he is a risqué bloke with alkaloid fingers, they are wearing yellow asylum jackets yet he calls me mad-
emoiselle, his, in between the lines he cuts with razorblades and mirrors. i find myself in between legs of a stanza (not standing), pale femurs and inner thighs french-kissing into surpine ampersands where the first word is a proclaimed ugly disease -- perhaps 'love.' and the other, its escapade -- perhaps 'tuberculosis.' but i must be the period: oxidised bones.
within the eyes of a stanza (still not standing) abides no fancy lines no avarice for contemplative meanings there is but space and void and i've filled his femur marrows with metaphors to the verge of the patella. he writes poetry for me with a needle and an eight-ball.
there is a tourniquet on his tongue and his spine fits my stocking