Style--go ahead talking about style.
You can tell where a man gets his style just
     as you can tell where Pavlowa got her legs
     or Ty Cobb his batting eye.

     Go on talking.
Only don't take my style away.
          It's my face.
          Maybe no good
               but anyway, my face.
I talk with it, I sing with it, I see, taste and feel with it,
     I know why I want to keep it.

**** my style
               and you break Pavlowa's legs,
               and you blind Ty Cobb's batting eye.

Down between the walls of shadow
Where the iron laws insist,
     The hunger voices mock.

The worn wayfaring men
With the hunched and humble shoulders,
     Throw their laughter into toil.

IF you never came with a pigeon rainbow purple
Shining in the six o'clock September dusk:
If the red sumach on the autumn roads
Never danced on the flame of your eyelashes:
If the red-haws never burst in a million
Crimson fingertwists of your heartcrying:
If all this beauty of yours never crushed me
Then there are many flying acres of birds for me,
Many drumming gray wings going home I shall see,
Many crying voices riding the north wind.

BEND low again, night of summer stars.
So near you are, sky of summer stars,
So near, a long arm man can pick off stars,
Pick off what he wants in the sky bowl,
So near you are, summer stars,
So near, strumming, strumming,
  So lazy and hum-strumming.

Into the blue river hills
The red sun runners go
And the long sand changes
And to-day is a goner
And to-day is not worth haggling over.

   Here in Omaha
   The gloaming is bitter
   As in Chicago
   Or Kenosha.

The long sand changes.
To-day is a goner.
Time knocks in another brass nail.
Another yellow plunger shoots the dark.

   Constellations
   Wheeling over Omaha
   As in Chicago
   Or Kenosha.

The long sand is gone
      and all the talk is stars.
They circle in a dome over Nebraska.

A SWIRL in the air where your head was once, here.
You walked under this tree, spoke to a moon for me
I might almost stand here and believe you alive.

(Washington, August, 1918)I HAVE seen this city in the day and the sun.
I have seen this city in the night and the moon.
And in the night and the moon I have seen a thing this city gave me nothing of in the day and the sun.
  
The float of the dome in the day and the sun is one thing.
The float of the dome in the night and the moon is another thing.
In the night and the moon the float of the dome is a dream-whisper, a croon of a hope: "Not today, child, not today, lover; maybe tomorrow, child, maybe tomorrow, lover."
  
Can a dome of iron dream deeper than living men?
Can the float of a shape hovering among tree-tops-can this speak an oratory sad, singing and red beyond the speech of the living men?
  
A mother of men, a sister, a lover, a woman past the dreams of the living-
Does she go sad, singing and red out of the float of this dome?
  
There is ... something ... here ... men die for.

THESE are the tawny days: your face comes back.
  
The grapes take on purple: the sunsets redden early on the trellis.
  
The bashful mornings hurl gray mist on the stripes of sunrise.
  
Creep, silver on the field, the frost is welcome.
  
Run on, yellow ***** on the hills, and you tawny pumpkin flowers, chasing your lines of orange.
  
Tawny days: and your face again.

I SAW a telegram handed a two hundred pound man at a desk. And the little scrap of paper charged the air like a set of crystals in a chemist's tube to a whispering pinch of salt.
Cross my heart, the two hundred pound man had just cracked a joke about a new hat he got his wife, when the messenger boy slipped in and asked him to sign. He gave the boy a nickel, tore the envelope and read.
Then he yelled "Good God," jumped for his hat and raincoat, ran for the elevator and took a taxi to a railroad depot.
  
As I say, it was like a set of crystals in a chemist's tube and a whispering pinch of salt.
I wonder what Diogenes who lived in a tub in the sun would have commented on the affair.
I know a shoemaker who works in a cellar slamming half-soles onto shoes, and when I told him, he said: "I pay my bills, I love my wife, and I am not afraid of anybody."

I GIVE the undertakers permission to haul my body
to the graveyard and to lay away all, the head, the
feet, the hands, all: I know there is something left
over they can not put away.

Let the nanny goats and the billy goats of the shanty
people eat the clover over my grave  and if any yellow
hair or any blue smoke of flowers is good enough to grow
over me  let the *****-****** children of the shanty
people pick these flowers.

I have had my chance to live with the people who have
too much and the people who have too little and I chose
one of the two and I have told no man why.

THE ROSES slanted crimson sobs
On the night sky hair of the women,
And the long light-fingered men
Spoke to the dark-haired women,
"Nothing lovelier, nothing lovelier."
How could he sit there among us all
Guzzling blood into his guts,
Goblets, mugs, buckets-
Leaning, toppling, laughing
With a slobber on his mouth,
A smear of red on his strong raw lips,
How could he sit there
And only two or three of us see him?
  There was nothing to it.
He wasn't there at all, of course.
  
