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The Diner

The short-order cook and the dishwasher

argue the relative merits

of Rilke’s Elegies

against Eliot’s Four Quartets,

but the delivery man who brings eggs

suggests they have forgotten Les fleurs

du mal and Baudelaire. The waitress

carrying three plates and a coffee ***

can’t decide whom she loves more—

Rimbaud or Verlaine,

William Blake or William Wordsworth.

She refills the rabbi’s cup

(he’s reading Rumi),

asks what he thinks of Arthur Whaley.

In the booth behind them, a fat woman

feeds a small white poodle in her lap,

with whom she shares her spoon.

"It’s Rexroth’s translations of the Japanese,"

she says, "that one can’t live without:

May those who are born after me

Never travel such roads of love."

The revolving door proffers

a stranger in a long black coat, lost in the madhouse poems of John Clare.

As he waits to be seated,

the woman who owns the place

hands him a menu

in which he finds several handwritten poems

By Hafiz, Gibran, and Rabindranath Tagore.

The lunch hour’s crowded—

the owner wonders

if the stranger might share

my table. As he sits,

I put a finger to my lips,

and with my eyes ask him

to listen with me

to the young boy and the young girl

two tables away

taking turns reading aloud

the love poems of Pablo Neruda.

r
Written by
Richard Jones
1953 - / American
Lines·Words
39·223
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