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#1916
She whispered with a silent symphony as in solitude. The piece indecently rhymed to prove a point unknown - Of belonging, and beatitude, and an untamed soulfulness. My innocent spirit struck ablaze with a thoughtfully eternal flame. Her doll eyes, pale with a seemingly clear whiteness - Of beauty, and of purity, and of heathen health, Bribed my ignorant heart with a big sum of worthless treasure To prescript my dreams, and also my wet dreams. I succumbed with a lot of faith And let her in, Then out, But left me inside-out With a banquet, But of thorns!
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Nov 22, 2019
Nov 22, 2019 at 1:59 PM UTC
Banquet of thorns
Accidentally fell into a small clearing in a wood to escape from battle and saw the bodies strewn line on line hundreds of soldiers by soldiers some whole as if sleeping other not so loss of limbs or damaged beyond recognition. He stood still and stared and wearily leaned against a tree some of these he'd known had smoked and joked with and talked of home and fireside chat with now lying here dead and still and silent except for the firing of guns and rifles and bombs exploding in a nearby field just thrown here like so much wasted goods or carcasses of dead meat. He lit a cigarette with shaking hands and closed his eyes and pretended he was home and safe and in his mother's arms or by the fireside looking at the flames then a bomb exploded extra loud and he couldnt recall any of their names. © 17 minutes ago, Terry Collett
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Aug 31, 2018
Aug 31, 2018 at 3:52 AM UTC
Accidentally Fell 1916
You lay him under the sun, down there on the muddied earth; you and another soldier wearied out by hot battle day after day and of night. The young soldier was dying; blood coming out as he spoke; didn't know what he'd spoken: not prayer or praise nor poor joke. There were others near by him, some of them worse or were dead, without limbs, some without head, some in rhe mud half buried. That one you watched as he died, his eyes open, staring out at the cold grey sky above; he didnt die from hatred, But the simple lack of love.
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Apr 17, 2018
Apr 17, 2018 at 3:23 PM UTC
You Lay Him 1916
When they brought the big guns up to the Front it was you who brought them up with other soldiers of your regiment. You who loaded shells or brought shells to the gun or you who set it off with a sense of wonder then boredom then the wonderment of where it went. You saw what their shells could do to men nearby in the trenches how earth and bodies could fly up in pieces like a dark deadly stew. Then there was the mud and the guns getting stuck or the horses rooted in the ground with their flashing eyes and frightened cries. You stood gazing at the moon at night knowing Fritz saw the same light as you and knowing he thought of home as you do too with the image of his wife snuggled down in bed with him in his head.
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Apr 12, 2018
Apr 12, 2018 at 7:07 AM UTC
Big Guns at the Front 1916
You had not imagined you'd see the sights you'd seen, or the smells of death or sounds of guns and shells. You stood in the trench smoking, inhaling slow and purposeful, pushing, as best you could, the sights seen from your mind. Your boots stood in the mud, your feet damp where the boots leaked; feeling the movements of lice, you scratched. You exhaled the smoke and watched it rise unevenly before your eyes. Two dead soldiers lay a few feet away, both you knew, one quite a card, now just a corpse to be moved when safe to move. You vaguely recalled your life back home, the simple eagerness to enlist. You thought of Rosina back in Blighty, her bright eyes, dark curly hair, wishing you were with her back there.
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Feb 15, 2018
Feb 15, 2018 at 1:19 PM UTC
Trench Musing 1916.
One of my regiment died from dysentery while others were shot or blown up by shells. Trench foot, rat bites, lice, not to mention that poor **** who shot himself when it got too much. Sidney paused taking out an extra strong mint and ****** I Walked with him to the dining hall in case he fell. I sat him carefully in his special chair. I went to go, but he grabbed my arm. Used to crucify some at the Front, tie them not nail, field punishment no 1 it was called. Died from dysentery, what a way go. Sidney let go of my arm and stared ahead musing no doubt on the dead.
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Sep 29, 2017
Sep 29, 2017 at 3:29 AM UTC
Died From Dysentery 1916.
