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windsor-i-guadalupe-jr
windsor-i-guadalupe-jr
DOWNLOADABLE WORKS: http://deadbeatantihero.wixsite.com/thereisnothinghere
Hello all. I have been pretty busy with projects I've been working on. I have been putting my poems up in PDF format and all of the new poems are available for download here: http://deadbeatantihero.wixsite.com/thereisnothinghere This website works best on a desktop. I tried accessing the website on my phone but some of the titles are buried within the other titles so I think it is best if you just access the website using a desktop. All you have to do is click the title that you want to read and it should automatically bring you directly to the PDF format of the works. You may also download them for free if you wish. I am converting these works into PDF format with the intention to turn them into zines and chapbooks in the near future, given the right price and resource people to help me come up with the projects. Feel free and read away, all of the works are free and downloadable. The website currently has 19 titles for you to read and download (if you want to, that is). Let me know if I could help you with anything!
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Aug 1, 2016
Aug 1, 2016 at 2:50 PM UTC
NEW WORKS UP FOR DOWNLOAD
Picture it when in a flash of a description, brought you the news it said was your derelict. when in becoming we ultimately fail our being championed by our unbecoming seeking the real scathed by a sizeable truth like a persimmon in your tender hand. This is the default sketched over a sagging paper, plugged within the air the motes depart and is as easy as it is explained: an elusive thing that may never be captured. Something the arriving betrays then assuages with a word treated benignly: a transit. let gray define the day: let the file describe the motive: let presence soil where we stood our place like a monument: let it seek a real object or a found language a wafting presence is lost somewhere gliding over unnamed territories commencing a displacement said was our undisputable location roads becoming roads vehicles becoming salvage birds becoming orchestra shambles becoming complete thus dearth becoming us before our denied image from a source that was our implacable place like a deadspot discovered
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Jun 14, 2016
Jun 14, 2016 at 3:03 AM UTC
the default
They took you across the home like an uncharted furniture as the walls lost gait and stumbled. Before I could shatter a word without compunction, they took you before my eyes laid lattices – they faltered, officiating over space that fails infinitely when turning you away before I could understand, say the day again happens and my grievous art flails like a ******* child. a deep dream within a shallow sleep occurring within sundries – miscellanea collected together, put to question but no answer folded to be sure in its destination other than where they took you: the air minting the world on your face wanting to move and remind a fate of decay: to be malleable within clay, and hunger for a face they stole from me.
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Jun 14, 2016
Jun 14, 2016 at 2:47 AM UTC
Clay
50:53 Strobe when revealing a smile variegated your polychrome soul within sight does not know where to go but to pine away from the single light to touch the innards of your button-down making intimate the body contorts dancing with another a minute past a gyratory if belief is a grave: let stasis be metamorphosis. this rained-on house will not give way any minute else there is the wreckage springing from a singular hiding behind the music ballasting ground and from a convinced consequence of being became fracture as if salacious to withdraw nothing but noise from the quiet or vice versa. If when breaths were postponed, inert – they will start estimates from outside the neon sign that says Pulse and reimagine the lives when divorced from the daily, and is then summarized in a fusillade. When on the ground they must have been dreaming of wings, or falling asleep constantly with a warm body stranger tomorrow in that evening a contingent this place they have not reached yet against their head said it was the most sincere of blankness at any given rate, when movements statistical, numbered, unwarranted like a metaphor or a glib downpour – the aftermath becomes sleep so tender with a dream which resonates They must have been dreaming of wings but by the time when someone waiting for them inside homes, they have already flown into days.
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Jun 13, 2016
Jun 13, 2016 at 10:23 AM UTC
Pulse
1 There are more penetrating people if not the death of, as in living in this very livid moment of the unsure which is a surety. Falsify me. Growing heavy with the absurd. To face you, me -- more mirror the blank end of a chamber, or if that you must **** me, do it at the plaza in front of my mother. That if you must lament me over the lapped up moment of some false life the invented and wrong, do it. Do it. ****** me the unassailable truth that is, I am capable to splinter this moment and that it still lives like a sprawled body spilled from the mouth in the bathroom -- it still lives: you have to be quick. 2 Once have you been startled by the form of absence as a letter slid underneath the soft and warm pocket of your mouth like it was the first time to have a naked body pointed at you, all with it trying to predict you in a sterile room, and is more shattering than an aggravated twilight. Who, at first thought, was there behind the trigger, and was ***** drunk with any other pretense apart from the face that ***** hates that common meeting within the day’s fine-tuned crosshair? 3 If you listen to it carefully, the music is a mosaic shifting the hypothesis into a pallor of a question back to it again with its basic agony of becoming so bent and so small on paper – which is to say, that we are, if to listen to a droning sound, becoming of it delving deep into the center, checking our own weight like our name after a fall from a high place, they said they would. 4 I have left something in Baguio that I cannot take back – a monochromatic caricature of my face shoved into a crevice waiting for a revision. What have I furthered into?