  The roses leaned from the pots.
The sprays snot roses gold and red
And the roses slanted crimson sobs
  In the night sky hair
And the voices chattered on the way
To the frappe, speaking of pictures,
Speaking of a strip of black velvet
Crossing a girlish woman's throat,
Speaking of the mystic music flash
Of pots and sprays of roses,
"Nothing lovelier, nothing lovelier."

You have spoken the answer.
A child searches far sometimes
Into the red dust
         On a dark rose leaf
And so you have gone far
         For the answer is:
         Silence.

     In the republic
Of the winking stars and spent cataclysms
Sure we are it is off there the answer
          is hidden and folded over,
Sleeping in the sun, careless whether
          it is Sunday or any other day of
          the week,

Knowing silence will bring all one way
          or another.

Have we not seen
Purple of the *****
          out of the mulch
          and mold
          crawl
          into a dusk
          of velvet?
          blur of yellow?
Almost we thought from nowwhere but it was
          the silence,
          the future,
          working.

MAKE war songs out of these;
Make chants that repeat and weave.
Make rhythms up to the ragtime chatter of the machine guns;
Make slow-booming psalms up to the boom of the big guns.
Make a marching song of swinging arms and swinging legs,
        Going along,
        Going along,
On the roads from San Antonio to Athens, from Seattle to Bagdad-
The boys and men in winding lines of khaki, the circling squares of bayonet points.

Cowpunchers, cornhuskers, shopmen, ready in khaki;
Ballplayers, lumberjacks, ironworkers, ready in khaki;
A million, ten million, singing, "I am ready."
This the sun looks on between two seaboards,
In the land of Lincoln, in the land of Grant and Lee.

I heard one say, "I am ready to be killed."
I heard another say, "I am ready to be killed."
O sunburned clear-eyed boys!
I stand on sidewalks and you go by with drums and guns and bugles,
        You-and the flag!
And my heart tightens, a fist of something feels my throat
        When you go by,
You on the kaiser hunt, you and your faces saying, "I am ready to be killed."

They are hunting death,
Death for the one-armed mastoid kaiser.
They are after a Hohenzollern head:
There is no man-hunt of men remembered like this.

The four big brothers are out to ****.
France, Russia, Britain, America-
The four republics are sworn brothers to **** the kaiser.

Yes, this is the great man-hunt;
And the sun has never seen till now
Such a line of toothed and tusked man-killers,
In the blue of the upper sky,
In the green of the undersea,
In the red of winter dawns.
Eating to ****,
Sleeping to ****,
Asked by their mothers to ****,
Wished by four-fifths of the world to ****-
To cut the kaiser's throat,
To hack the kaiser's head,
To hang the kaiser on a high-horizon gibbet.

And is it nothing else than this?
Three times ten million men thirsting the blood
Of a half-cracked one-armed child of the German kings?
Three times ten million men asking the blood
Of a child born with his head wrong-shaped,
The blood of rotted kings in his veins?
If this were all, O God,
I would go to the far timbers
And look on the gray wolves
Tearing the throats of moose:
I would ask a wilder drunk of blood.

Look! It is four brothers in joined hands together.
        The people of bleeding France,
        The people of bleeding Russia,
        The people of Britain, the people of America-
These are the four brothers, these are the four republics.

At first I said it in anger as one who clenches his fist in wrath to fling his knuckles into the face of some one taunting;
Now I say it calmly as one who has thought it over and over again at night, among the mountains, by the seacombers in storm.
I say now, by God, only fighters to-day will save the world, nothing but fighters will keep alive the names of those who left red prints of bleeding feet at Valley Forge in Christmas snow.
On the cross of Jesus, the sword of Napoleon, the skull of Shakespeare, the pen of Tom Jefferson, the ashes of Abraham Lincoln, or any sign of the red and running life poured out by the mothers of the world,
By the God of morning glories climbing blue the doors of quiet homes, by the God of tall hollyhocks laughing glad to children in peaceful valleys, by the God of new mothers wishing peace to sit at windows nursing babies,
I swear only reckless men, ready to throw away their lives by hunger, deprivation, desperate clinging to a single purpose imperturbable and undaunted, men with the primitive guts of rebellion,
Only fighters gaunt with the red brand of labor's sorrow on their brows and labor's terrible pride in their blood, men with souls asking danger-only these will save and keep the four big brothers.

Good-night is the word, good-night to the kings, to the czars,
        Good-night to the kaiser.
The breakdown and the fade-away begins.
The shadow of a great broom, ready to sweep out the trash, is here.

One finger is raised that counts the czar,
The ghost who beckoned men who come no more-
The czar gone to the winds on God's great dustpan,
The czar a pinch of nothing,
The last of the gibbering Romanoffs.

Out and good-night-
The ghosts of the summer palaces
And the ghosts of the winter palaces!
Out and out, good-night to the kings, the czars, the kaisers.

Another finger will speak,
And the kaiser, the ghost who gestures a hundred million sleeping-waking ghosts,
The kaiser will go onto God's great dustpan-
The last of the gibbering Hohenzollerns.
Look! God pities this trash, God waits with a broom and a dustpan,
God knows a finger will speak and count them out.