The nurse has left the room; Polly tucks George into bed, settling him down. Quieter now after the shouting and disturbance earlier. He had been convinced Quigly was out in No Man's Land: out there he had said, pointing over the grounds at dusk, moonlight making shadows. I'll send help for him, Polly had said. Don't loose more men on that, George had shouted. His parents came out rushing onto the verandah to see what the fuss was about. The nurse had tried to quieten George, unsuccessfully. Laughter from guests in the house brought George to tears. Quigly's bought it, George had moaned. His eyes were large and staring out at the grounds where stars had glimmered. Polly had managed to get him back in the house; the nurse following behind, eyeing them both. George lies with eyes closed. Polly leans over him. She wishes he was as he was before the War and his time at the Front and the mental breakdown. He'd have had her in his bed by now, and have ****** her to joy and back. Now he lies silent, eyes shut. She leans down and kisses his forehead. Him back from the Front half living, half dead.
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Jan 3, 2017
Jan 3, 2017 at 7:10 AM UTC
HALF LIVING HALF DEAD 1916
George lies in the dark of his room, a slit of light from the moon squeezes through the gap of the curtains and makes a streak onto the floor and the wall by his bed. He hears gunshot and explosions, hears men's moans from No-Man's Land, senses rats run along the trench. His hands shake, his eyes stare. By the window fast asleep a nurse sits unaware of the wars inside George's head as he lies in bed. He watches as Grimes sits against the trench wall, smoking a cigarette, then stands up and goes to the steps, and looks over the top; smoke from his cigarette floating about his head; a whine, splat and Grimes falls back dead. Georges stares and mumbles. Grimes lies staring into the blackness as if an answer is there. George gets out of bed, walks to the wall to tend to Grimes. The chair by the wall where the nurse's coat lies stands still. George talks to the coat, talks to Grimes. The coat is silent and unmoving like one dead. George sees Grimes lying there in his broken mind and head.
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Nov 28, 2016
Nov 28, 2016 at 3:08 PM UTC
WHAT GEORGE SAW 1916.
On his bed in his room George sees the remains of Gilmore laid out ****** and foul smelling, Polly tries to get him to lie down for a while to rest to calm his mind and nerves, Gilmore's remains are laid there he says pointing to the bed with a shaking finger, Polly looks at the bed where George's pyjamas fresh cleaned lie ready to put on, George stares at her move them put them some place else he says his finger shaking faster, Polly removes the pyjamas and places them on the dresser over by the wall and turns back to George, I have laid them to rest she says taking hold of his shaking hand in hers and taps it gently, he mutters about the stench of the trench about the young soldier who shook so much when the whistle to go over the top blew he ****** himself and shook so much we left him there left him, George stares ahead at the bed holding on to Polly's hands and mutters left him there, Polly wishes George was his old self and would take her in his bed as he had before the War came now he shakes and stares as if all around him were explosions and flares.
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Oct 25, 2016
Oct 25, 2016 at 3:13 PM UTC
EXPLOSIONS AND FLARES 1916.
Polly stands behind George at the window in his room, the nurse has left gone to have a break and a smoke, George stares out the window, see them, Polly? see them coming? Polly puts her hands on his shoulders, yes, George, I see them, she says, watching the gardener and the young garden boy, walking with their tools along by the vegetable garden, if I had my gun I'd shoot them, George says, I know George, but you need to rest, let others worry about them, Polly whispers in his ear, George sighs, pushes his fingers through his hair, they got Miller, he says, took his head clean off, lay in the trench staring at me, I know, George, you need to rest, Polly whispers, he sighs, his fingers tap the window ledge, his eyes staring ahead, the gardener and boy disappear from sight, they've gone the cowards, George says, hidden from sight, ought to have shot them while I had the chance, you've no gun, George, Polly says, rubbing his shoulders, wishing he was in bed with her as he used to before the War and this illness, she the housemaid, he the masters' son, she watches as his hands tap his legs getting faster and faster, steady George my love, calm now, she kisses his ear, he sighs and relaxes, turns and looks at her, smiles, then suddenly cries, around him, he sees a room full of dead men and countless flies.
