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sully
I write to feel out the shape of my thoughts. I write because I like the music of the words. But mostly, I write because I can't get away with talking to myself in public.
Picture yourself taking the first of many punches Picture yourself blowing out a few birthday candles Picture yourself watching a doorknob turn with wide-open eyes Picture yourself clutching a pillow and weeping Picture yourself watching a ewe with a broken leg being shot Picture yourself being guided by old hands who've seen war. Picture yourself perforating a decaf coffee can Picture yourself in doubt and guilt Picture yourself damning a missed chance Picture yourself gesticulating wildly and arguing about a parking ticket Picture yourself telling a friend that you love them, and not feeling weird about it. Picture yourself sipping the greatest cup of coffee you'll ever have Picture yourself hand-feeding a small animal Picture yourself shakily trying to appear like you know what you're doing Picture yourself naked under a full moon Picture yourself lost in a new city and loving ever minute Picture yourself walking into a room and hearing everyone drop dead silent Picture yourself roasting a marshmallow Picture yourself looking down at a horrible injury that doesn't hurt yet Picture yourself carrying a heavy load up a staircase Picture yourself in an empty echoing room Picture yourself making ceviche Picture yourself illuminated by the blue lights of a police cruiser Picture yourself staying cool and detached in front of someone you want to rip the clothes off of and make love to, right that second. Picture yourself startled by a loud noise Picture yourself cleaning something inordinately Picture yourself in a boat on a river.... Picture yourself finding something funny, then feeling bad about it Picture yourself remaining calm when a step-parent judges your choices Picture yourself with the trappings of a more successful person Picture yourself, standing in your best clothes, two hours after graduating college, drinking cheap malt liquor, on the balcony of a cheap apartment, beside the best friend you'll ever know.
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Aug 5, 2015
Aug 5, 2015 at 4:14 AM UTC
Picture
Picture yourself taking the first of many punches Picture yourself blowing out a few birthday candles Picture yourself watching a doorknob turn with wide-open eyes Picture yourself clutching a pillow and weeping Picture yourself watching a ewe with a broken leg being shot Picture yourself being guided by old hands who've seen war. Picture yourself perforating a decaf coffee can Picture yourself in doubt and guilt Picture yourself damning a missed chance Picture yourself gesticulating wildly and arguing about a parking ticket Picture yourself telling a friend that you love them, and not feeling weird about it. Picture yourself sipping the greatest cup of coffee you'll ever have Picture yourself hand-feeding a small animal Picture yourself shakily trying to appear like you know what you're doing Picture yourself naked under a full moon Picture yourself lost in a new city and loving ever minute Picture yourself walking into a room and hearing everyone drop dead silent Picture yourself roasting a marshmallow Picture yourself looking down at a horrible injury that doesn't hurt yet Picture yourself carrying a heavy load up a staircase Picture yourself in an empty echoing room Picture yourself making ceviche Picture yourself illuminated by the blue lights of a police cruiser Picture yourself staying cool and detached in front of someone you want to rip the clothes off of and make love to, right that second. Picture yourself startled by a loud noise Picture yourself cleaning something inordinately Picture yourself in a boat on a river.... Picture yourself finding something funny, then feeling bad about it Picture yourself remaining calm when a step-parent judges your choices Picture yourself with the trappings of a more successful person Picture yourself, standing in your best clothes, two hours after graduating college, drinking cheap malt liquor, on the balcony of a cheap apartment, beside the best friend you'll ever know.
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31
Life is brutal Life is brief Life has got you in its teeth
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Jul 12, 2015
Jul 12, 2015 at 3:53 AM UTC
Brief
A wave of nausea, not hatching in your stomach, but leeching the strength from your legs, out through your feet. The sound of a slammed door has coursed through the air to leave an indent, an impression, in your shoulder and side. It echoes and bounces inside your fleshy cell, spurred on by the brushed drum of blood and ticker-tape heart. What a body. What a carcasse. Hear the clicking of thoughts through carbon paper to long-dead wood pulp. On Endless rolls wide as your middle finger, your ticker nails down the free, lively thoughts. For two ticks in ten you'll capture a word that deserves a second and third glance. This.... thing. This wholly unholy, sacred little jewel will divide it all.   It's as good as a weapon. But, to slip through fingers, land in mud and be buried; as fate would jump at the chance, a truth worse than fiction. Everything is rushing towards an end; some end. Spotting patterns in cycles in routines, like an amusment park ride with a thousand spinning axles pinning branches of branches of branches down. When you, in your little capsule or gondola, reach the end of the long arching journey, things speed up. Everything's true shape is revealed in a blur. Here we go, this is the end. No. This arrangment,  and exact shape of whirling arms, shall come again, and though it seems like you'll be thrown away, you'll crack the air, leave a vacuum where you just were, and whip-cord shimmy-shuffle back to the center.
