ****** beauty more acceptable
Than the wild rose-tree’s arch that crowns the fell;
To be an essence more environing
Than wine’s drained juice; a music ravishing
More than the passionate pulse of Philomel; -
To be all this ’neath one soft *****’s swell
That is the flower of life:—how strange a thing!

How strange a thing to be what Man can know
But as a sacred secret! Heaven’s own screen
Hides her soul’s purest depth and loveliest glow;
Closely withheld, as all things most unseen,—
The wave-bowered pearl, the heart-shaped seal of green
That flecks the snowdrop underneath the snow.


II. Her Love

She loves him; for her infinite soul is Love,
And he her lodestar. Passion in her is
A glass facing his fire, where the bright bliss
Is mirrored, and the heat returned. Yet move
That glass, a stranger’s amorous flame to prove,
And it shall turn, by instant contraries,
Ice to the moon; while her pure fire to his
For whom it burns, clings close i’ the heart’s alcove.

Lo! they are one. With wifely breast to breast
And circling arms, she welcomes all command
Of love,—her soul to answering ardours fann’d:
Yet as morn springs or twilight sinks to rest,
Ah! who shall say she deems not loveliest
The hour of sisterly sweet hand-in-hand?


III. Her Heaven

If to grow old in Heaven is to grow young,
(As the Seer saw and said,) then blest were he
With youth forevermore, whose heaven should be
True Woman, she whom these weak notes have sung.
Here and hereafter,—choir-strains of her tongue,—
Sky-spaces of her eyes,—sweet signs that flee
About her soul’s immediate sanctuary,—
Were Paradise all uttermost worlds among.

The sunrise blooms and withers on the hill
Like any hillflower; and the noblest troth
Dies here to dust. Yet shall Heaven’s promise clothe
Even yet those lovers who have cherished still
This test for love:—in every kiss sealed fast
To feel the first kiss and forebode the last.

What is the sorriest thing that enters Hell?
None of the sins,—but this and that fair deed
Which a soul’s sin at length could supersede.
These yet are virgins, whom death’s timely knell
Might once have sainted; whom the fiends compel
Together now, in snake-bound shuddering sheaves
Of anguish, while the scorching bridegroom leaves
Their refuse maidenhood abominable.

Night ***** them down, the garbage of the pit,
Whose names, half entered in the book of Life,
Were God’s desire at noon. And as their hair
And eyes sink last, the Torturer deigns no whit
To gaze, but, yearning, waits his worthier wife,
The Sin still blithe on earth that sent them there.

Could Juno’s self more sovereign presence wear
Than thou, ’mid other ladies throned in grace?—
Or Pallas, when thou bend’st with soul-stilled face
O’er poet’s page gold-shadowed in thy hair?
Dost thou than Venus seem less heavenly fair
When o’er the sea of love’s tumultuous trance
Hovers thy smile, and mingles with thy glance
That sweet voice like the last wave murmuring there?

Before such triune loveliness divine
Awestruck I ask, which goddess here most claims
The prize that, howsoe’er adjudged, is thine?
Then Love breathes low the sweetest of thy names;
And Venus Victrix to my heart doth bring
Herself, the Helen of her guerdoning.

I

I sat with Love upon a woodside well,
Leaning across the water, I and he;
Nor ever did he speak nor looked at me,
But touched his lute wherein was audible
The certain secret thing he had to tell:
Only our mirrored eyes met silently
In the low wave; and that sound came to be
The passionate voice I knew; and my tears fell.

And at their fall, his eyes beneath grew hers;
And with his foot and with his wing-feathers
He swept the spring that watered my heart’s drouth.
Then the dark ripples spread to waving hair,
And as I stooped, her own lips rising there
Bubbled with brimming kisses at my mouth.


II

And now Love sang: but his was such a song,
So meshed with half-remembrance hard to free,
As souls disused in death’s sterility
May sing when the new birthday tarries long.
And I was made aware of a dumb throng
That stood aloof, one form by every tree,
All mournful forms, for each was I or she,
The shades of those our days that had no tongue.

They looked on us, and knew us and were known;
While fast together, alive from the abyss,
Clung the soul-wrung implacable close kiss;
And pity of self through all made broken moan
Which said, ‘For once, for once, for once alone!’
And still Love sang, and what he sang was this:—


III

‘O ye, all ye that walk in Willow-wood,
That walk with hollow faces burning white;
What fathom-depth of soul-struck widowhood,
What long, what longer hours, one lifelong night,
Ere ye again, who so in vain have wooed
Your last hope lost, who so in vain invite
Your lips to that their unforgotten food,
Ere ye, ere ye again shall see the light!

Alas! the bitter banks in Willowwood,
With tear-spurge wan, with blood-wort burning red:
Alas! if ever such a pillow could
Steep deep the soul in sleep till she were dead,—
Better all life forget her than this thing,
That Willowwood should hold her wandering!’


IV

So sang he: and as meeting rose and rose
Together cling through the wind’s wellaway
Nor change at once, yet near the end of day
The leaves drop loosened where the heart-stain glows,—
So when the song died did the kiss unclose;
And her face fell back drowned, and was as grey
As its grey eyes; and if it ever may
Meet mine again I know not if Love knows.

Only I know that I leaned low and drank
A long draught from the water where she sank,
Her breath and all her tears and all her soul:
And as I leaned, I know I felt Love’s face
Pressed on my neck with moan of pity and grace,
Till both our heads were in his aureole.

Each hour until we meet is as a bird
That wings from far his gradual way along
The rustling covert of my soul,—his song
Still loudlier trilled through leaves more deeply stirr’d:
But at the hour of meeting, a clear word
Is every note he sings, in Love’s own tongue;
Yet, Love, thou know’st the sweet strain wrong,
Through our contending kisses oft unheard.

What of that hour at last, when for her sake
No wing may fly to me nor song may flow;
When, wandering round my life unleaved, I
The bloodied feathers scattered in the brake,
And think how she, far from me, with like eyes
Sees through the untuneful bough the wingless skies?

What of her glass without her? The blank grey
There where the pool is blind of the moon’s face.
Her dress without her? The tossed empty space
Of cloud-rack whence the moon has passed away.
Her paths without her? Day’s appointed sway
Usurped by desolate night. Her pillowed place
Without her? Tears, ah me! for love’s good grace,
And cold forgetfulness of night or day.

What of the heart without her? Nay, poor heart,
Of thee what word remains ere speech be still?
A wayfarer by barren ways and chill,
Steep ways and weary, without her thou art,
Where the long cloud, the long wood’s counterpart,
Sheds doubled darkness up the labouring hill.

On this sweet bank your head thrice sweet and dear
I lay, and spread your hair on either side,
And see the newborn wood flowers bashful-eyed
Look through the golden tresses here and there.
On these debatable borders of the year
Spring’s foot half falters; scarce she yet may know
The leafless blackthorn-blossom from the snow;
And through her bowers the wind’s way still is clear.

But April’s sun strikes down the glades to-day;
So shut your eyes upturned, and feel my kiss
Creep, as the Spring now thrills through every spray,
Up your warm throat to your warm lips: for this
Is even the hour of Love’s sworn suitservice,
With whom cold hearts are counted castaway.