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Nov 2010
I’m not a botanist,
or an avid gardener.

The horto I culture consists of two pots,
sits on a narrow sill
and soaks in its one-hour slit of sunshine.

This makes me unfit
to label much less
fathom the encroaching
sublime, which sprouts,
shoots, creeps, clings and endures
from far reaches beyond me.

It has spines
supple and rigid,
skins coarse, spiked, and silky,
quivering tips that are spidery,
and bunched as small dollops,
jagged teardrops and jigsaw puzzle pieces.

I’m not a botanist,
but if I were
I should still be struck dumb
by these numbing instances
a protesting tongue
insists it won’t box up
such greenery with the genial trappings
of a scientific classification,
or even the oddly
folksy catch-all “****.”

I can’t always tell what’s a ****, what not.

l know those greedy
intruders growing at the heart
of a meticulously turned earth
to spoil the well-ordered
plots of a barely adequate vocabulary.

It gets more complicated
with the thrilling misfits
and their sturdier notions
of choking life from inhospitable beds
poured and paved
to the detriment of meeker plantings.

Yesterday I met the peeks of ten
woody red stems poking through
a patch of chunky white gravel
spread thick between two
steel rails that fled to a horizon.

I watched the breeze
shake their candelabra arms
dressed in sparse leaves
and denser seed-packed sleeves,
and they welcomed it.

I'm not a botanist
and I can’t name these plants,
but I can admit, I admired them.
This work is licensed under a Creative Commons Attribution 3.0 License.
Francis Scudellari
Written by
Francis Scudellari
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