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Sep 21, 2016
Sep 21, 2016 at 4:02 AM UTC
COUNTLESS FLIES 1916
George's father stares at the nurse, young thing, blue eyed, he wants her does he? Yes, the nurses says, calls her name out and won't be calmed until she's there, but Mr Dudman said not to bring her, the father stares at the nurse, then out the window showing the trees and fields beyond, if George calls for her go get her no matter what Dudman says, the nurse nods, feels relief, George's hard to manage once he's in a mood, anything else? The father says, no all well otherwise, the nurse says, wishing she was back at the hospital caring for wounded soldiers from the front whose injuries she could see, not this mental type, she leaves the study, the father back at his desk writing, she walks along the dark passageway and up the wide staircase, she sees George by the open window in the chair, he stares out at the view hands over his eyebrows as if seeing through binoculars, he doesn't turn around when she enters he stares at the enemy soldiers advancing, Polly see them coming? He says suddenly, pointing at the field ahead (cows slowly walking) the nurse stands behind him, hands on his shoulders, see them Polly? He repeats, She's not here George she's not here, get her now I want my wife, George says turning round, the nurse nods and leaves the room without a sound.
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Aug 12, 2016
Aug 12, 2016 at 6:54 AM UTC
WITHOUT A SOUND 1916.
George sits by the window of his room, there are rooks over the far trees, over some field cows moo on the air, he stares at the horizon expecting explosions, seeing the enemies' trenches over by Tenet's farm teem with life, the nurse behind him watches him sit his head to one side mumbling words, George doesn't want to turn round he knows Wilkes' head will still lay on the floor mouthing words, the nurse offers him a cup of tea brown and now warm, he sees a ****** walking along by the drive rifle over his shoulder getting bolder,   you must drink George the nurse says putting the cup by his elbow on the small side table, Mitchum's hand lay on the trench floor at his feet the wedding ring still there muddied gold, where's Polly? he says not looking around in case the ****** crouches out of sight, she's busy the nurse says (having been told by Dudman the butler not to bring her), bring her here he says I need her to see the ****** fellow to see for herself, the nurse looks over his shoulder along the drive the gardener walks with *** POLLY George bellows POLLY he shouts again causing the gardener to lift his head and stare who was there, the nurse puts a hand on his shoulder to calm him down she'll be coming soon she says in his ear, his eyes gaze as the ****** disappears into the door the driveway is empty, an explosion of rooks hit the sky, George wide-eyed begins to cry.
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Jul 24, 2016
Jul 24, 2016 at 1:05 AM UTC
WHAT GEORGE SEES 1916
You are not to go into Master George's room unless told to Dudman the butler says eyeing her sternly Susie can take his meals to him and the nurse there can nurse him Polly says nothing and walks away back to her task of polishing silver watching him go off and talk to the cook and nod his head Polly wants the old George back not the broken man the War has harmed in mind and soul she remembers when he was home last from the Front she lay in his bed and they made love in the late hours of the night him shafting her to a kingdom come remember what I said Dudman says passing her by with that dark stare in his eye Polly watches him go wishes she could but knows best not the nurse will be there and George will be sat at the window with his lost faraway stare.
