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Fuse

Inspired by “The Burning Giraffe” by Salvador Dali

 

 

I am defined by what clutters my drawers:

• Aortic—a tattered matchbook with a phone number I never called

scrawled to the inside cover as an inscription to everything

I never wanted. A half-empty can of butane with a missing

cap alongside a dollar’s worth of pennies that weight a scrap

torn from a newspaper tragedy: four killed, faulty smoke

detectors to blame.

 

• Ankle—a charred picture, curled in upon itself and kept as a reminder

of what I could become; a blackened nest as an omen of

losing all I’ve ever known and an ointment tube, squeezed

in the middle as a talisman against blistering tempers.

 

• Thigh—an empty Zippo with a scarred case, dull and pointless; a coiled

stove element with an ashen haze that could testify that water

doesn’t douse all flames; and an oily fuse, plucked from the top

of my head to serve as a yardstick of minutes, seconds, then

nothing.

 

• Knee—a fine layer of charcoal dust and half of a briquette from last

summer’s backyard barbecue when the wind kicked up to spray

red embers into the air like a meteor shower, streaking in bright

sparks and fluttering to shrieks and stop-drop-rolls along dry grass

until the itching ceased and the bubbles formed in small foamy

patches along arms and strapless backs and sun-red cheeks.

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Written by
kim-keith
American
Published
Oct 11, 2010
Lines·Words
23·230
Notes

First published by LIES/ISLE: http://liesisle.com/issue04/fuse.html

Permission

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