I saw the news in obituary black and alabaster-chamber white. Women mulled about in shining dresses, all pinwheel-galaxy black. The men’s suits: darkness-between- stalks-late-in-the-cornfield black
The pastor wore a Cosmopolitan’s-table-of-contents white stock in the non-air-conditioned church. His sermon dripped on the bereaved like hardening wax. A portly woman wheezed in the second row. A first-roadkill-of-summer red paper fan swayed idly in her left hand.
The coffin creaked, 4am-grandpa‘s-coffee brown the procession moved outside slowly. The moment was like when two trains are idle and one begins to drift forward. From inside the other, it feels as if we are drifting backward.
Backward to days before with the namer in his study. He has on his 1862-edition-Les-Misérables tan blazer. His wrists crawl out the undersized sleeves. Above his roof, the sky milks over to 4th- grader’s-scratched-locker blue.
A wine glass full of just-waking-up-seeing-steam- waft-from-under- the-bathroom-door white wine rests on his particle board desk. I want a 70s B movie villain to bust through the door yelling, "I’m not sorry" and shoot him with a chipping-paint-bike-rack-next-to-the-library¬ grey revolver. I want the namer to be speechless, knock over the wine glass and die with grandma’s-new-couch red pooling on his blazer.
The truth is my grandma’s new couch is this ugly brown-yellow color. I don’t really know how to describe it.
Written 2010 during the MFA program at Columbia College Chicago