The days of our future stand in front of us
like a row of little lit candles --
golden, warm, and lively little candles.

The days past remain behind us,
a mournful line of extinguished candles;
the ones nearest are still smoking,
cold candles, melted, and bent.

I do not want to look at them; their form saddens me,
and it saddens me to recall their first light.
I look ahead at my lit candles.

I do not want to turn back, lest I see and shudder
at how fast the dark line lengthens,
at how fast the extinguished candles multiply.

Without consideration, without pity, without shame
they have built great and high walls around me.

And now I sit here and despair.
I think of nothing else: this fate gnaws at my mind;

for I had many things to do outside.
Ah why did I not pay attention when they were building the walls.

But I never heard any noise or sound of builders.
Imperceptibly they shut me from the outside world.

Body, remember not only how much you were loved,
not only the beds on which you lay,
but also those desires which for you
plainly glowed in the eyes,
and trembled in the voice -- and some
chance obstacle made them futile.
Now that all belongs to the past,
it is almost as if you had yielded
to those desires too -- remember,
how they glowed, in the eyes looking at you;
how they trembled in the voice, for you, remember, body.

Even if you cannot shape your life as you want it,
at least try this
as much as you can; do not debase it
in excessive contact with the world,
in the excessive movements and talk.

Do not debase it by taking it,
dragging it often and exposing it
to the daily folly
of relationships and associations,
until it becomes burdensome as an alien life.

Honor to those who in the life they lead
define and guard a Thermopylae.
Never betraying what is right,
consistent and just in all they do
but showing pity also, and compassion;
generous when they're rich, and when they're poor,
still generous in small ways,
still helping as much as they can;
always speaking the truth,
yet without hating those who lie.
And even more honor is due to them
when they foresee (as many do foresee)
that Ephialtis will turn up in the end,
that the Medes will break through after all.

In these darkened rooms, where I spend
oppresive days, I pace to and fro
to find the windows. -- When a window
opens, it will be a consolation. --
But the windows cannot be found, or I cannot
find them. And maybe it is best that I do not find them.
Maybe the light will be a new tyranny.
Who knows what new things it will reveal.

One monotonous day is followed
by another monotonous, identical day. The same
things will happen, they will happen again --
the same moments find us and leave us.

A month passes and ushers in another month.
One easily guesses the coming events;
they are the boring ones of yesterday.
And the morrow ends up not resembling a morrow anymore.

At the back of the noisy cafe
bent over a table sits an old man;
a newspaper in front of him, without company.

And in the scorn of his miserable old age
he ponders how little he enjoyed the years
when he had strength, and the power of the word, and good looks.

He knows he has aged much; he feels it, he sees it.
And yet the time he was young seems
like yesterday. How short a time, how short a time.

And he ponders how Prudence deceived him;
and how he always trusted her -- what a folly! --
that liar who said: "Tomorrow. There is ample time."

He remembers the impulses he curbed; and how much
joy he sacrificed. Every lost chance
now mocks his senseless wisdom.

...But from so much thinking and remembering
the old man gets dizzy. And falls asleep
bent over the cafe table.

Like beautiful bodies of the dead who had not grown old
and they shut them, with tears, in a magnificent mausoleum,
with roses at the head and jasmine at the feet --
this is what desires resemble that have passed
without fulfillment; with none of them having achieved
a night of sensual delight, or a bright morning.

Let me stop here. Let me, too, look at nature awhile.
The brilliant blue of the morning sea, of the cloudless sky,
the yellow shore; all lovely,
all bathed in light.

Let me stand here. And let me pretend I see all this
(I really did see it for a minute when I first stopped)
and not my usual day-dreams here too,
my memories, those images of sensual pleasure.


trans. by Edmund Keeley and Philip Sherrard

The Alexandrians were gathered
to see Cleopatra's children,
Caesarion, and his little brothers,
Alexander and Ptolemy, whom for the first
time they lead out to the Gymnasium,
there to proclaim kings,
in front of the grand assembly of the soldiers.

Alexander -- they named him king
of Armenia, Media, and the Parthians.
Ptolemy -- they named him king
of Cilicia, Syria, and Phoenicia.
Caesarion stood more to the front,
dressed in rose-colored silk,
on his breast a bouquet of hyacinths,
his belt a double row of sapphires and amethysts,
his shoes fastened with white
ribbons embroidered with rose pearls.
Him they named more than the younger ones,
him they named King of Kings.

