The horto I culture consists of two pots, sits on a narrow sill and soaks in its one-hour slit of sunshine.
This makes me unfit to label much less fathom the encroaching sublime, which sprouts, shoots, creeps, clings and endures from far reaches beyond me.
It has spines supple and rigid, skins coarse, spiked, and silky, quivering tips that are spidery, and bunched as small dollops, jagged teardrops and jigsaw puzzle pieces.
I’m not a botanist, but if I were I should still be struck dumb by these numbing instances a protesting tongue insists it won’t box up such greenery with the genial trappings of a scientific classification, or even the oddly folksy catch-all “****.”
I can’t always tell what’s a ****, what not.
l know those greedy intruders growing at the heart of a meticulously turned earth to spoil the well-ordered plots of a barely adequate vocabulary.
It gets more complicated with the thrilling misfits and their sturdier notions of choking life from inhospitable beds poured and paved to the detriment of meeker plantings.
Yesterday I met the peeks of ten woody red stems poking through a patch of chunky white gravel spread thick between two steel rails that fled to a horizon.
I watched the breeze shake their candelabra arms dressed in sparse leaves and denser seed-packed sleeves, and they welcomed it.
I'm not a botanist and I can’t name these plants, but I can admit, I admired them.
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