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Jul 19, 2016
Jul 19, 2016 at 2:27 AM UTC
HIS FARAWAY STARE 1916
The nurse, whom George's parents hired, begins to settle him down in his room, after his parents and Polly had left. Where is she? George says. Where is whom? the nurse asks. Polly, where is she? The nurse is unsure who Polly is, so sits him in a chair by the window, which looks out on the grounds and drive. Is she your wife? the nurse asks. George looks at her: I don't know, maybe she is, he says, looking at the nurse puzzled: who are you? I am Nurse Willows, sent you look after you, she says. Where's Polly? he says. I'll find out, you relax and sit quiet, the nurse says, and leaves the room. He stares out of the window; it is still, no bombs are blowing up, no bodies are out there in trenches, the trees are whole, not splintered and blown down. He looks into the room: Wilkes's head lies on the floor by the bed, the eyes gazing at him questioningly. An explosion in his head stirs him to jump from the chair, and run to the wall where he stands shaking, staring at the head. Be careful Wilkes, be careful, he says. He looks at his writing desk large eyed, a hand lies there, palm upwards, a finger bloodied points towards him. No no, I can't, he says. He turns, and the door opens, and he shouts: GET DOWN! ****** The nurse and Polly stare at him, then go to him. Calm down, the nurse says. Polly takes his hand and holds it: it's all right George, no one will harm you here. He looks at her childlike: Polly, you are here. he says, and holds her close to him. The nurse looks at them uncertain what to say or do. Has he a wife? she asks. No not yet, Polly says, looking at the nurse over George's shoulder, as he hugs her tight to him. The door opens and George's mother enters in: what is the noise? He is unsettled, the nurse says, and called for Polly, so I got her not knowing who she was. The mother goes to George and Polly: settle him Polly, then get back to your work. Polly nods. Come on, George, his mother says, you are home now, time to rest. George looks at his mother over Polly's shoulder: who are you? he asks. I'm Mama, she says. He looks at Polly: is she? he says. Polly nods: yes George, she is, Polly says. George turns away from his mother, and stares at Wilkes's head on the floor by the bed, the eyes gazing at him. Get Wilkes's head off the floor, it can't stay there, George says pointing by the bed, unable to get the eyes gazing, out of his mind and head.
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Jul 12, 2016
Jul 12, 2016 at 2:27 AM UTC
GEORGE UNSETTLED 1916.
The nurse, whom George's parents hired, begins to settle him down in his room, after his parents and Polly had left. Where is she? George says. Where is whom? the nurse asks. Polly, where is she? The nurse is unsure who Polly is, so sits him in a chair by the window, which looks out on the grounds and drive. Is she your wife? the nurse asks. George looks at her: I don't know, maybe she is, he says, looking at the nurse puzzled: who are you? I am Nurse Willows, sent you look after you, she says. Where's Polly? he says. I'll find out, you relax and sit quiet, the nurse says, and leaves the room. He stares out of the window; it is still, no bombs are blowing up, no bodies are out there in trenches, the trees are whole, not splintered and blown down. He looks into the room: Wilkes's head lies on the floor by the bed, the eyes gazing at him questioningly. An explosion in his head stirs him to jump from the chair, and run to the wall where he stands shaking, staring at the head. Be careful Wilkes, be careful, he says. He looks at his writing desk large eyed, a hand lies there, palm upwards, a finger bloodied points towards him. No no, I can't, he says. He turns, and the door opens, and he shouts: GET DOWN! ****** The nurse and Polly stare at him, then go to him. Calm down, the nurse says. Polly takes his hand and holds it: it's all right George, no one will harm you here. He looks at her childlike: Polly, you are here. he says, and holds her close to him. The nurse looks at them uncertain what to say or do. Has he a wife? she asks. No not yet, Polly says, looking at the nurse over George's shoulder, as he hugs her tight to him. The door opens and George's mother enters in: what is the noise? He is unsettled, the nurse says, and called for Polly, so I got her not knowing who she was. The mother goes to George and Polly: settle him Polly, then get back to your work. Polly nods. Come on, George, his mother says, you are home now, time to rest. George looks at his mother over Polly's shoulder: who are you? he asks. I'm Mama, she says. He looks at Polly: is she? he says. Polly nods: yes George, she is, Polly says. George turns away from his mother, and stares at Wilkes's head on the floor by the bed, the eyes gazing at him. Get Wilkes's head off the floor, it can't stay there, George says pointing by the bed, unable to get the eyes gazing, out of his mind and head.