The Alexandrians of course understood
that those were theatrical words.

But the day was warm and poetic,
the sky was a light azure,
the Alexandrian Gymnasium was
a triumphant achievement of art,
the opulence of the courtiers was extraordinary,
Caesarion was full of grace and beauty
(son of Cleopatra, blood of the Lagidae);
and the Alexandrians rushed to the ceremony,
and got enthusiastic, and cheered
in greek, and egyptian, and some in hebrew,
enchanted by the beautiful spectacle --
although they full well knew what all these were worth,
what hollow words these kingships were.

Because gods perceive future things, men what is happening now,
   but wise men perceive approaching things.

     Philostratus, Life of Apollonius of Tyana, VIII, 7.


Men know what is happening now.
The gods know the things of the future,
the full and sole possessors of all lights.
Of the future things, wise men perceive
approaching things. Their hearing

is sometimes, during serious studies,
disturbed. The mystical clamor
of approaching events reaches them.
And they heed it with reverence. While outside
on the street, the peoples hear nothing at all.Because gods perceive future things, men what is happening now,
   but wise men perceive approaching things.

     Philostratus, Life of Apollonius of Tyana, VIII, 7.


Men know what is happening now.
The gods know the things of the future,
the full and sole possessors of all lights.
Of the future things, wise men perceive
approaching things. Their hearing

is sometimes, during serious studies,
disturbed. The mystical clamor
of approaching events reaches them.
And they heed it with reverence. While outside
on the street, the peoples hear nothing at all.

"Alexander son of Philip, and the Greeks except the Lacedaemonians--"

We can very well imagine
that they were utterly indifferent in Sparta
to this inscription. "Except the Lacedaemonians",
but naturally. The Spartans were not
to be led and ordered about
as precious servants. Besides
a panhellenic campaign without
a Spartan king as a leader
would not have appeared very important.
O, of course "except the Lacedaemonians."

This too is a stand. Understandable.

Thus, except the Lacedaemonians at Granicus;
and then at Issus; and in the final
battle, where the formidable army was swept away
that the Persians had massed at Arbela:
which had set out from Arbela for victory, and was swept away.

And out of the remarkable panhellenic campaign,
victorious, brilliant,
celebrated, glorious
as no other had ever been glorified,
the incomparable: we emerged;
a great new Greek world.

We; the Alexandrians, the Antiocheans,
the Seleucians, and the numerous
rest of the Greeks of Egypt and Syria,
and of Media, and Persia, and the many others.
With our extensive territories,
with the varied action of thoughtful adaptations.
And the Common Greek Language
we carried to the heart of Bactria, to the Indians.

As if we were to talk of Lacedaemonians now!

I did not restrain myself. I let go entirely and went.
To the pleasures that were half real
and half wheeling in my brain,
I went into the lit night.
And I drank of potent wines, such as
the valiant of voluptuousness drink.

Return often and take me,
beloved sensation, return and take me --
when the memory of the body awakens,
and an old desire runs again through the blood;
when the lips and the skin remember,
and the hands feel as if they touch again.

Return often and take me at night,
when the lips and the skin remember....

The poet Phernazis is composing
the important part of his epic poem.
How Darius, son of Hystaspes,
assumed the kingdom of the Persians. (From him
is descended our glorious king
Mithridates, Dionysus and Eupator). But here
philosophy is needed; he must analyze
the sentiments that Darius must have had:
maybe arrogance and drunkenness; but no -- rather
like an understanding of the vanity of grandeurs.
The poet contemplates the matter deeply.

But he is interrupted by his servant who enters
running, and announces the portendous news.
The war with the Romans has begun.
The bulk of our army has crossed the borders.

The poet is speechless. What a disaster!
No time now for our glorious king
Mithridates, Dionysus and Eupator,
to occupy himself with greek poems.
In the midst of a war -- imagine, greek poems.

Phernazis is impatient. Misfortune!
Just when he was positive that with "Darius"
he would distinguish himself, and shut the mouths
of his critics, the envious ones, for good.
What a delay, what a delay to his plans.

And if it were only a delay, it would still be all right.
But it yet remains to be seen if we have any security
at Amisus. It is not a strongly fortified city.
The Romans are the most horrible enemies.
Can we hold against them
we Cappadocians? It is possible at all?
It is possible to pit ourselves against the legions?
Mighty Gods, protectors of Asia, help us.--

But in all his turmoil and trouble,
the poetic idea too comes and goes persistently--
the most probable, surely, is arrogance and drunkenness;
Darius must have felt arrogance and drunkenness.

