Do you think that when first presented with that enclosed heaven above the Pope, Michelangelo stopped for a moment, then maybe a longer one, and still more, as he attempted to count how many strokes it would actually take to paint that sky? How many times his arm would have to conduct an arc, from down to palette, back above his head, again and again and again and again and again. Did he think about how the brush would stay in his grasp? The pen is slipping away from me into horizontal weariness as I write this, contemplate this one single, un-fluid flow. The autistic part of me is not going to be happy until it can at least guess some sort of recognisable answer to such an insane question. We can even begin to construct a formula: x strokes per hour times days times years minus whatever the assistants did. Haven’t you yet boggled at the still way-off number this crude estimate puts out? If I was a girl, I would always demand a portrait. That’d be a real sign, true effort, devotion; not just some words scribbled down on a page while he’s probably thinking of some other girl he’d like to write a poem about, in which in which she’s having her picture painted, her soul pinned.