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Jun 13, 2016
Jun 13, 2016 at 9:54 AM UTC
To Take Light: Notes On
1 There are more penetrating people if not the death of, as in living in this very livid moment of the unsure which is a surety. Falsify me. Growing heavy with the absurd. To face you, me -- more mirror the blank end of a chamber, or if that you must **** me, do it at the plaza in front of my mother. That if you must lament me over the lapped up moment of some false life the invented and wrong, do it. Do it. ****** me the unassailable truth that is, I am capable to splinter this moment and that it still lives like a sprawled body spilled from the mouth in the bathroom -- it still lives: you have to be quick. 2 Once have you been startled by the form of absence as a letter slid underneath the soft and warm pocket of your mouth like it was the first time to have a naked body pointed at you, all with it trying to predict you in a sterile room, and is more shattering than an aggravated twilight. Who, at first thought, was there behind the trigger, and was ***** drunk with any other pretense apart from the face that ***** hates that common meeting within the day’s fine-tuned crosshair? 3 If you listen to it carefully, the music is a mosaic shifting the hypothesis into a pallor of a question back to it again with its basic agony of becoming so bent and so small on paper – which is to say, that we are, if to listen to a droning sound, becoming of it delving deep into the center, checking our own weight like our name after a fall from a high place, they said they would. 4 I have left something in Baguio that I cannot take back – a monochromatic caricature of my face shoved into a crevice waiting for a revision. What have I furthered into?
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10
through the mirror a light-forsaken world in a used leather jacket, the packed scent of cigarette exacts itself in the calendar, hung on the wall it discloses a shadow compressing an answer as in where once to feel gliding into the air a figure on the ground is song of color – that it is the truest manuscript whenever I yield into the inseparable gesture of foolishness as entering a scene and coming back only to be an uninterrupted furniture fixed in the finest day.
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Jun 13, 2016
Jun 13, 2016 at 9:44 AM UTC
So that you can touch me
Elsewhere it was heard and then lingered if not felt the disappearance of: for this to happen, involve yourself. it is the natural order of things not even their truest selves but when unseen, becomes. who has come up the vertical but has fallen, who has curved into the meeting and has gone wilding. today you were surprised by the nothing as today if then yesterday was once a hand clenched on your chest, or touching your face a warmth the frailest issue, or once the shape of the morning we assume freely.
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Jun 13, 2016
Jun 13, 2016 at 9:35 AM UTC
Days their frailest issues
I fear of becoming an animal to pin within the forest of your silence yet a manifest If I said once your accidental burden was my presence, which cage shall I occupy? To accept that being is sure custody., To the inundated moon to a full that was only light when everything shook within the height of absence, To have you a rumple on the thousand-fleeting foliage and have me wronged as the green is cut from the throat of dew-soaked grass a mistake. Now the fear of you almost peering through the shaded hall like a fugitive waiting for an open space interfuses with my burden. The geometry of our setting has become the shape of ruin: a descent. A path that arrows to a consistent departure. A trajectory lost midway, murdering the forest.
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Jun 9, 2016
Jun 9, 2016 at 3:35 AM UTC
Forest
Whose dreary face now becomes warmth – an ash turning into a single drop of water I love and I have – and I know that when she looks she does not. Nothing moves the bird of her dawn but her. Proletariats sing of steel in the night and I deaden within their homes. Whose dreary face now becomes the steady light on the porch – a thigh, or a river, turning into a single gasp of song. I love and I have – and I know that when she sings she does not. Her silence moves the moon deep within its womb and annuls. Each moment in her shoes, she is absent, and I taste the pale death of her precise waist, her sharp tongue having me curved when enough was said when empty was sure. I know whose face I am talking to, but knows not what day has escaped me. The possible: to bring her so small in my hand, and invent her this fate, to be unclenching like water and virile like stone. I know the singular act of her likeness is born out of my lack: there is a spring-clean image traipsing the water. I must chase where it streams, and its origins not my own. The city borders us two as we are demanded by the daily: the smell of a home shoals me a satiny sob. Still the marvelous sky, a knife, if not referring to me, the cut lily that is the Sun. Whose dreary face now becomes a store, commerce, becomes the silver of hills, becomes the gray assault of an old cathedral, becomes the surety of a transaction and then becomes wind chiming through cities. Becomes inquiry between I love and I have – becomes dearth and is proud. Nothing will stop the train arriving: when thirsty for a glimpse like mine a fountain or a singular wave from an opened window, she passes – and does not look for me.
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Jun 9, 2016
Jun 9, 2016 at 3:21 AM UTC
Song
Whose dreary face now becomes warmth – an ash turning into a single drop of water I love and I have – and I know that when she looks she does not. Nothing moves the bird of her dawn but her. Proletariats sing of steel in the night and I deaden within their homes. Whose dreary face now becomes the steady light on the porch – a thigh, or a river, turning into a single gasp of song. I love and I have – and I know that when she sings she does not. Her silence moves the moon deep within its womb and annuls. Each moment in her shoes, she is absent, and I taste the pale death of her precise waist, her sharp tongue having me curved when enough was said when empty was sure. I know whose face I am talking to, but knows not what day has escaped me. The possible: to bring her so small in my hand, and invent her this fate, to be unclenching like water and virile like stone. I know the singular act of her likeness is born out of my lack: there is a spring-clean image traipsing the water. I must chase where it streams, and its origins not my own. The city borders us two as we are demanded by the daily: the smell of a home shoals me a satiny sob. Still the marvelous sky, a knife, if not referring to me, the cut lily that is the Sun. Whose dreary face now becomes a store, commerce, becomes the silver of hills, becomes the gray assault of an old cathedral, becomes the surety of a transaction and then becomes wind chiming through cities. Becomes inquiry between I love and I have – becomes dearth and is proud. Nothing will stop the train arriving: when thirsty for a glimpse like mine a fountain or a singular wave from an opened window, she passes – and does not look for me.
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31
the upcoming word for word learning the dissonance overemphasized – the inventive wrongness to settle for what has decomposed, what has nearly drowned a dream with the quickest sense of being obliterated upon taking it to the shorelines and now to materialize as the body starved for, following the coil of its womb to whatever place it has strayed upon in the world that is a cage where breathing are we of clay.
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Jun 7, 2016
Jun 7, 2016 at 5:49 AM UTC
Learning the