a contradiction contracted in
lowest terms are
you.
[it’s metal edges]
your beauty is
of
a
garden
(suspended at mid-
clouds), to enter
and
to say
that in such a
variety of
flowers
there
can not
be
one that
attracts
you
to pick it
to dismantle it
and
to
neglect
the
rest.
[it’s plasticized segments]
you know how to
quickly imprint
yourself
on me
when
you laugh
at times
and
conversely
you weep
and
you are like
those skies
that shake me
to my core
when
they are
blinding
on one hand
and
violently bleak
on the other
so
clearly
fractured
they shake
me pierce
me
pierced
i am
by
you.
[it’s just thinned points]
imagine if
a chameleon
started
to
acquire
each
gradation
of
another
creature
in the form
already
similar
to
it:
where
could
he
ever
escape?
[it’s inconstant semicircles]
(i can not
delineate
you
it is like
sketching
a tidal
wave
nobody
can:
painters
invent them)
[and it’s shoved arches]
i’ll tell you
of
a
woman
her soul
shattered
and
subsequently
imprisoned
splinter by
splinter
in hail
stones
she
fell
and
she felt
herself
crashing
at the same
instant
millions
of times
however
she
never
went
insane.
[it’s torn curves]
(and I know well
how a continuity
interrupted
succeeds
to make
you
fumble
convulsively
but it’s not
enough
for me to
restrain
myself
don’t
ask
me
to)
[it’s petrified vertical axes]
what i see
is
a cross
section of
enclosure
handfuls with
disconcerting
efficiency
consisting
of prisms
and
you know how to decompose
yourself inside
an innocence
delimited
you proceed
by inconstancies
you lacerate
metabolizing
you struggle
silencing
and
i could
only
teach you
one thing:
gray is not
a faded
version
of
black.
Dec 19, 2013
Dec 19, 2013 at 9:04 PM UTC
a contradiction contracted in
lowest terms are
you.
[it’s metal edges]
your beauty is
of
a
garden
(suspended at mid-
clouds), to enter
and
to say
that in such a
variety of
flowers
there
can not
be
one that
attracts
you
to pick it
to dismantle it
and
to
neglect
the
rest.
[it’s plasticized segments]
you know how to
quickly imprint
yourself
on me
when
you laugh
at times
and
conversely
you weep
and
you are like
those skies
that shake me
to my core
when
they are
blinding
on one hand
and
violently bleak
on the other
so
clearly
fractured
they shake
me pierce
me
pierced
i am
by
you.
[it’s just thinned points]
imagine if
a chameleon
started
to
acquire
each
gradation
of
another
creature
in the form
already
similar
to
it:
where
could
he
ever
escape?
[it’s inconstant semicircles]
(i can not
delineate
you
it is like
sketching
a tidal
wave
nobody
can:
painters
invent them)
[and it’s shoved arches]
i’ll tell you
of
a
woman
her soul
shattered
and
subsequently
imprisoned
splinter by
splinter
in hail
stones
she
fell
and
she felt
herself
crashing
at the same
instant
millions
of times
however
she
never
went
insane.
[it’s torn curves]
(and I know well
how a continuity
interrupted
succeeds
to make
you
fumble
convulsively
but it’s not
enough
for me to
restrain
myself
don’t
ask
me
to)
[it’s petrified vertical axes]
what i see
is
a cross
section of
enclosure
handfuls with
disconcerting
efficiency
consisting
of prisms
and
you know how to decompose
yourself inside
an innocence
delimited
you proceed
by inconstancies
you lacerate
metabolizing
you struggle
silencing
and
i could
only
teach you
one thing:
gray is not
a faded
version
of
black.
