He said that he had hurt himself on a wall or that he had fallen.
But there was probably another reason
for the wounded and bandaged shoulder.

With a somewhat abrupt movement,
to bring down from a shelf some
photographs that he wanted to see closely,
the bandage was untied and a little blood ran.

I bandaged the shoulder again, and while bandaging it
I was somewhat slow; because it did not hurt,
and I liked to look at the blood. That
blood was a part of my love.

When he had left, I found in front of the chair,
a ****** rag, from the bandages,
a rag that looked in belonged in garbage;
which I brought up to my lips,
and which I held there for a long time --
the blood of love on my lips.

You said: "I'll go to another country, go to another shore,
find another city better than this one.
Whatever I try to do is fated to turn out wrong
and my heart lies buried like something dead.

How long can I let my mind moulder in this place?
Wherever I turn, wherever I look,
I see the black ruins of my life, here,
where I've spent so many years, wasted them, destroyed them totally."
You won't find a new country, won't find another shore.
This city will always pursue you.
You'll walk the same streets, grow old
in the same neighborhoods, turn gray in these same houses.
You'll always end up in this city. Don't hope for things elsewhere:
there's no ship for you, there's no road.
Now that you've wasted your life here, in this small corner,
you've destroyed it everywhere in the world.

The young poet Evmenis
complained one day to Theocritus:
"I've been writing for two years now
and I've composed only one idyll.
It's my single completed work.
I see, sadly, that the ladder
of Poetry is tall, extremely tall;
and from this first step I'm standing on now
I'll never climb any higher."
Theocritus retorted: "Words like that
are improper, blasphemous.
Just to be on the first step
should make you happy and proud.
To have reached this point is no small achievement:
what you've done already is a wonderful thing.
Even this first step
is a long way above the ordinary world.
To stand on this step
you must be in your own right
a member of the city of ideas.
And it's a hard, unusual thing
to be enrolled as a citizen of that city.
Its councils are full of Legislators
no charlatan can fool.
To have reached this point is no small achievement:
what you've done already is a wonderful thing."

When suddenly, at midnight, you hear
an invisible procession going by
with exquisite music, voices,
don't mourn your luck that's failing now,
work gone wrong, your plans
all proving deceptive -- don't mourn them uselessly.
As one long prepared, and graced with courage,
say goodbye to her, the Alexandria that is leaving.
Above all, don't fool yourself, don't say
it was a dream, your ears deceived you:
don't degrade yourself with empty hopes like these.
As one long prepared, and graced with courage,
as is right for you who were given this kind of city,
go firmly to the window
And listen with deep emotion, but not
with whining, the pleas of a coward;
listen -- your final delectation -- to the voices,
to the exquisite music of that strange procession,
and say goodbye to her, to the Alexandria you are losing.

In this obscene photograph secretly sold
the policeman mustn't see) around the corner,
in this whorish photograph,
how did such a dream-like face
make its way; How did you get in here?

Who knows what a degrading, ****** life you lead;
how horrible the surroundings must have been
when you posed to have the picture taken;
what a cheap soul you must have.
But in spite of all this, and even more, you remain for me
the dream-like face, the figure
shaped for and dedicated to Hellenic love-
that's how you remain for me
and how my poetry speaks of you.

Honor to those who in the life they lead
define and guard a Thermopylae.
Never betraying what is right,
consistent and just in all they do
but showing pity also, and compassion;
generous when they're rich, and when they're poor,
still generous in small ways,
still helping as much as they can;
always speaking the truth,
yet without hating those who lie.
And even more honor is due to them
when they foresee (as many do foresee)
that Ephialtis will turn up in the end,
that the Medes will break through after all.

What a misfortune, although you are made
for fine and great works
this unjust fate of yours always
denies you encouragement and success;
that base customs should block you;
and pettiness and indifference.
And how terrible the day when you yield
(the day when you give up and yield),
and you leave on foot for Susa,
and you go to the monarch Artaxerxes
who favorably places you in his court,
and offers you satrapies and the like.
And you accept them with despair
these things that you do not want.
Your soul seeks other things, weeps for other things;
the praise of the public and the Sophists,
the hard-won and inestimable Well Done;
the Agora, the Theater, and the Laurels.
How can Artaxerxes give you these,
where will you find these in a satrapy;
and what life can you live without these.

In these darkened rooms, where I spend
oppresive days, I pace to and fro
to find the windows. -- When a window
opens, it will be a consolation. --
But the windows cannot be found, or I cannot
find them. And maybe it is best that I do not find them.
Maybe the light will be a new tyranny.
Who knows what new things it will reveal.

I have almost been reduced to a homeless pauper.
This fatal city, Antioch,
has consumed all my money;
this fatal city with its expensive life.

