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The grapes haven't spoiled yet, but will now never be tasted. The cut flowers still have some perplexing life in them. Hanging from a tree branch, I find a message written by a dead woman. There's a bookmark embedded between the pages of a hardback, like Excalibur lodged in stone, and I cannot pull it out. It hurts to walk along certain corridors, past certain doors, with no one behind them calling to me. The radio is tuned to Ghost FM, and nobody with a pulse gets airtime. Digital photographs of fading analogue memories. Yet still small shoots persist in breaking through this dark, cold dirt, and inexplicably blossoming.
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Feb 8, 2017
Feb 8, 2017 at 1:58 PM UTC
Six Over Ten
The grapes haven't spoiled yet, but will now never be tasted. The cut flowers still have some perplexing life in them. Hanging from a tree branch, I find a message written by a dead woman. There's a bookmark embedded between the pages of a hardback, like Excalibur lodged in stone, and I cannot pull it out. It hurts to walk along certain corridors, past certain doors, with no one behind them calling to me. The radio is tuned to Ghost FM, and nobody with a pulse gets airtime. Digital photographs of fading analogue memories. Yet still small shoots persist in breaking through this dark, cold dirt, and inexplicably blossoming.
In ten days, six people I know and care about have died. Guess this is my way of processing that.
nico-reznick
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Feb 8, 2017
Feb 8, 2017 at 1:58 PM UTC
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