It is written in the stars;
It is spoken on the walls;
It clicks in the fire-white zigzag of the Atlantic wireless;
It mutters in the bastions of thousand-mile continents;
It sings in a whistle on the midnight winds from Walla Walla to Mesopotamia:
Out and good-night.

The millions slow in khaki,
The millions learning Turkey in the Straw and John Brown's Body,
The millions remembering windrows of dead at Gettysburg, Chickamauga, and Spottsylvania Court House,
The millions dreaming of the morning star of Appomattox,
The millions easy and calm with guns and steel, planes and prows:
        There is a hammering, drumming hell to come.
        The killing gangs are on the way.

God takes one year for a job.
God takes ten years or a million.
God knows when a doom is written.
God knows this job will be done and the words spoken:
Out and good-night.
        The red tubes will run,
        And the great price be paid,
        And the homes empty,
        And the wives wishing,
        And the mothers wishing.

There is only one way now, only the way of the red tubes and the great price.

        Well...
Maybe the morning sun is a five-cent yellow balloon,
And the evening stars the joke of a God gone crazy.
Maybe the mothers of the world,
And the life that pours from their torsal folds-
Maybe it's all a lie sworn by liars,
And a God with a cackling laughter says:
"I, the Almighty God,
I have made all this,
I have made it for kaisers, czars, and kings."

Three times ten million men say: No.
Three times ten million men say:
        God is a God of the People.
And the God who made the world
        And fixed the morning sun,
        And flung the evening stars,
        And shaped the baby hands of life,
This is the God of the Four Brothers;
This is the God of bleeding France and bleeding Russia;
This is the God of the people of Britain and America.

The graves from the Irish Sea to the Caucasus peaks are ten times a million.
The stubs and stumps of arms and legs, the eyesockets empty, the cripples, ten times a million.
The crimson thumb-print of this anathema is on the door panels of a hundred million homes.
Cows gone, mothers on sick-beds, children cry a hunger and no milk comes in the noon-time or at night.
The death-yells of it all, the torn throats of men in ditches calling for water, the shadows and the hacking lungs in dugouts, the steel paws that clutch and squeeze a scarlet drain day by day-the storm of it is hell.
But look! child! the storm is blowing for a clean air.

Look! the four brothers march
And hurl their big shoulders
And swear the job shall be done.

Out of the wild finger-writing north and south, east and west, over the blood-crossed, blood-dusty ball of earth,
Out of it all a God who knows is sweeping clean,
Out of it all a God who sees and pierces through, is breaking and cleaning out an old thousand years, is making ready for a new thousand years.
The four brothers shall be five and more.

Under the chimneys of the winter time the children of the world shall sing new songs.
Among the rocking restless cradles the mothers of the world shall sing new sleepy-time songs.

I cannot tell you now;
     When the wind's drive and whirl
     ******* along no longer,
     And the wind's a whisper at last--
Maybe I'll tell you then--
                         some other time.

     When the rose's flash to the sunset
     Reels to the rack and the twist,
     And the rose is a red bygone,
     When the face I love is going
     And the gate to the end shall clang,
     And it's no use to beckon or say, "So long"--
Maybe I'll tell you then--
                         some other time.

I never knew any more beautiful than you:
     I have hunted you under my thoughts,
     I have broken down under the wind
     And into the roses looking for you.
          I shall never find any
                         greater than you.

WHAT does the hangman think about
When he goes home at night from work?
When he sits down with his wife and
Children for a cup of coffee and a
Plate of ham and eggs, do they ask
Him if it was a good day's work
And everything went well or do they
Stay off some topics and talk about
The weather, base ball, politics
And the comic strips in the papers
And the movies? Do they look at his
Hands when he reaches for the coffee
Or the ham and eggs? If the little
Ones say, Daddy, play horse, here's
A rope-does he answer like a joke:
I seen enough rope for today?
Or does his face light up like a
Bonfire of joy and does he say:
It's a good and dandy world we live
In. And if a white face moon looks
In through a window where a baby girl
Sleeps and the moon gleams mix with
Baby ears and baby hair-the hangman-
How does he act then? It must be easy
For him. Anything is easy for a hangman,
I guess.

Passing through huddled and ugly walls
By doorways where women
Looked from their hunger-deep eyes,
Haunted with shadows of hunger-hands,
Out from the huddled and ugly walls,
I came sudden, at the city's edge,
On a blue burst of lake,
Long lake waves breaking under the sun
On a spray-flung curve of shore;
And a fluttering storm of gulls,
Masses of great gray wings
And flying white bellies
Veering and wheeling free in the open

A stone face higher than six horses stood five thousand
     years gazing at the world seeming to clutch a secret.
A boy passes and throws a niggerhead that chips off the
     end of the nose from the stone face; he lets fly a
     mud ball that spatters the right eye and cheek of the
     old looker-on.
The boy laughs and goes whistling "ee-ee-ee ee-ee-ee."
     The stone face stands silent, seeming to clutch a
     secret.

