i am very aware of skin & i am very aware of a ***** in my mouth. it feels like the basement light ought to be turned off, but instead the room is very bright, like the insides of your mouth. quick, open up your hands & we’ll see what’s inside of them. you taste like lipstick. i laugh. your **** tastes like light red lipstick — like, you know that one traffic light by that one intersection in town by the yellow house? yeah, your **** tastes like lipstick & the lipstick is the same shade of red as that light. i laugh again. she belongs to the yellow house. the yellow house belongs to her, like a mutt. no other dog could ever belong to her the way that yellow house can. (you: when you were gone i got mad at you because you accused me of something i didn’t do.) before you left we stood on graveled driveway & i should have told you that you smelled like new paint.
pt 2*
help we’re in these woods & help i’m vomiting again & help this time it’s your hair that’s piling out of my mouth help my teeth are still vicious around your waist & help yours are still wrapped around hers (please help please i’m vomiting again) i think i’m drunk; i think we’re drunk; i think she’s drunk: we’re stumbling over roots & rocks as though there isn’t a sky perched above us, high & deep like your throat against my shoulder: *that’s going to leave a mark i mostly leave marks in bathrooms & you mostly leave marks on me, i think i’m a road, i tell you & you laugh & so does she & i ask why she’s here & her eyes go dark like children’s bedrooms & your eyes narrow & i shut up the sky is still very large, very wide, less like a throat now, more like a tongue