Your crooked smile flows upward
and I can see it from the ground.
Haunting myself with
a film teacher's creature feature
in black and white,
an old orchestra for sound.
You said you'd get nervous
when on our clunky telephone;
saying that customer service
could hear the fibers
in your voice
rustle like tall, dry grass,
with a wind whispering through
confirming, with every breath,
that you feel alone.
We'd recite fifties sitcoms:
Honey, do you --
do you have the keys?
Well, gee whillikers,
I could use someone to
open me, close me, and
dispose of me, please.
I write this for no one,
which is the category you fall in.
Sincerely,
signed Issues,
P.S. The television
is in color,
and I don't miss you.
- There ain't hope in the U,
the S is for Show me your soul,
the A is for Always forget:
the United States of
Killing it, Killing it -
May 1, 2016
May 1, 2016 at 11:48 PM UTC
Your crooked smile flows upward
and I can see it from the ground.
Haunting myself with
a film teacher's creature feature
in black and white,
an old orchestra for sound.
You said you'd get nervous
when on our clunky telephone;
saying that customer service
could hear the fibers
in your voice
rustle like tall, dry grass,
with a wind whispering through
confirming, with every breath,
that you feel alone.
We'd recite fifties sitcoms:
Honey, do you --
do you have the keys?
Well, gee whillikers,
I could use someone to
open me, close me, and
dispose of me, please.
I write this for no one,
which is the category you fall in.
Sincerely,
signed Issues,
P.S. The television
is in color,
and I don't miss you.
- There ain't hope in the U,
the S is for Show me your soul,
the A is for Always forget:
the United States of
Killing it, Killing it -
Request permission to use this poem