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A car arrives in the drive and stops outside the front door all the servants are there and George's parents wait there all importantly watching the car door the chauffeur gets out and opens the back door and George back from the hospital for shell shock gets out and puts a hand over his forehead to block out sunlight then looks around the grounds around the house his mother steps forward and takes his hand welcome home George she says George stares at her he nods but doesn't smile he looks into the faces of all those standing there by the front door as if amongst strangers his father moves forward and gently takes his son's arm George moves forward uncertainly his feet unsteady his hands shaking slightly his eyes move over the servants wide and staring then he stops and points to Polly Polly he says softly almost a mumble she gazes at him uncertain what to do the mother looks at Polly come help Polly Master George recognizes you and indicates with her other hand that she should come   so Polly walks to George's side and says nothing but smiles at him and he smiles back we'll go to his room the father says a footman takes the bags and follows George and his parents and Polly inside the house and up the wide staircase the other servants including the butler Dudman move away from the door and go about their tasks Dudman goes in and stares at the party walking upstairs slowly and sighs Polly has overstepped the line as far as he is concerned he'll have to watch her he muses watching the party disappear from the stairs and gives the absent Polly one of his cold stares.
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Jul 6, 2016
Jul 6, 2016 at 2:12 AM UTC
DUDMAN'S COLD STARE 1916.
A car arrives in the drive and stops outside the front door all the servants are there and George's parents wait there all importantly watching the car door the chauffeur gets out and opens the back door and George back from the hospital for shell shock gets out and puts a hand over his forehead to block out sunlight then looks around the grounds around the house his mother steps forward and takes his hand welcome home George she says George stares at her he nods but doesn't smile he looks into the faces of all those standing there by the front door as if amongst strangers his father moves forward and gently takes his son's arm George moves forward uncertainly his feet unsteady his hands shaking slightly his eyes move over the servants wide and staring then he stops and points to Polly Polly he says softly almost a mumble she gazes at him uncertain what to do the mother looks at Polly come help Polly Master George recognizes you and indicates with her other hand that she should come   so Polly walks to George's side and says nothing but smiles at him and he smiles back we'll go to his room the father says a footman takes the bags and follows George and his parents and Polly inside the house and up the wide staircase the other servants including the butler Dudman move away from the door and go about their tasks Dudman goes in and stares at the party walking upstairs slowly and sighs Polly has overstepped the line as far as he is concerned he'll have to watch her he muses watching the party disappear from the stairs and gives the absent Polly one of his cold stares.
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Take a moment to stop and stare, At memorials in your town, The named names that never came home, Some had died at The Somme, No shouts no shots no whistles, No guns no bangs no shells, No barbed wire or trenches, And no gun powder smells, All is very quite now, After one hundred years, Unlike the time the dead were named, When families shed their tears, No khaki uniforms no tin hats, No bayonets to stab a heart, No body parts no blood no gore, No grenades to blow you apart, Silently remembering, Their memory lingers on, They fought for King and country, And died there at The Somme.
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Jul 1, 2016
Jul 1, 2016 at 7:58 AM UTC
1st July 2016
Polly lies on George's bed, eyes closed, feeling the mattress beneath her, trying to imagine George there beside her, or better still on top of her, as he was that last night before he went back to the Front and war. She tries to pretend he is kissing her, touching her, impregnating her with his upper-class seed. She holds herself, embraces her body with her own hands, What you doing Polly? Susie Simmons says. Polly opens her eyes, and leaps from the bed. Frightened the ****** life of out me, you silly cow, Polly says, grabbing hold of Susie's maid's uniform. Sorry, Susie says, Gripe asked me to see where you were; what was you doing lying on Master George bed? Never you mind what I was doing, what the heck do you think you were doing making me nigh wet myself? Polly releases Susie's uniform and tidies her own hair, and brushes down her uniform. Was you thinking of him? Susie says. What's it to you if I were? Nothing just asking, Susie says. Well let's get back to Gripe and see what she wants, Polly says. Susie nods and leaves the room, and Polly gives a last look back at the room and bed, and keeps the memories of him and her in her head.
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Jun 30, 2016
Jun 30, 2016 at 2:15 AM UTC
BREAKING INTO DREAMS 1916.