I am glad God saw Death
And gave Death a job taking care of all who are tired
     of living:

When all the wheels in a clock are worn and slow and
     the connections loose
And the clock goes on ticking and telling the wrong time
     from hour to hour
And people around the house joke about what a ***
     clock it is,
How glad the clock is when the big Junk Man drives
     his wagon
Up to the house and puts his arms around the clock and
     says:
          "You don't belong here,
          You gotta come
          Along with me,"
How glad the clock is then, when it feels the arms of the
     Junk Man close around it and carry it away.

The lawyers, Bob, know too much.
They are chums of the books of old John Marshall.
They know it all, what a dead hand wrote,
A stiff dead hand and its knuckles crumbling,
The bones of the fingers a thin white ash.
        The lawyers know
        a dead man's thought too well.

In the heels of the higgling lawyers, Bob,
Too many slippery ifs and buts and howevers,
Too much hereinbefore provided whereas,
Too many doors to go in and out of.

When the lawyers are through
What is there left, Bob?
Can a mouse nibble at it
And find enough to fasten a tooth in?

Why is there always a secret singing
When a lawyer cashes in?
Why does a hearse horse snicker
Hauling a lawyer away?

The work of a bricklayer goes to the blue.
The knack of a mason outlasts a moon.
The hands of a plasterer hold a room together.
The land of a farmer wishes him back again.
         Singers of songs and dreamers of plays
         Build a house no wind blows over.
The lawyers--tell me why a hearse horse snickers
         hauling a lawyer's bones.

(March, 1919)A LIAR goes in fine clothes.
A liar goes in rags.
A liar is a liar, clothes or no clothes.
A liar is a liar and lives on the lies he tells and dies in a life of lies.
And the stonecutters earn a living-with lies-on the tombs of liars.
  
Aliar looks 'em in the eye
And lies to a woman,
Lies to a man, a pal, a child, a fool.
And he is an old liar; we know him many years back.
  
  A liar lies to nations.
  A liar lies to the people.
A liar takes the blood of the people
And drinks this blood with a laugh and a lie,
  A laugh in his neck,
  A lie in his mouth.
And this liar is an old one; we know him many years.
  He is straight as a dog's hind leg.
  He is straight as a corkscrew.
He is white as a black cat's foot at midnight.
  
The tongue of a man is tied on this,
On the liar who lies to nations,
The liar who lies to the people.
The tongue of a man is tied on this
And ends: To hell with 'em all.
  To hell with 'em all.
  
It's a song hard as a riveter's hammer,
  Hard as the sleep of a crummy hobo,
  Hard as the sleep of a lousy doughboy,
Twisted as a shell-shock idiot's gibber.
  
The liars met where the doors were locked.
They said to each other: Now for war.
The liars fixed it and told 'em: Go.
  
Across their tables they fixed it up,
Behind their doors away from the mob.
And the guns did a job that nicked off millions.
The guns blew seven million off the map,
The guns sent seven million west.
Seven million shoving up the daisies.
Across their tables they fixed it up,
  The liars who lie to nations.
  
  And now
  Out of the butcher's job
  And the boneyard junk the maggots have cleaned,
  Where the jaws of skulls tell the jokes of war ghosts,
Out of this they are calling now: Let's go back where we were.
    Let us run the world again, us, us.
  
Where the doors are locked the liars say: Wait and we'll cash in again.
  
So I hear The People talk.
I hear them tell each other:
  Let the strong men be ready.
  Let the strong men watch.
  Let your wrists be cool and your head clear.
  Let the liars get their finish,
  The liars and their waiting game, waiting a day again
  To open the doors and tell us: War! get out to your war again.
  
So I hear The People tell each other:
  Look at to-day and to-morrow.
  Fix this clock that nicks off millions
  When The Liars say it's time.
  Take things in your own hands.
    To hell with 'em all,
  The liars who lie to nations,
  The liars who lie to The People.

I ASKED the Mayor of Gary about the 12-hour day and the 7-day week.
And the Mayor of Gary answered more workmen steal time on the job in Gary than any other place in the United States.
"Go into the plants and you will see men sitting around doing nothing-machinery does everything," said the Mayor of Gary when I asked him about the 12-hour day and the 7-day week.
And he wore cool cream pants, the Mayor of Gary, and white shoes, and a barber had fixed him up with a shampoo and a shave and he was easy and imperturbable though the government weather bureau thermometer said 96 and children were soaking their heads at bubbling fountains on the street corners.
And I said good-by to the Mayor of Gary and I went out from the city hall and turned the corner into Broadway.
And I saw workmen wearing leather shoes scruffed with fire and cinders, and pitted with little holes from running molten steel,
And some had bunches of specialized muscles around their shoulder blades hard as pig iron, muscles of their fore-arms were sheet steel and they looked to me like men who had been somewhere.Gary, Indiana, 1915.

I spot the hills
With yellow ***** in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling.

