The restaurant where I often eat has a raw cinderblock shell to show the world
It was painted a long time ago, when a new owner bought it out
It was meant to beautify, it didn't work
But I guess it's the thought that counts.
On the East wall, near one corner, is a rectangle of thick white paint
in a field of grime. Always fresh, always clean.
It is marred by a series of looping black slashes.
Stare at them for long enough, relax the muscles behind your eyes, let them slip out of focus
And you'll start to see letters
In the dipping and diving bands of black.
It's writing
An alien calligraphy
People as woefully uncool as you or I weren't meant to decode it
There is energy in the strokes though.
It's a performance frozen at it's moment of completion
You can see velocity, grace, excitement, a little fear, and a deft, darting contempt.
All of these things in the broad and narrow ribbons of paint.
When I'm in the right sort of mood, with a full stomach and a lazily sunfried imagination, with the heat from the asphalt making things in the middle distance quaver,
I can make out the dim shape of the artist.
See where they stood, the sweep of their arm
the turn of their head, wary of witnesses.
Days in and out, it goes on.
Bare white one day,
blackened, besmirched, beautiful the next.
The snowy rectangle grows thicker.
Why the owner never stakes out his restaurant one night, I'll never know.
Why the artist doesn't venture beyond that one little pen, or choose a new wall entirely
will remain a mystery, probably for all my breaths to come.
It's like some mad story penned by a poor, gibbering lunatic.
Each is doomed to a war neither can win, and neither can lose.
I bend double I'm laughing so hard
They take it so seriously.
But then, don't we all have our petty conflicts?
Nov 15, 2014
Nov 15, 2014 at 9:59 PM UTC
The restaurant where I often eat has a raw cinderblock shell to show the world
It was painted a long time ago, when a new owner bought it out
It was meant to beautify, it didn't work
But I guess it's the thought that counts.
On the East wall, near one corner, is a rectangle of thick white paint
in a field of grime. Always fresh, always clean.
It is marred by a series of looping black slashes.
Stare at them for long enough, relax the muscles behind your eyes, let them slip out of focus
And you'll start to see letters
In the dipping and diving bands of black.
It's writing
An alien calligraphy
People as woefully uncool as you or I weren't meant to decode it
There is energy in the strokes though.
It's a performance frozen at it's moment of completion
You can see velocity, grace, excitement, a little fear, and a deft, darting contempt.
All of these things in the broad and narrow ribbons of paint.
When I'm in the right sort of mood, with a full stomach and a lazily sunfried imagination, with the heat from the asphalt making things in the middle distance quaver,
I can make out the dim shape of the artist.
See where they stood, the sweep of their arm
the turn of their head, wary of witnesses.
Days in and out, it goes on.
Bare white one day,
blackened, besmirched, beautiful the next.
The snowy rectangle grows thicker.
Why the owner never stakes out his restaurant one night, I'll never know.
Why the artist doesn't venture beyond that one little pen, or choose a new wall entirely
will remain a mystery, probably for all my breaths to come.
It's like some mad story penned by a poor, gibbering lunatic.
Each is doomed to a war neither can win, and neither can lose.
I bend double I'm laughing so hard
They take it so seriously.
But then, don't we all have our petty conflicts?