Polly polishes George's room as Gripe had told her. Rubs the polish cloth over the sideboard into a bright shine. Polish smell; sniffs it; sniffs the cloth. Rubs again, another surface. The window is open; fresh air enters, blows curtains inwards. She hears birdsong from outside. She pauses polishing; goes to the window and peers out. Wonders where George is. How he is doing in that hospital with shell-shock. Across the Channel war is on. Men being killed; men driven mad with sight seen. George said about seeing a head gazing at him on trench top. She bites her lip; wishes he was back home. The Master's son; she a maid. He and she making love in his bed that last time. Wants it again; warm in his bed; him kissing her. His moustache tickling her to giggles, shafting her to a seventh heaven. She walks back to the bed and lies down. Imagines him there; knows he is not, just lies and stares at the ceiling with that deep down lost feeling.
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Jun 24, 2016
Jun 24, 2016 at 1:46 AM UTC
DEEP DOWN LOST FEELING 1916
Outside the door of the butler Dudman Polly sticks up two fingers at him and mouths a string of four-letter words she strides off towards the kitchen where Mrs Gripe (the cook) is waiting for her Polly's thoughts are on George(master) and what Dudman said about her not having *** with him when he comes home from the place he is resting with shell-shock from the War or you will be fired she hears Dudman's voice in her ears as she climbs down the stairs and along the passage way she passes Susie near the kitchen entering the scullery where have you been? Susie says eyeing her never you mind Polly says and enters the kitchen where Gripe stands hands on her hips and gazing at her where you been? Been waiting for you Gripe says coldly Polly bites her tongue and goes to the sink and begins to peel the potatoes cat got your tongue? I said where have you been? Gripe says Mr Dudman wanted to see me about something but I am here now Polly says Gripe stares at her what about? Gripe says ask him Polly says peeling the potatoes with viciousness I am asking you Gripe says and I expect respect not rudeness girl Polly gouges out a potatoes eye and turns towards Gripe about something I do and mustn't do in future and I am sorry for being rude Polly says Gripe stares at her and Polly stares back about you and Master George? Gripe says Polly reddens and looks away and nods be discreet and careful if Master George wants you Gripe says quietly and turns away and puts a big saucepan on the stove silence comes and Polly peels on and wonders what George is doing now and maybe she thinks Gripe isn't always the big cow.
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Jun 19, 2016
Jun 19, 2016 at 1:16 AM UTC
THE BIG COW 1916.
Outside the door of the butler Dudman Polly sticks up two fingers at him and mouths a string of four-letter words she strides off towards the kitchen where Mrs Gripe (the cook) is waiting for her Polly's thoughts are on George(master) and what Dudman said about her not having *** with him when he comes home from the place he is resting with shell-shock from the War or you will be fired she hears Dudman's voice in her ears as she climbs down the stairs and along the passage way she passes Susie near the kitchen entering the scullery where have you been? Susie says eyeing her never you mind Polly says and enters the kitchen where Gripe stands hands on her hips and gazing at her where you been? Been waiting for you Gripe says coldly Polly bites her tongue and goes to the sink and begins to peel the potatoes cat got your tongue? I said where have you been? Gripe says Mr Dudman wanted to see me about something but I am here now Polly says Gripe stares at her what about? Gripe says ask him Polly says peeling the potatoes with viciousness I am asking you Gripe says and I expect respect not rudeness girl Polly gouges out a potatoes eye and turns towards Gripe about something I do and mustn't do in future and I am sorry for being rude Polly says Gripe stares at her and Polly stares back about you and Master George? Gripe says Polly reddens and looks away and nods be discreet and careful if Master George wants you Gripe says quietly and turns away and puts a big saucepan on the stove silence comes and Polly peels on and wonders what George is doing now and maybe she thinks Gripe isn't always the big cow.
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The butler Dudman stares at Polly as she stands in his stark small office. Master George will be back home again very soon with a nurse for his care, Dudman says. Polly smiles; o that's good, she utters, relaxing (she'd thought he'd summoned her to complain about her domestic work). However, Dudman says, that does not mean that you will attempt once again to enter or to have ****** dealings with him in bed. Polly blushes lost for words. I've told you before this about that, and warned you. But George wanted me to go there, Polly says. Master George to you girl, Dudman says, know your place in this house; you will not have dealings sexually with Master George at all or be fired if you do; understood? Polly nods; words fail her. Understood, Dudman says. Yes I do, Polly says tearfully, looking past Dudman's head at the wall. She thinks of George last time in his bed having *** his moustache tickling her pale cheek, having had *** with him five times that week.