But I am young and in excellent health.
My command of Greek is superb
(I know all there is about Aristotle, Plato;
orators, poets, you name it.)
I have an idea of military affairs,
and have friends among the mercenary chiefs.
I am on the inside of administration as well.
Last year I spent six months in Alexandria;
I have some knowledge (and this is useful) of affairs there:
intentions of the Malefactor, and villainies, et cetera.

Therefore I believe that I am fully
qualified to serve this country,
my beloved homeland Syria.

In whatever capacity they place me I shall strive
to be useful to the country. This is my intent.
Then again, if they thwart me with their methods --
we know those able people: need we talk about it now?
if they thwart me, I am not to blame.

First, I shall apply to Zabinas,
and if this ***** does not appreciate me,
I shall go to his rival Grypos.
And if this idiot does not hire me,
I shall go straight to Hyrcanos.

One of the three will want me however.

And my conscience is not troubled
about not worrying about my choice.
All three harm Syria equally.

But, a ruined man, why is it my fault.
Wretched man, I am trying to make ends meet.
The almighty gods should have provided
and created a fourth, good man.
Gladly would I have joined him.

Valiant are you who fought and fell gloriously;
fearless of those who were everywhere victorious.
Blameless, even if Diaeos and Critolaos were at fault.
When the Greeks want to boast,
"Our nation turns out such men" they will say
of you. And thus marvellous will be your praise. --

Written in Alexandria by an Achaean;
in the seventh year of Ptolemy Lathyrus.

Our efforts are those of the unfortunate;
our efforts are like those of the Trojans.
Somewhat we succeed; somewhat
we regain confidence; and we start
to have courage and high hopes.

But something always happens and stops us.
Achilles in the trench before us
emerges and with loud cries terrifies us.--

Our efforts are like those of the Trojans.
We believe that with resolution and daring
we will alter the blows of destiny,
and we stand outside to do battle.

But when the great crisis comes,
our daring and our resolution vanish;
our soul is agitated, paralyzed;
and we run around the walls
seeking to save ourselves in flight.

Nevertheless, our fall is certain. Above,
on the walls, the mourning has already begun.
The memories and the sentiments of our days weep.
Bitterly Priam and Hecuba weep for us.

The years of my youth, my sensual life --
how clearly I see their meaning now.

What needless repentances, how futile....

But I did not understand the meaning then.

In the dissolute life of my youth
the desires of my poetry were being formed,
the scope of my art was being plotted.

This is why my repentances were never stable.
And my resolutions to control myself, to change
lasted for two weeks at the very most.

He's an old man. Used up and bent,
crippled by time and indulgence,
he slowly walks along the narrow street.
But when he goes inside his house to hide
the shambles of his old age, his mind turns
to the share in youth that still belongs to him.

His verse is now recited by young men.
His visions come before their lively eyes.
Their healthy sensual minds,
their shapely taut bodies
stir to his perception of the beautiful.


Trans. by Edmund Keeley and Philip Sherrard

Ideal and beloved voices
of those who are dead, or of those
who are lost to us like the dead.

Sometimes they speak to us in our dreams;
sometimes in thought the mind hears them.

And with their sound for a moment return
other sounds from the first poetry of our life --
like distant music that dies off in the night.

What are we waiting for, assembled in the forum?

     The barbarians are due here today.

Why isn't anything happening in the senate?
Why do the senators sit there without legislating?

     Because the barbarians are coming today.
     What laws can the senators make now?
     Once the barbarians are here, they'll do the legislating.

Why did our emperor get up so early,
and why is he sitting at the city's main gate
on his throne, in state, wearing the crown?

     Because the barbarians are coming today
     and the emperor is waiting to receive their leader.
     He has even prepared a scroll to give him,
     replete with titles, with imposing names.

Why have our two consuls and praetors come out today
wearing their embroidered, their scarlet togas?
Why have they put on bracelets with so many amethysts,
and rings sparkling with magnificent emeralds?
Why are they carrying elegant canes
beautifully worked in silver and gold?

     Because the barbarians are coming today
     and things like that dazzle the barbarians.

Why don't our distinguished orators come forward as usual
to make their speeches, say what they have to say?

     Because the barbarians are coming today
     and they're bored by rhetoric and public speaking.

Why this sudden restlessness, this confusion?
(How serious people's faces have become.)
Why are the streets and squares emptying so rapidly,
everyone going home so lost in thought?

     Because night has fallen and the barbarians have not come.
     And some who have just returned from the border say
     there are no barbarians any longer.

And now, what's going to happen to us without barbarians?
They were, those people, a kind of solution.

Without consideration, without pity, without shame
they have built great and high walls around me.

And now I sit here and despair.
I think of nothing else: this fate gnaws at my mind;

for I had many things to do outside.
Ah why did I not pay attention when they were building the walls.

But I never heard any noise or sound of builders.
Imperceptibly they shut me from the outside world.