As you set out for Ithaka
hope the journey is a long one,
full of adventure, full of discovery.
Laistrygonians and Cyclops,
angry Poseidon - don't be afraid of them:
you'll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians and Cyclops,
wild Poseidon - you won't encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope the voyage is a long one.
may there be many a summer morning when,
with what pleasure, what joy,
you come into harbours seen for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind -
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to gather stores of knowledge from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you are destined for.
But do not hurry the journey at all.
Better if it lasts for years,
so you are old by the time you reach the island,
wealthy with all you have gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvellous journey.
without her you would not have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won't have fooled you.
Wise as you will have become, so full of experience,
you will have understood by then what these Ithakas mean.

Nero was not worried when he heard
the prophecy of the Delphic Oracle.
"Let him fear the seventy three years."
He still had ample time to enjoy himself.
He is thirty. More than sufficient
is the term the god allots him
to prepare for future perils.

Now he will return to Rome slightly tired,
but delightfully tired from this journey,
full of days of enjoyment --
at the theaters, the gardens, the gymnasia...
evenings at cities of Achaia...
Ah the delight of **** bodies, above all...

Thus fared Nero. And in Spain Galba
secretly assembles and drills his army,
the old man of seventy three.

On an ebony bed decorated
with coral eagles, sound asleep lies
Nero --- unconscious, quiet, and blissful;
thriving in the vigor of flesh,
and in the splendid power of youth.

But in the alabaster hall that encloses
the ancient shrine of the Aenobarbi
how restive are his Lares.
The little household gods tremble,
and try to hide their insignificant bodies.
For they heard a horrible clamor,
a deathly clamor ascending the stairs,
iron footsteps rattling the stairs.
And now in a faint the miserable Lares,
burrow in the depth of the shrine,
one tumbles and stumbles upon the other,
one little god falls over the other
for they understand what sort of clamor this is,
they are already feeling the footsteps of the Furies.

In this obscene photograph secretly sold
the policeman mustn't see) around the corner,
in this whorish photograph,
how did such a dream-like face
make its way; How did you get in here?

Who knows what a degrading, ****** life you lead;
how horrible the surroundings must have been
when you posed to have the picture taken;
what a cheap soul you must have.
But in spite of all this, and even more, you remain for me
the dream-like face, the figure
shaped for and dedicated to Hellenic love-
that's how you remain for me
and how my poetry speaks of you.

What a misfortune, although you are made
for fine and great works
this unjust fate of yours always
denies you encouragement and success;
that base customs should block you;
and pettiness and indifference.
And how terrible the day when you yield
(the day when you give up and yield),
and you leave on foot for Susa,
and you go to the monarch Artaxerxes
who favorably places you in his court,
and offers you satrapies and the like.
And you accept them with despair
these things that you do not want.
Your soul seeks other things, weeps for other things;
the praise of the public and the Sophists,
the hard-won and inestimable Well Done;
the Agora, the Theater, and the Laurels.
How can Artaxerxes give you these,
where will you find these in a satrapy;
and what life can you live without these.

Let them not seek to discover who I was
from all that I have done and said.
An obstacle was there that transformed
the deeds and the manner of my life.
An obstacle was there that stopped me
many times when I was about to speak.
Only from my most imperceptible deeds
and my most covert writings--
from these alone will they understand me.
But perhaps it isn't worth exerting
such care and such effort for them to know me.
Later, in the more perfect society,
surely some other person created like me
will appear and act freely.

You said: "I'll go to another country, go to another shore,
find another city better than this one.
Whatever I try to do is fated to turn out wrong
and my heart lies buried like something dead.

How long can I let my mind moulder in this place?
Wherever I turn, wherever I look,
I see the black ruins of my life, here,
where I've spent so many years, wasted them, destroyed them totally."
You won't find a new country, won't find another shore.
This city will always pursue you.
You'll walk the same streets, grow old
in the same neighborhoods, turn gray in these same houses.
You'll always end up in this city. Don't hope for things elsewhere:
there's no ship for you, there's no road.
Now that you've wasted your life here, in this small corner,
you've destroyed it everywhere in the world.

I never found them again -- the things so quickly lost....
the poetic eyes, the pale
face.... in the dusk of the street....

I never found them again -- the things acquired quite by chance,
that I gave up so lightly;
and that later in agony I wanted.
The poetic eyes, the pale face,
those lips, I never found again.