I am the mist, the impalpable mist,
Back of the thing you seek.
My arms are long,
Long as the reach of time and space.

Some toil and toil, believing,
Looking now and again on my face,
Catching a vital, olden glory.

But no one passes me,
I tangle and snare them all.
I am the cause of the Sphinx,
The voiceless, baffled, patient Sphinx.

I was at the first of things,
I will be at the last.
     I am the primal mist
     And no man passes me;
     My long impalpable arms
     Bar them all.

SHE sits in the dust at the walls
And makes cigars,
Bending at the bench
With fingers wage-anxious,
Changing her sweat for the day's pay.

Now the noon hour has come,
And she leans with her bare arms
On the window-sill over the river,
Leans and feels at her throat
Cool-moving things out of the free open ways:

At her throat and eyes and nostrils
The touch and the blowing cool
Of great free ways beyond the walls.

Lincoln?
He was a mystery in smoke and flags
Saying yes to the smoke, yes to the flags,
Yes to the paradoxes of democracy,
Yes to the hopes of government
Of the people by the people for the people,
No to debauchery of the public mind,
No to personal malice nursed and fed,
Yes to the Constitution when a help,
No to the Constitution when a hindrance
Yes to man as a struggler amid illusions,
Each man fated to answer for himself:
Which of the faiths and illusions of mankind
Must I choose for my own sustaining light
To bring me beyond the present wilderness?

     Lincoln? Was he a poet?
     And did he write verses?

"I have not willingly planted a thorn
     in any man's *****."
I shall do nothing through malice: what
     I deal with is too vast for malice."

Death was in the air.
So was birth.

AFTER the last red sunset glimmer,
Black on the line of a low hill rise,
Formed into moving shadows, I saw
A plowboy and two horses lined against the gray,
Plowing in the dusk the last furrow.
The turf had a gleam of brown,
And smell of soil was in the air,
And, cool and moist, a haze of April.

I shall remember you long,
Plowboy and horses against the sky in shadow.
I shall remember you and the picture
You made for me,
Turning the turf in the dusk
And haze of an April gloaming.

I love your faces I saw the many years
I drank your milk and filled my mouth
With your home talk, slept in your house
And was one of you.
          But a fire burns in my heart.
Under the ribs where pulses thud
And flitting between bones of skull
Is the push, the endless mysterious command,
          Saying:
"I leave you behind--
You for the little hills and the years all alike,
You with your patient cows and old houses
Protected from the rain,
I am going away and I never come back to you;
Crags and high rough places call me,
Great places of death
Where men go empty handed
And pass over smiling
To the star-drift on the horizon rim.
My last whisper shall be alone, unknown;
I shall go to the city and fight against it,
And make it give me passwords
Of luck and love, women worth dying for,
And money.
          I go where you wist not of
          Nor I nor any man nor woman.
          I only know I go to storms
          Grappling against things wet and naked."
There is no pity of it and no blame.
None of us is in the wrong.
After all it is only this:
          You for the little hills and I go away.

To Certain Poets About to Die

Take your fill of intimate remorse, perfumed sorrow,
Over the dead child of a millionaire,
And the pity of Death refusing any check on the bank
Which the millionaire might order his secretary to
     scratch off
And get cashed.

     Very well,
You for your grief and I for mine.
Let me have a sorrow my own if I want to.

I shall cry over the dead child of a stockyards hunky.
His job is sweeping blood off the floor.
He gets a dollar seventy cents a day when he works
And it's many tubs of blood he shoves out with a broom
     day by day.

Now his three year old daughter
Is in a white coffin that cost him a week's wages.
Every Saturday night he will pay the undertaker fifty
     cents till the debt is wiped out.

The hunky and his wife and the kids
Cry over the pinched face almost at peace in the white box.

They remember it was scrawny and ran up high doctor bills.
They are glad it is gone for the rest of the family now
     will have more to eat and wear.

Yet before the majesty of Death they cry around the coffin
And wipe their eyes with red bandanas and sob when
     the priest says, "God have mercy on us all."

I have a right to feel my throat choke about this.
You take your grief and I mine--see?
To-morrow there is no funeral and the hunky goes back
     to his job sweeping blood off the floor at a dollar
     seventy cents a day.
All he does all day long is keep on shoving hog blood
     ahead of him with a broom.

I shall foot it
Down the roadway in the dusk,
Where shapes of hunger wander
And the fugitives of pain go by.
I shall foot it
In the silence of the morning,
See the night slur into dawn,
Hear the slow great winds arise
Where tall trees flank the way
And shoulder toward the sky.

The broken boulders by the road
Shall not commemorate my ruin.
Regret shall be the gravel under foot.
I shall watch for
Slim birds swift of wing
That go where wind and ranks of thunder
Drive the wild processionals of rain.

The dust of the traveled road
Shall touch my hands and face.

THE SEA is large.
The sea hold on a leg of land in the Chesapeake hugs an early sunset and a last morning star over the oyster beds and the late clam boats of lonely men.
Five white houses on a half-mile strip of land ... five white dice rolled from a tube.

