days when all you had to do was
arrange the furniture and watch the passing
of shadows in mellifluous slowness – ready to catch
you in heft of mesh.
nothing keeps her in place.
that is what you said. you said you were
always moving
from the north up to the south,
and at times the north of no south
that refuses to be held close into straight paths.
you gave it no unction – this abstraction.
christened with the water from
your measures, slipping out of grips,
from where you are and where I found you in,
retained in some sense of placeness,
almost cuts with the sharp dagger
of wind in mornings when you peer
into the putrid landscape of Manila asphyxiated
by the rise of smog.
her sorrows remain untouched and intact,
given urgency by the emptiness of her
hand. he had to be elsewhere and you
were in the midst of nowhere but the hollow
oblivion of your home, and I took it, I took it
and I fragmented it to gather from it,
a sacrament or say, the looming of dangers for
mine to situate in defeat,
and I placed you somewhere like a new truth
that you’ve grown fond of,
like the only voice you hear in the night
is yours, and gathering that indistinct sound
from the stray of light was the
lover having left an impending need.
my father proposed to watch a film
with my mother and I see potential
in something that had gone away even before
the empty din of the sea played its exhausted
machinery, telling me something known and familiar,
which I refuse to utter because it would double
its terror.
we ought to meet somewhere, you said,
a bridge, a tangent, a straight path
or a perilous curvature. you will never break
as the sparrows close in,
as the disparage quavers,
as an old man stops his engine somewhere
under a bridge beneath rondures.
we ought to meet somewhere,
you said. a word tamped into shape,
lugged into narratives,
so easy
breakable
and false.
Mar 22, 2016
Mar 22, 2016 at 8:29 AM UTC
days when all you had to do was
arrange the furniture and watch the passing
of shadows in mellifluous slowness – ready to catch
you in heft of mesh.
nothing keeps her in place.
that is what you said. you said you were
always moving
from the north up to the south,
and at times the north of no south
that refuses to be held close into straight paths.
you gave it no unction – this abstraction.
christened with the water from
your measures, slipping out of grips,
from where you are and where I found you in,
retained in some sense of placeness,
almost cuts with the sharp dagger
of wind in mornings when you peer
into the putrid landscape of Manila asphyxiated
by the rise of smog.
her sorrows remain untouched and intact,
given urgency by the emptiness of her
hand. he had to be elsewhere and you
were in the midst of nowhere but the hollow
oblivion of your home, and I took it, I took it
and I fragmented it to gather from it,
a sacrament or say, the looming of dangers for
mine to situate in defeat,
and I placed you somewhere like a new truth
that you’ve grown fond of,
like the only voice you hear in the night
is yours, and gathering that indistinct sound
from the stray of light was the
lover having left an impending need.
my father proposed to watch a film
with my mother and I see potential
in something that had gone away even before
the empty din of the sea played its exhausted
machinery, telling me something known and familiar,
which I refuse to utter because it would double
its terror.
we ought to meet somewhere, you said,
a bridge, a tangent, a straight path
or a perilous curvature. you will never break
as the sparrows close in,
as the disparage quavers,
as an old man stops his engine somewhere
under a bridge beneath rondures.
we ought to meet somewhere,
you said. a word tamped into shape,
lugged into narratives,
so easy
breakable
and false.
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