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Susie stands in the spare guest room, chilled air, bed made up, furniture polished, window open to refresh. She walks to the bed and sits on it, feels the springiness, no creaks of springs or headboard like her bed in the attic with Polly. She smooths down the bed covers with the palm of her hand; she wishes her bed was like this: bouncy and comfortable; she looks out towards the window, trees and fields, birdsong, not rooftops like her view from the attic, not smoke from chimneys. She wishes Polly was here with her, sitting beside her, better still in the bed with her; she hates sleeping alone if Polly goes to Master George’s room when he returns home from the Front; what do you do with him? she asked Polly, that's for me to know and you to mind your business, Polly said last time when he was home on leave. She likes it when Polly's there, her body close, her hands around Polly's waist, feeling her there; if only Polly would do as Susie'd like her to, kiss lips or cheek; but she daren't do it in case Polly belts her one as she did that time she touched her thigh. A voice calls her; the butler probably, searching to see where she was; she gets off the bed and stands behind the door, large eyed, hands together; the door opens and Dudman looks into the room; where's that girl gone now, he says, then walks off along the passage, calling her name. She sighs, opens the door and walks off the other way; so goes another dreary day.
0
Jan 20, 2016
Jan 20, 2016 at 3:17 PM UTC
ANOTHER DREARY DAY 1916.
Susie stands in the spare guest room, chilled air, bed made up, furniture polished, window open to refresh. She walks to the bed and sits on it, feels the springiness, no creaks of springs or headboard like her bed in the attic with Polly. She smooths down the bed covers with the palm of her hand; she wishes her bed was like this: bouncy and comfortable; she looks out towards the window, trees and fields, birdsong, not rooftops like her view from the attic, not smoke from chimneys. She wishes Polly was here with her, sitting beside her, better still in the bed with her; she hates sleeping alone if Polly goes to Master George’s room when he returns home from the Front; what do you do with him? she asked Polly, that's for me to know and you to mind your business, Polly said last time when he was home on leave. She likes it when Polly's there, her body close, her hands around Polly's waist, feeling her there; if only Polly would do as Susie'd like her to, kiss lips or cheek; but she daren't do it in case Polly belts her one as she did that time she touched her thigh. A voice calls her; the butler probably, searching to see where she was; she gets off the bed and stands behind the door, large eyed, hands together; the door opens and Dudman looks into the room; where's that girl gone now, he says, then walks off along the passage, calling her name. She sighs, opens the door and walks off the other way; so goes another dreary day.
A HOUSE MAID IN 1916 AND ANOTHER DREARY DAY.
TerryCollett
Written by
Jan 20, 2016
Jan 20, 2016 at 3:17 PM UTC
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