Not so long ago ... the sea was large...
And to-day the sea has lost nothing ... it keeps all.

I am a loon about the sea.
I make so many sea songs, I cry so many sea cries, I forget so many sea songs and sea cries.

I am a loon about the sea.
So are five men I had a fish fry with once in a tar-paper shack trembling in a sand storm.

The sea knows more about them than they know themselves.
They know only how the sea hugs and will not let go.

The sea is large.
The sea must know more than any of us.

On the street
Slung on his shoulder is a handle half way across,
Tied in a big knot on the scoop of cast iron
Are the overalls faded from sun and rain in the ditches;
Spatter of dry clay sticking yellow on his left sleeve
          And a flimsy shirt open at the throat,
          I know him for a shovel man,
          A **** working for a dollar six bits a day
And a dark-eyed woman in the old country dreams of
     him for one of the world's ready men with a pair
     of fresh lips and a kiss better than all the wild
     grapes that ever grew in Tuscany.

THE SINS of Kalamazoo are neither scarlet nor crimson.
  
The sins of Kalamazoo are a convict gray, a dishwater drab.
  
And the people who sin the sins of Kalamazoo are neither scarlet nor crimson.
  
They run to drabs and grays-and some of them sing they shall be washed whiter than snow-and some: We should worry.
  
Yes, Kalamazoo is a spot on the map
And the passenger trains stop there
And the factory smokestacks smoke
And the grocery stores are open Saturday nights
And the streets are free for citizens who vote
And inhabitants counted in the census.
Saturday night is the big night.
  Listen with your ears on a Saturday night in Kalamazoo
  And say to yourself: I hear America, I hear, what do I hear?
  
Main street there runs through the middle of the twon
And there is a ***** postoffice
And a ***** city hall
And a ***** railroad station
And the United States flag cries, cries the Stars and Stripes to the four winds on Lincoln's birthday and the Fourth of July.
  
Kalamazoo kisses a hand to something far off.
  
Kalamazoo calls to a long horizon, to a shivering silver angel, to a creeping mystic what-is-it.
  
"We're here because we're here," is the song of Kalamazoo.
  
"We don't know where we're going but we're on our way," are the words.
  
There are hound dogs of bronze on the public square, hound dogs looking far beyond the public square.
  
Sweethearts there in Kalamazoo
Go to the general delivery window of the postoffice
And speak their names and ask for letters
And ask again, "Are you sure there is nothing for me?
I wish you'd look again-there must be a letter for me."
  
And sweethearts go to the city hall
And tell their names and say,"We want a license."
And they go to an installment house and buy a bed on time and a clock
And the children grow up asking each other, "What can we do to **** time?"
They grow up and go to the railroad station and buy tickets for Texas, Pennsylvania, Alaska.
"Kalamazoo is all right," they say. "But I want to see the world."
And when they have looked the world over they come back saying it is all like Kalamazoo.
  
The trains come in from the east and hoot for the crossings,
And buzz away to the peach country and Chicago to the west
Or they come from the west and shoot on to the Battle Creek breakfast bazaars
And the speedbug heavens of Detroit.
  
"I hear America, I hear, what do I hear?"
Said a loafer lagging along on the sidewalks of Kalamazoo,
Lagging along and asking questions, reading signs.
  
Oh yes, there is a town named Kalamazoo,
A spot on the map where the trains hesitate.
I saw the sign of a five and ten cent store there
And the Standard Oil Company and the International Harvester
And a graveyard and a ball grounds
And a short order counter where a man can get a stack of wheats
And a pool hall where a rounder leered confidential like and said:
"Lookin' for a quiet game?"
  
The loafer lagged along and asked,
"Do you make guitars here?
Do you make boxes the singing wood winds ask to sleep in?
Do you rig up strings the singing wood winds sift over and sing low?"
The answer: "We manufacture musical instruments here."
  
Here I saw churches with steeples like hatpins,
Undertaking rooms with sample coffins in the show window
And signs everywhere satisfaction is guaranteed,
Shooting galleries where men **** imitation pigeons,
And there were doctors for the sick,
And lawyers for people waiting in jail,
And a dog catcher and a superintendent of streets,
And telephones, water-works, trolley cars,
And newspapers with a splatter of telegrams from sister cities of Kalamazoo the round world over.
  
And the loafer lagging along said:
Kalamazoo, you ain't in a class by yourself;
I seen you before in a lot of places.
If you are nuts America is nuts.
  And lagging along he said bitterly:
  Before I came to Kalamazoo I was silent.
  Now I am gabby, God help me, I am gabby.
  
Kalamazoo, both of us will do a fadeaway.
I will be carried out feet first
And time and the rain will chew you to dust
And the winds blow you away.
And an old, old mother will lay a green moss cover on my bones
And a green moss cover on the stones of your postoffice and city hall.
  