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Feb 3, 2015
Feb 3, 2015 at 9:32 PM UTC
ComeAgain
Will I remember the reminder? To turn on my brain again I woulda thought I'd be kinder. Dead red-eye at the day's end Leave the silver in the sink Let the dishes sit and soak a dream Spot the terror in your rearview So far closer than it may seem Spot the drips drip dripping down And I'm speaking like a black-white clown Full of thoughts, but they're in your voice Nothing better than a broken toy This kid is churning like a big machine Just like a cheetah on a T.V. screen He's just an elemental, mental boy Iguana man: search and you'll destroy Make up a letter from the magazine Pair of nail scissors and the short clippings Nothing so near and dear and true to you as how familiar smells the duct tape glue You know nobody told the bumble-bee And now you know that it was news to me Strung out coyote stepping off a cliff And he could fly except that he's scared stiff You know I'd like to change my name Into the curlicue, ampersand So that I'll always stay an inkblot stain Until the books all rot and turn to sand. III
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Dec 1, 2014
Dec 1, 2014 at 10:17 PM UTC
Clippings
Pull "The dog says: 'Bark'" Pull "The cat says: 'Meow'" Pull "The human says: 'The human says: 'The human says: 'The human says: 'The human says: 'The human says:...... The human says: 'I can understand that.'                                Sternly command that.                                shear and plow and smelt and can that                                                             I can make a plan                                to catch and **** and roast and feast                                on that hard quill and bristle beast                                And I can stain his image on the living rock                                no, not to mock                                But to remember what feats we drew                               up from ourselves                                As the javelins flew                                              My hands are clever               They chip the stone, and scrape the wood,                       and wind the sinew              My tongue is cleverer still              My words are the creeping shadow of my  thoughts              And just as a shadow is drawn along behind,                      and stretches in the late dying sun              And snaps to attention in the noonday swelter, to heel,                                                  obedient              My words precede me, and linger behind, and snap to my side to attack              And defend              And manipulate              For well you know, dear reader              That words move men to move mountains              They can drive him to brave the tusks and teeth               And reward him with praise, as the fire flickers against portraiture              Of a hundred beasts              Deadly, proud, roaring              And in the end, delicious.             How splendid am I             To suss out basic truths             From straight-line scratches             In the dirt             I can learn the rules             of all that ever was                             And to learn, is to understand,             is to become unfettered                          I can cleave, dissect, ***** inject             And figure it all out             And learn from a loosing bout                           Every monster brought low               will be investigated               To see how we can end him easier Until the last monster Is man himself
0
Nov 18, 2014
Nov 18, 2014 at 9:45 PM UTC
*Pull*
Pull "The dog says: 'Bark'" Pull "The cat says: 'Meow'" Pull "The human says: 'The human says: 'The human says: 'The human says: 'The human says: 'The human says:...... The human says: 'I can understand that.'                                Sternly command that.                                shear and plow and smelt and can that                                                             I can make a plan                                to catch and **** and roast and feast                                on that hard quill and bristle beast                                And I can stain his image on the living rock                                no, not to mock                                But to remember what feats we drew                               up from ourselves                                As the javelins flew                                              My hands are clever               They chip the stone, and scrape the wood,                       and wind the sinew              My tongue is cleverer still              My words are the creeping shadow of my  thoughts              And just as a shadow is drawn along behind,                      and stretches in the late dying sun              And snaps to attention in the noonday swelter, to heel,                                                  obedient              My words precede me, and linger behind, and snap to my side to attack              And defend              And manipulate              For well you know, dear reader              That words move men to move mountains              They can drive him to brave the tusks and teeth               And reward him with praise, as the fire flickers against portraiture              Of a hundred beasts              Deadly, proud, roaring              And in the end, delicious.             How splendid am I             To suss out basic truths             From straight-line scratches             In the dirt             I can learn the rules             of all that ever was                             And to learn, is to understand,             is to become unfettered                          I can cleave, dissect, ***** inject             And figure it all out             And learn from a loosing bout                           Every monster brought low               will be investigated               To see how we can end him easier Until the last monster Is man himself
