The scene sways to double voices,
and the library stillness
draws dull attention into
warbling intricacy
flitting amongst television feelings.
A surface connection
waits at half the distance
to every pretty looking girl
that passes by.
But the cracks are the most interesting.
In sidewalks,
in streets,
in spirit.
I'd let their faults divide them
into one of the sixteen trash bins
on the way to class.
It's only past,
and the significance is imprinted
upon the present.
And I guess it's a heavy cotton flannel kind of day.
One dissociated from hard wood,
where the metal corners
nestle in a thick layer of fabric,
and embrace it.
The heavy cotton clouds only embrace for so long,
the fog replicates familiar separation anxiety
in the early morning consistency.
Midnight swells from the left
to steal the rays from my room.
Feb 12, 2014
Feb 12, 2014 at 1:01 PM UTC
The scene sways to double voices,
and the library stillness
draws dull attention into
warbling intricacy
flitting amongst television feelings.
A surface connection
waits at half the distance
to every pretty looking girl
that passes by.
But the cracks are the most interesting.
In sidewalks,
in streets,
in spirit.
I'd let their faults divide them
into one of the sixteen trash bins
on the way to class.
It's only past,
and the significance is imprinted
upon the present.
And I guess it's a heavy cotton flannel kind of day.
One dissociated from hard wood,
where the metal corners
nestle in a thick layer of fabric,
and embrace it.
The heavy cotton clouds only embrace for so long,
the fog replicates familiar separation anxiety
in the early morning consistency.
Midnight swells from the left
to steal the rays from my room.