  Best of all
I have loved your kiddies playing run-sheep-run
And cutting their initials on the ball ground fence.
They knew every time I fooled them who was fooled and how.
  
  Best of all
I have loved the red gold smoke of your sunsets;
I have loved a moon with a ring around it
Floating over your public square;
I have loved the white dawn frost of early winter silver
And purple over your railroad tracks and lumber yards.
  
  The wishing heart of you I loved, Kalamazoo.
  I sang bye-lo, bye-lo to your dreams.
I sang bye-lo to your hopes and songs.
I wished to God there were hound dogs of bronze on your public square,
Hound dogs with bronze paws looking to a long horizon with a shivering silver angel, a creeping mystic what-is-it.

ONE by one lights of a skyscraper fling their checkering cross work on the velvet gown of night.
I believe the skyscraper loves night as a woman and brings her playthings she asks for, brings her a velvet gown,
And loves the white of her shoulders hidden under the dark feel of it all.
  
The masonry of steel looks to the night for somebody it loves,
He is a little dizzy and almost dances ... waiting ... dark ...

IF the oriole calls like last year
when the south wind sings in the oats,
if the leaves climb and climb on a bean pole
saying over a song learnt from the south wind,
if the crickets send up the same old lessons
found when the south wind keeps on coming,
we will get by, we will keep on coming,
we will get by, we will come along,
we will fix our hearts over,
the south wind says so.

Legs hold a torso away from the earth.
And a regular high poem of legs is here.
Powers of bone and cord raise a belly and lungs
Out of ooze and over the loam where eyes look and ears hear
And arms have a chance to hammer and shoot and run motors.
     You make us
     Proud of our legs, old man.

And you left off the head here,
The skull found always crumbling neighbor of the ankles.

(For Paula)THE GRIP of the ice is gone now.
The silvers chase purple.
The purples tag silver.
  They let out their runners
Here where summer says to the lilies:
  "Wish and be wistful,
Circle this wind-hunted, wind-sung water."
  
Come along always, come along now.
You for me, kiss me, pull me by the ear.
Push me along with the wind push.
Sing like the whinnying wind.
Sing like the hustling obstreperous wind.
  
Have you ever seen deeper purple ...
  this in my wild wind fingers?
Could you have more fun with a pony or a goat?
Have you seen such flicking heels before,
Silver jig heels on the purple sky rim?
  Come along always, come along now.

THEY all want to play Hamlet.
They have not exactly seen their fathers killed
Nor their mothers in a frame-up to ****,
Nor an Ophelia dying with a dust gagging the heart,
Not exactly the spinning circles of singing golden spiders,
Not exactly this have they got at nor the meaning of flowers-O flowers, flowers slung by a dancing girl-in the saddest play the inkfish, Shakespeare, ever wrote;
Yet they all want to play Hamlet because it is sad like all actors are sad and to stand by an open grave with a joker's skull in the hand and then to say over slow and say over slow wise, keen, beautiful words masking a heart that's breaking, breaking,
This is something that calls and calls to their blood.
They are acting when they talk about it and they know it is acting to be particular about it and yet: They all want to play Hamlet.

AM I the river your white birds fly over?
Are you the green valley my silver channels roam?
The two of us a bowl of blue sky day time and a bowl of red stars night time?
  Who picked you
  out of the first great whirl of nothings
  and threw you here?

THE FINE cloth of your love might be a fabric of Egypt,
Something Sinbad, the sailor, took away from robbers,
Something a traveler with plenty of money might pick up
And bring home and stick on the walls and say:
"There's a little thing made a hit with me
When I was in Cairo-I think I must see Cairo again some day."
So there are cornice manufacturers, chewing gum kings,
Young Napoleons who corner eggs or corner cheese,
Phenoms looking for more worlds to corner,
And still other phenoms who lard themselves in
And make a killing in steel, copper, permanganese,
And they say to random friends in for a call:
  "Have you had a look at my wife? Here she is.
Haven't I got her dolled up for fair?"
O-ee! the fine cloth of your love might be a fabric of Egypt.

IA STORM of white petals,
Buds throwing open baby fists
Into hands of broad flowers.

IIRed roses running upward,
Clambering to the clutches of life
Soaked in crimson.

IIIRabbles of tattered leaves
Holding golden flimsy hopes
Against the tramplings
Into the pits and gullies.

IVHoarfrost and silence:
Only the muffling
Of winds dark and lonesome-
Great lullabies to the long sleepers.

OF my city the worst that men will ever say is this:
You took little children away from the sun and the dew,
And the glimmers that played in the grass under the great sky,
And the reckless rain; you put them between walls
To work, broken and smothered, for bread and wages,
To eat dust in their throats and die empty-hearted
For a little handful of pay on a few Saturday nights.

IN a jeweler's shop I saw a man beating
out thin sheets of gold. I heard a woman
laugh many years ago.
  
Under a peach tree I saw petals scattered
.. torn strips of a bride's dress. I heard
a woman laugh many years ago.