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48
The restaurant where I often eat has a raw cinderblock shell to show the world It was painted a long time ago, when a new owner bought it out It was meant to beautify, it didn't work But I guess it's the thought that counts. On the East wall, near one corner, is a rectangle of thick white paint in a field of grime. Always fresh, always clean. It is marred by a series of looping black slashes. Stare at them for long enough, relax the muscles behind your eyes, let them slip out of focus And you'll start to see letters In the dipping and diving bands of black. It's writing An alien calligraphy People as woefully uncool as you or I weren't meant to decode it There is energy in the strokes though. It's a performance frozen at it's moment of completion You can see velocity, grace, excitement, a little fear, and a deft, darting contempt. All of these things in the broad and narrow ribbons of paint. When I'm in the right sort of mood, with a full stomach and a lazily sunfried imagination, with the heat from the asphalt making things in the middle distance quaver, I can make out the dim shape of the artist. See where they stood, the sweep of their arm the turn of their head, wary of witnesses. Days in and out, it goes on. Bare white one day, blackened, besmirched, beautiful the next. The snowy rectangle grows thicker. Why the owner never stakes out his restaurant one night, I'll never know. Why the artist doesn't venture beyond that one little pen, or choose a new wall entirely will remain a mystery, probably for all my breaths to come. It's like some mad story penned by a poor, gibbering lunatic. Each is doomed to a war neither can win, and neither can lose. I bend double I'm laughing so hard They take it so seriously. But then, don't we all have our petty conflicts?
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Nov 15, 2014
Nov 15, 2014 at 9:59 PM UTC
The Great War of Paint
The restaurant where I often eat has a raw cinderblock shell to show the world It was painted a long time ago, when a new owner bought it out It was meant to beautify, it didn't work But I guess it's the thought that counts. On the East wall, near one corner, is a rectangle of thick white paint in a field of grime. Always fresh, always clean. It is marred by a series of looping black slashes. Stare at them for long enough, relax the muscles behind your eyes, let them slip out of focus And you'll start to see letters In the dipping and diving bands of black. It's writing An alien calligraphy People as woefully uncool as you or I weren't meant to decode it There is energy in the strokes though. It's a performance frozen at it's moment of completion You can see velocity, grace, excitement, a little fear, and a deft, darting contempt. All of these things in the broad and narrow ribbons of paint. When I'm in the right sort of mood, with a full stomach and a lazily sunfried imagination, with the heat from the asphalt making things in the middle distance quaver, I can make out the dim shape of the artist. See where they stood, the sweep of their arm the turn of their head, wary of witnesses. Days in and out, it goes on. Bare white one day, blackened, besmirched, beautiful the next. The snowy rectangle grows thicker. Why the owner never stakes out his restaurant one night, I'll never know. Why the artist doesn't venture beyond that one little pen, or choose a new wall entirely will remain a mystery, probably for all my breaths to come. It's like some mad story penned by a poor, gibbering lunatic. Each is doomed to a war neither can win, and neither can lose. I bend double I'm laughing so hard They take it so seriously. But then, don't we all have our petty conflicts?
Continue reading...
33
A good friend with a basset-hound face is on his feet The rest of us are weak as newborn puppies, from the late hour, the numbing glory in our lungs But, mostly from laughter. This young man is a connoisseur of altered states, an apprentice butcher, and one of the chosen few who breath music in and out effortlessly And he's preaching Prosthelytizing Three minutes before, he had been happily day dreaming Three feet from the floor with the boob-tube beaming happy simple moving colors The man on the set shows us how to stir-fry chicken Our mouths water, but we're content to sit. But with the fire coming up that glass pipe and setting his boiler to churn along feverish He caught an insight or it snared him, like a spiderweb across a peaceful hiking path On his feet He was beginning to see connections And had to share them with someone Now I'm a limp doll at this point, fully immersed in the body-high Thoughts are glacial, movement glacial Oh, my friend. You're talking to the wrong audience We can't hope to see it as you do. But he keeps on keeping on. And tells us a thing or two. Cooking He says Is like *** As our laughter dies down to a dull roar, he continues The speeds and heats and intensities can all vary to give you countless subtle differences. But the true constant is care Loving attention to the finest detail. His brows furrow, his toes test the fibers of the rug and he glances back up, and I imagine a podium in front of him. Or maybe it's like Jazz. He says. We learn, or glean out, how things are supposed to happen But in the moment, the twanging instant Beautiful things will themselves to exist and they defy all well-laid plans.