The young poet Evmenis
complained one day to Theocritus:
"I've been writing for two years now
and I've composed only one idyll.
It's my single completed work.
I see, sadly, that the ladder
of Poetry is tall, extremely tall;
and from this first step I'm standing on now
I'll never climb any higher."
Theocritus retorted: "Words like that
are improper, blasphemous.
Just to be on the first step
should make you happy and proud.
To have reached this point is no small achievement:
what you've done already is a wonderful thing.
Even this first step
is a long way above the ordinary world.
To stand on this step
you must be in your own right
a member of the city of ideas.
And it's a hard, unusual thing
to be enrolled as a citizen of that city.
Its councils are full of Legislators
no charlatan can fool.
To have reached this point is no small achievement:
what you've done already is a wonderful thing."

For some people the day comes
when they have to declare the great Yes
or the great No. It's clear at once who has the Yes
ready within him; and saying it,
he goes from honor to honor, strong in his conviction.
He who refuses does not repent. Asked again,
he'd still say no. Yet that no-the right no-
drags him down all his life.

Kimos, son of Menedoros, a young Greek-Italian,
devotes his life to amusing himself,
like most young men in Greater Greece
brought up in the lap of luxury.

But today, in spite of his nature,
he is preoccupied, dejected. Near the shore
he watched, deeply distressed, as they unload
ships with ***** taken from the Peloponnese.

G r e e k   l o o t:  b  o  o  t y   f r o m  C o r i n t h.

Today certainly it is not right,
it is not possible for the young Greek-Italian
to want to amuse himself in any way.

The surroundings of home, centers, neighorhood
which I see and where I walk; for years and years.

I have created you in joy and in sorrows:
with so many circumstances, with so many things.

And you have become all feeling, for me.

I love the church: its labara,
its silver vessels, its candleholders,
the lights, the ikons, the pulpit.

Whenever I go there, into a church of the Greeks,
with its aroma of incense,
its liturgical chanting and harmony,
the majestic presence of the priests,
dazzling in their ornate vestments,
the solemn rhythm of their gestures-
my thoughts turn to the great glories of our race,
to the splendor of our Byzantine heritage.

Valiant are you who fought and fell gloriously;
fearless of those who were everywhere victorious.
Blameless, even if Diaeos and Critolaos were at fault.
When the Greeks want to boast,
"Our nation turns out such men" they will say
of you. And thus marvellous will be your praise. --

Written in Alexandria by an Achaean;
in the seventh year of Ptolemy Lathyrus.

I never had you, nor will I ever have you
I suppose. A few words, an approach
as in the bar yesterday, and nothing more.
It is, undeniably, a pity. But we who serve Art
sometimes with intensity of mind, and of course only
for a short while, we create pleasure
which almost seems real.
So in the bar the day before yesterday -- the merciful alcohol
was also helping much --
I had a perfectly ****** half-hour.
And it seems to me that you understood,
and stayed somewhat longer on purpose.
This was very necessary. Because
for all the imagination and the wizard alcohol,
I needed to see your lips as well,
I needed to have your body close.

In the golden bull that Alexios Comnenos issued
to prominently honor his mother,
the very sagacious Lady Anna Dalassene-
distinguished in her works, in her ways-
there are many words of praise:
here let us convey of them
a beautiful, noble phrase
"Those cold words 'mine' or 'yours' were never spoken."

Said Myrtias (a Syrian student
in Alexandria; in the reign of
Augustus Constans and Augustus Constantius;
in part a pagan, and in part a christian);
"Fortified by theory and study,
I shall not fear my passions like a coward.
I shall give my body to sensual delights,
to enjoyments dreamt-of,
to the most daring amorous desires,
to the lustful impulses of my blood, without
any fear, for whenever I want --
and I shall have the will, fortified
as I shall be by theory and study --
at moments of crisis I shall find again
my spirit, as before, ascetic."

From all I've done and all I've said
let them not seek to find who I've been.
An obstacle stood and transformed
my acts and way of my life.
An obstacle stood and stopped me
many a time as I was going to speak.
My most unobserved acts,
and my writitings the most covered --
thence only they will feel me.
But mayhaps it is not worth to spend
this much care and this much effort to know me.
For -- in the more perfect society --
someone else like me created
will certainly appear and freely act.