JABOWSKY'S place is on a side street and only the rain washes the dusty three *****.
When I passed the window a month ago, there rested in proud isolation:
A family bible with hasps of brass twisted off, a wooden clock with pendulum gone,
And a porcelain crucifix with the glaze nicked where the left elbow of Jesus is represented.
I passed to-day and they were all there, resting in proud isolation, the clock and the crucifix saying no more and no less than before, and a yellow cat sleeping in a patch of sun alongside the family bible with the hasps off.
Only the rain washes the dusty three ***** in front of Jabowsky's place on a side street.

THREE tailors of Tooley Street wrote: We, the People.
The names are forgotten. It is a joke in ghosts.
  
Cutters or bushelmen or armhole basters, they sat
cross-legged stitching, snatched at scissors, stole each
other thimbles.
  
Cross-legged, working for wages, joking each other
as misfits cut from the cloth of a Master Tailor,
they sat and spoke their thoughts of the glory of
The People, they met after work and drank beer to
The People.
  
Faded off into the twilights the names are forgotten.
It is a joke in ghosts. Let it ride. They wrote: We,
The People.

SMOKE of autumn is on it all.
The streamers loosen and travel.
The red west is stopped with a gray haze.
They fill the ash trees, they wrap the oaks,
They make a long-tailed rider
In the pocket of the first, the earliest evening star..    .    .
Three muskrats swim west on the Desplaines River.

There is a sheet of red ember glow on the river; it is dusk; and the muskrats one by one go on patrol routes west.

Around each slippery padding rat, a fan of ripples; in the silence of dusk a faint wash of ripples, the padding of the rats going west, in a dark and shivering river gold.

(A newspaper in my pocket says the Germans pierce the Italian line; I have letters from poets and sculptors in Greenwich Village; I have letters from an ambulance man in France and an I. W. W. man in Vladivostok.)

I lean on an ash and watch the lights fall, the red ember glow, and three muskrats swim west in a fan of ripples on a sheet of river gold..    .    .
Better the blue silence and the gray west,
The autumn mist on the river,
And not any hate and not any love,
And not anything at all of the keen and the deep:
Only the peace of a dog head on a barn floor,
And the new corn shoveled in bushels
And the pumpkins brought from the corn rows,
Umber lights of the dark,
Umber lanterns of the loam dark.

Here a dog head dreams.
Not any hate, not any love.
Not anything but dreams.
Brother of dusk and umber.

I WAS a boy when I heard three red words
a thousand Frenchmen died in the streets
for: Liberty, Equality, Fraternity-I asked
why men die for words.
  
I was older; men with mustaches, sideburns,
lilacs, told me the high golden words are:
Mother, Home, and Heaven-other older men with
face decorations said: God, Duty, Immortality
-they sang these threes slow from deep lungs.
  
Years ticked off their say-so on the great clocks
of doom and damnation, soup and nuts: meteors flashed
their say-so: and out of great Russia came three
dusky syllables workmen took guns and went out to die
for: Bread, Peace, Land.
  
And I met a marine of the U.S.A., a leatherneck with a ******* his knee for a memory in ports circling the earth and he said: Tell me how to say three things and I always get by-gimme a plate of ham and eggs-how much?-and-do you love me, kid?

1THE DOWN drop of the blackbird,
The wing catch of arrested flight,
The stop midway and then off: off for triangles, circles, loops of new hieroglyphs-
This is April's way: a woman:
"O yes, I'm here again and your heart
  knows I was coming."
  
2White pigeons rush at the sun,
A marathon of wing feats is on:
"Who most loves danger? Who most loves wings? Who somersaults for God's sake in the name of wing power in the sun and blue on an April Thursday."
So ten winged heads, ten winged feet, race their white forms over Elmhurst.
They go fast: once the ten together were a feather of foam bubble, a chrysanthemum whirl speaking to silver and azure.
  
3The child is on my shoulders.
In the prairie moonlight the child's legs hang over my shoulders.
She sits on my neck and I hear her calling me a good horse.
She slides down-and into the moon silver of a prairie stream
She throws a stone and laughs at the clug-clug.

THREE violins are trying their hearts.
The piece is MacDowell's Wild Rose.
  And the time of the wild rose
  And the leaves of the wild rose
And the dew-shot eyes of the wild rose
Sing in the air over three violins.
Somebody like you was in the heart of MacDowell.
Somebody like you is in three violins.

SOMEWHERE you and I remember we came.
Stairways from the sea and our heads dripping.
Ladders of dust and mud and our hair snarled.
Rags of drenching mist and our hands clawing, climbing.
You and I that snickered in the crotches and corners, in the gab of our first talking.
Red dabs of dawn summer mornings and the rain sliding off our shoulders summer afternoons.
Was it you and I yelled songs and songs in the nights of big yellow moons?

THROW roses on the sea where the dead went down.
  The roses speak to the sea,
  And the sea to the dead.
Throw roses, O lovers-
  Let the leaves wash on the salt in the sun.