Jagged bottles, freshly broken, line the
cobbled pathway leading to the house.
An open window and the heady smell of warm beer
implicate the under-employed and over-stimulated
inhabitants of something.
A frazzled flag, ruined by the wind and disinterest
drizzles limply in the breeze. Broken lines and
pointless stars point to broken lives and
pointless wars that spit on the lithe and measured
stiches of an avant guarde Betsy Ross.
Ancient wooden placards, blue and white and peeling,
shoot up through the hoarfrost of the unkempt yard.
Promising something, though not articulated, they
describe a geometric shape, strangely triangular,
between signs and flag and glass.
A strong confident voice, "Yes we can," wafts
through the open window, and floats above the dismal house.
Then a curse word and a shotgun blast and the
willowing smoke from a TV no longer in need of its
power switch punctuate the scene.