Just because we've torn their statues down,
and cast them from their temples,
doesn't for a moment mean the gods are dead.
Land of Ionia, they love you yet,

their spirits still remember you.
When an August morning breaks upon you
a vigour from their lives stabs through your air;
and sometimes an ethereal and youthful form
in swiftest passage, indistinct,

                passes up above your hills.

We interrupt the work of the gods,
hasty and inexperienced beings of the moment.
In the palaces of Eleusis and Phthia
Demeter and Thetis start good works
amid high flames and dense smoke. But
always Metaneira rushes from the king's
chambers, disheveled and scared,
and always Peleus is fearful and interferes.

They had not seen, for ages, such beautiful gifts in Delphi
as these that had been sent by the two brothers,
the rival Ptolemaic kings. After they had received them
however, the priests were uneasy about the oracle. They will need
all their experience to compose it with astuteness,
which of the two, which of such two will be displeased.
And they hold secret councils at night
and discuss the family affairs of the Lagidae.

But see, the envoys have returned. They are bidding farewell.
They are returning to Alexandria, they say. And they do not ask
for any oracle. And the priests hear this with joy
(of course they will keep the marvellous gifts),
but they also are utterly perplexed,
not understanding what this sudden indifference means.
For they are unaware that yesterday the envoys received grave news.
The oracle was given in Rome; the division took place there.

A young man, twenty eight years old, on a vessel from Tenos,
Emes arrived at this Syrian harbor
with the intention of learning the perfume trade.
But during the voyage he was taken ill. And as soon
as he disembarked, he died. His burial, the poorest,
took place here. A few hours before he died,
he whispered something about "home," about "very old parents."
But who these were nobody knew,
nor which his homeland in the vast panhellenic world.
Better so. For thus, although
he lies dead in this harbor,
his parents will always hope he is alive.

So much I gazed on beauty,
that my vision is replete with it.

Contours of the body. Red lips. Voluptuous limbs.
Hair as if taken from greek statues;
always beautiful, even when uncombed,
and it falls, slightly, over white foreheads.
Faces of love, as my poetry
wanted them.... in the nights of my youth,
in my nights, secretly, met....

I do not question whether I am happy or unhappy.
Yet there is one thing that I keep gladly in mind --
that in the great addition (their addition that I abhor)
that has so many numbers, I am not one
of the many units there. In the final sum
I have not been calculated. And this joy suffices me.

The sea took a sailor to its depths.--
His mother, unsuspecting, goes and lights

a tall candle before the ****** Mary
for his speedy return and for fine weather --

and always she turns her ear to the wind.
But while she prays and implores,

the icon listens, solemn and sad,
knowing that the son she expects will no longer return.

When suddenly, at midnight, you hear
an invisible procession going by
with exquisite music, voices,
don't mourn your luck that's failing now,
work gone wrong, your plans
all proving deceptive -- don't mourn them uselessly.
As one long prepared, and graced with courage,
say goodbye to her, the Alexandria that is leaving.
Above all, don't fool yourself, don't say
it was a dream, your ears deceived you:
don't degrade yourself with empty hopes like these.
As one long prepared, and graced with courage,
as is right for you who were given this kind of city,
go firmly to the window
And listen with deep emotion, but not
with whining, the pleas of a coward;
listen -- your final delectation -- to the voices,
to the exquisite music of that strange procession,
and say goodbye to her, to the Alexandria you are losing.

He's an old man. Used up and bent,
crippled by time and indulgence,
he slowly walks along the narrow street.
But when he goes inside his house to hide
the shambles of his old age, his mind turns
to the share in youth that still belongs to him.

His verse is now recited by young men.
His visions come before their lively eyes.
Their healthy sensual minds,
their shapely taut bodies
stir to his perception of the beautiful.


Trans. by Edmund Keeley and Philip Sherrard

My dear old father,
who always loved me the same;
my dear old father I lament
who died the day before yesterday, just before dawn.

Jesus Christ, it is my daily effort
to observe the precepts
of Thy most holy church in all my acts,
in all words, in all thoughts.
And all those who renounce Thee
I shun.-- But now I lament;
I bewail, Christ, for my father
although he was -- a horrible thing to say --
a priest at the accursed Serapeum.

What are we waiting for, assembled in the forum?

     The barbarians are due here today.

Why isn't anything happening in the senate?
Why do the senators sit there without legislating?

     Because the barbarians are coming today.
     What laws can the senators make now?
     Once the barbarians are here, they'll do the legislating.