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Jun 12, 2016
Jun 12, 2016 at 12:41 AM UTC
FIVE TIMES THAT WEEK 1916.
I take her Ladyship's tray up to her with her breakfast as Gripe told me to. I try and balanced the tray without spilling tea from the teapot, or sliding the small jug of milk over everything. I knock on her door with my fist, balancing the tray against *** and on hand. No answer; the old mare's still asleep; I tap louder. I hear movement, and a voice says, come in, sleepily. I open the door handle, and lift the tray off my *** and carry it into the bedroom, and she's lying there on her pillows, and her hair in a mess. I close the door with my backside, and stand there gazing at her. Ah Polly, breakfast, thank you. She sits up, and stares at me. I place the tray down carefully on the small breakfast table, and wheel it over her legs, and stand back, hands by my sides. Master George maybe coming home in a few weeks, she says, looking straight at me, her eyes peering at me, studying me.   O that's good, your Ladyship, I am glad to hear that, I say and smile a small smile. It is good news; I thought he would be in the hospital for longer, and I was afraid he may not be home for months on end. I say nothing; I see him in my mind shafting me in his bed that last time before he went back to the Front; his moustache against my cheek, his how'syourfather entering me. He will still need care, and we will employ a nurse to be here until he is well, she says, breaking into my memories. Yes that would be good, Madam, I say. He seems very focused on you, her Ladyship says, he seems to call your name frequently and no one at the hospital knew whose name it was, and what relationship she was to him. I blush a little; he's very kind and thoughtful, I say, pushing from my mind him kissing my neck and shoulder in his passion. If your being here helps his recovery that will be good, her Ladyship says quietly, eyeing me with her eyes. You may go now, she says. I curtsy, and leave the room, and close the door, wanting George inside me all the more.
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Jun 4, 2016
Jun 4, 2016 at 4:21 AM UTC
TALK OVER BREAKFAST 1916.
I take her Ladyship's tray up to her with her breakfast as Gripe told me to. I try and balanced the tray without spilling tea from the teapot, or sliding the small jug of milk over everything. I knock on her door with my fist, balancing the tray against *** and on hand. No answer; the old mare's still asleep; I tap louder. I hear movement, and a voice says, come in, sleepily. I open the door handle, and lift the tray off my *** and carry it into the bedroom, and she's lying there on her pillows, and her hair in a mess. I close the door with my backside, and stand there gazing at her. Ah Polly, breakfast, thank you. She sits up, and stares at me. I place the tray down carefully on the small breakfast table, and wheel it over her legs, and stand back, hands by my sides. Master George maybe coming home in a few weeks, she says, looking straight at me, her eyes peering at me, studying me.   O that's good, your Ladyship, I am glad to hear that, I say and smile a small smile. It is good news; I thought he would be in the hospital for longer, and I was afraid he may not be home for months on end. I say nothing; I see him in my mind shafting me in his bed that last time before he went back to the Front; his moustache against my cheek, his how'syourfather entering me. He will still need care, and we will employ a nurse to be here until he is well, she says, breaking into my memories. Yes that would be good, Madam, I say. He seems very focused on you, her Ladyship says, he seems to call your name frequently and no one at the hospital knew whose name it was, and what relationship she was to him. I blush a little; he's very kind and thoughtful, I say, pushing from my mind him kissing my neck and shoulder in his passion. If your being here helps his recovery that will be good, her Ladyship says quietly, eyeing me with her eyes. You may go now, she says. I curtsy, and leave the room, and close the door, wanting George inside me all the more.