0
Nov 13, 2014
Nov 13, 2014 at 8:33 PM UTC
Preach, Brother. Preach.
A good friend with a basset-hound face is on his feet The rest of us are weak as newborn puppies, from the late hour, the numbing glory in our lungs But, mostly from laughter. This young man is a connoisseur of altered states, an apprentice butcher, and one of the chosen few who breath music in and out effortlessly And he's preaching Prosthelytizing Three minutes before, he had been happily day dreaming Three feet from the floor with the boob-tube beaming happy simple moving colors The man on the set shows us how to stir-fry chicken Our mouths water, but we're content to sit. But with the fire coming up that glass pipe and setting his boiler to churn along feverish He caught an insight or it snared him, like a spiderweb across a peaceful hiking path On his feet He was beginning to see connections And had to share them with someone Now I'm a limp doll at this point, fully immersed in the body-high Thoughts are glacial, movement glacial Oh, my friend. You're talking to the wrong audience We can't hope to see it as you do. But he keeps on keeping on. And tells us a thing or two. Cooking He says Is like *** As our laughter dies down to a dull roar, he continues The speeds and heats and intensities can all vary to give you countless subtle differences. But the true constant is care Loving attention to the finest detail. His brows furrow, his toes test the fibers of the rug and he glances back up, and I imagine a podium in front of him. Or maybe it's like Jazz. He says. We learn, or glean out, how things are supposed to happen But in the moment, the twanging instant Beautiful things will themselves to exist and they defy all well-laid plans.
Continue reading...
47
I'm in a foul little funk called 'Living' Sometimes the best way to cope with it is not to cope at all I'll take my ball and go home from an unfair game slip through a door, unlocked with tumblers turned by a chemical key It sets a tremor creeping up my legs like new ice crawling over a window pane it pecks and plucks its way back down my spine furtive, like raindrops down the glass or an overambitious child, talked down from the swaying, voraciously growing twigs at the top of the tree. There are moments No, this is not one But there are moments, when I see it all stretched out When the nagging feeling that it's all some cruel joke Plants its feet and puffs it's chest, hands akimbo like a comic book hero to proclaim that, yes indeed the world does love kicking you when you're down. And you do realize that you're working hard to make someone else rich? Yes, I realize. And you realize that you're paid by the plodding clock-tick hour? Well, yes. Of course. So you're selling your life. Minutes and hours, true. But you ARE selling your life. Your sweat and blood. And your time. Your TIME. The only thing you'll never get any more of. Yes, I realize.
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Nov 13, 2014
Nov 13, 2014 at 12:34 AM UTC
Little Funk
We will never laugh the same again. We'll still laugh, deep and long, convulsive, a beast of its own mind in us, tickling out each particle of air to leave a rumpled heap of aftershocks. We'll still laugh, but it won't be at once. It won't be as one. It won't be like two happily nodding ***** users seeing the glint of the drug in the other's eye. Sharing something made better for the sharing. Preeminently aware of every nerve in sweating skin brushing sweating skin. We won't laugh like we did at the final snap of a strained, and fraying tether to the rest of the world. We were laughing for want of something to say. Laughing to say what words can't. Laughing at the joy and absurdity of finding such joy in something so near and dear. And we laughed out of more than a little fear. So fearful of being laid bare, scraped clean of subtle lies and omitted truths. We can still enjoy ourselves. But it will never be that same fearsome, roaring, glorious unknown.
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Oct 28, 2014
Oct 28, 2014 at 9:03 PM UTC
The title of this poem is 'Laugh'. Possibly.
Poetry should no more feel like poetry than a magician's act should feel like a series of tricks.
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Oct 28, 2014
Oct 28, 2014 at 8:44 PM UTC
Rule Number One