Why did our emperor get up so early,
and why is he sitting at the city's main gate
on his throne, in state, wearing the crown?

     Because the barbarians are coming today
     and the emperor is waiting to receive their leader.
     He has even prepared a scroll to give him,
     replete with titles, with imposing names.

Why have our two consuls and praetors come out today
wearing their embroidered, their scarlet togas?
Why have they put on bracelets with so many amethysts,
and rings sparkling with magnificent emeralds?
Why are they carrying elegant canes
beautifully worked in silver and gold?

     Because the barbarians are coming today
     and things like that dazzle the barbarians.

Why don't our distinguished orators come forward as usual
to make their speeches, say what they have to say?

     Because the barbarians are coming today
     and they're bored by rhetoric and public speaking.

Why this sudden restlessness, this confusion?
(How serious people's faces have become.)
Why are the streets and squares emptying so rapidly,
everyone going home so lost in thought?

     Because night has fallen and the barbarians have not come.
     And some who have just returned from the border say
     there are no barbarians any longer.

And now, what's going to happen to us without barbarians?
They were, those people, a kind of solution.

I have almost been reduced to a homeless pauper.
This fatal city, Antioch,
has consumed all my money;
this fatal city with its expensive life.

But I am young and in excellent health.
My command of Greek is superb
(I know all there is about Aristotle, Plato;
orators, poets, you name it.)
I have an idea of military affairs,
and have friends among the mercenary chiefs.
I am on the inside of administration as well.
Last year I spent six months in Alexandria;
I have some knowledge (and this is useful) of affairs there:
intentions of the Malefactor, and villainies, et cetera.

Therefore I believe that I am fully
qualified to serve this country,
my beloved homeland Syria.

In whatever capacity they place me I shall strive
to be useful to the country. This is my intent.
Then again, if they thwart me with their methods --
we know those able people: need we talk about it now?
if they thwart me, I am not to blame.

First, I shall apply to Zabinas,
and if this ***** does not appreciate me,
I shall go to his rival Grypos.
And if this idiot does not hire me,
I shall go straight to Hyrcanos.

One of the three will want me however.

And my conscience is not troubled
about not worrying about my choice.
All three harm Syria equally.

But, a ruined man, why is it my fault.
Wretched man, I am trying to make ends meet.
The almighty gods should have provided
and created a fourth, good man.
Gladly would I have joined him.

It goes on being Alexandria still. Just walk a bit
along the straight road that ends at the Hippodrome
and you'll see palaces and monuments that will amaze you.
Whatever war-damage it's suffered,
however much smaller it's become,
it's still a wonderful city.
And then, what with excursions and books
and various kinds of study, time does go by.
In the evenings we meet on the sea front,
the five of us (all, naturally, under fictitious names)
and some of the few other Greeks
still left in the city.
Sometimes we discuss church affairs
(the people here seem to lean toward Rome)
and sometimes literature.
The other day we read some lines by Nonnos:
what imagery, what rhythm, what diction and harmony!
All enthusiasm, how we admired the Panopolitan.
So the days go by, and our stay here
isn't unpleasant because, naturally,
it's not going to last forever.
We've had good news: if something doesn't come
of what's now afoot in Smyrna,
then in April our friends are sure to move from Epiros,
so one way or another, our plans are definitely working out,
and we'll easily overthrow Basil.
And when we do, at last our turn will come.

The years of my youth, my sensual life --
how clearly I see their meaning now.

What needless repentances, how futile....

But I did not understand the meaning then.

In the dissolute life of my youth
the desires of my poetry were being formed,
the scope of my art was being plotted.

This is why my repentances were never stable.
And my resolutions to control myself, to change
lasted for two weeks at the very most.

Apollonius was talking about
proper education and conduct with a young
man who was building a luxurious
house in Rhodes. "As for me" said the Tyanian
at last, "when I enter a temple
however small it may be, I very much prefer
to see a statue of ivory and gold
than a clay and ****** one in a large temple".--

The "clay" and "******"; the detestable:
that already some people (without enough training)
it deceives knavishly. The clay and ******.

He wrapped them carefully, neatly
in costly green silk.

Roses of ruby, lilies of pearl,
violets of amethyst. As he himself judged,

as he wanted them, they look beautiful to him; not as he saw
or studied them in nature. He will leave them in the safe,

a sample of his daring and skillful craft.
When a buyer enters the shop

he takes from the cases other wares and sells -- superb jewels --
bracelets, chains, necklaces, and rings.