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Feb 2014
Transcendentalist conceit. My choice of delivery. Arbitrary? Perhaps, but fun. And it gave me an excuse to stall for quality. But apparently it became a stream of consciousness somewhere along the line. It also seems to be coming along in a sort of  meta(physical) fashion. Metacognition. All (the) techniques I like.
I like you.
Parallel inspiration, a sublime way to, again, stall, also to make it interesting. But the comparison is difficult to find. Hidden in the Γ¦ther, as it was.
What are you?
A tree?
Nature?
Air,
earth,
water,
fire,
or spirit?
Life?
Death?
All,
or even nothing?
No.
So far into this frozen in time facsimile of my mind, of me, yet still you know not what I think of you as, what I contrast you with. What I
Compare
you to. What I
Expect
you to
Live Up To.
Anxiety?
How many poems will I write before this ones done? ultimately one, yet many. Am I stalling even now? A tease of sorts. I am quite good at that. The conceit. What is it?
Do you want it?
A hundred thousand parallel rush through my mind only to be pushed off the line. A note written by my current and intended audience printed "I love you".
I underline you and return to sender.
Inspiration! flooding my mind!
Are you sharp enough to have discerned the parallel yet? hopefully. But if you think you are, you're wrong. There is no parallel. Moreover, a parallel poorly defines a line. what we really need is a co-linear expression. In truth, the conceit is pretty conceited.
I compare you to you.
My grand conceit.
When you I see,  see I you.
I see the candid truth that you duplicitous lie. I see your beauty alongside your failure to recognize and believe.
I see you.
And I love what I see.
ian wrote me this poem
miranda schooler
Written by
miranda schooler  ohio
(ohio)   
717
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