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Susie holds me close, whispers in my ear, Polly ain't you cold with your arms outside the blankets, put them inside, hug me closer. I want George to hug, not her, his arms about me, not her clutching me in her desperate way, his lips on mine, not her wet lips dribbling on my shoulder. What you want me so close for? I say, just get off to sleep, and don't slobber on me. But she hugs me closer, her breath on my ear whispering, Come on, Polly, keep me warm, I'm cold with the draft from the attic windows that don't meet properly, Susie moans. I put my arms inside, put my arms about her waist(skinny mare), and think of George stuck in some hospital somewhere, damaged by the War's shock and blast, and heads blown past, and eyes sitting staring on their own, and wounded men's moan. What you thinking of? Susie says, sniffing my ******* The War, and the Somme, and Master George away, hurt in mind they say. Susie nods her head, but wants me huddled nearer, holds me close, touches me, and says, Shame about war, and loss, and pain, then she kisses my neck again.
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May 28, 2016
May 28, 2016 at 1:21 PM UTC
NIGHT KISSES 1916
Each day I come to Master George's room, each day, Gripe says, Polly keep it fresh just in case. As soon as I open the door I feel a shudder. I fear he will not return, that he will remain in hospital of some kind for ever, his mind shattered by this War, by what he saw, his wounded mind. I read that 19,240 men were killed on the first day of the Somme, and 57,470 wounded, of which he was one. When will this War be over, when will it be won? I walk around to the window, and open it up. Let air in, refresh the room. The curtains flap in the incoming draft, like wings of a bird taking off in flight. I begin to polish the furniture, even though I did it yesterday, and the day before. I smell him around me, his scent, his shaving soap, his having been here. I look at the bed, and remember how we made love there at his invitation, me a maid, and he the young master. I put down the polish and duster, and go and sit on the bed, bounce it a little. I stare out at the view of the window. Trees sway, birds fly, clouds drift by. He kissed each aspect of me, kisses everywhere, his lips there, and his moustache tickling me to giggles. Now he is broken, mind fragile as aged paper. When he came back here briefly, he spoke of a man's head sitting by his side gazing at him, a hand of one man lying still on the trench by his eyes. I close my eyes, and want him back, back here, back mended, and this War ended.
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May 18, 2016
May 18, 2016 at 2:03 AM UTC
THIS WAR ENDED 1916.
There's a stillness in his room. Dust it well, Polly, Gripe told me. Smell of stale air, mothballs, old smoke still there. The bed where we lay and made love, now still and vacant. He away broken by war and death seen and felt at close quarters, in some hospital for wounds of body and mind from war's touch and hurl and dug out flesh. I sit on the bed and muse of him there and holding me and kissing. He would put a finger to my lips and say: hush Polly, and his moustache would tickle me and his hands invade me to a deep pleasure. I bounce the bed gently. When he was home last (before the breakdown came) he asked me up to his room and it was so warm and soft and him kissing my neck and slowly each inch of me. Now the room is empty of him, the bed a tomb of where we were. I hug a pillow to my breast, kiss the cloth, pretend it's him there, holding him close, closing eyes and breathing out words. Outside the window the call of morning birds.
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May 10, 2016
May 10, 2016 at 2:47 AM UTC
CALL OF BIRDS 1916
Susie peels the potatoes Mrs Gripe had told her to do hands in cold water back aching the cook moaning in the background Polly by the other sink washing pans Susie wants it to be night-time again wants to be able to put her hands round Polly's waist again to keep out the cold and  to smell Polly's back as she had the night before it was so cold Polly didn't seem to mind her hugging her and secretly kissed her arm while she slept lips to her nightgown covered arm getting warm snuggling there feeling sensual being close to the other maid in the attic bed are you going to be all day peeling those spuds Gripe says need them for dinner wake up girl Susie turns and stares yes Mrs Gripe she says and peels faster with the knife avoiding nicking her thumb as she nearly did just now she glances over to where Polly is working mind elsewhere thoughts on George no doubt wanting him back here not on that hospital far away wish she wanted me in the bed as she does him Susie muses wish she did to me what she did to him wish she kissed me as she kissed him Susie thinks and when you've done there girl go fetch her Ladyship's tray from breakfast and don't slump so and all Susie says is sorry Mrs Gripe I will go.
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May 5, 2016
May 5, 2016 at 1:41 AM UTC
I WILL GO 1916.