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THEATRE OF THE LOST PROMISE OF PEACE

A war-comedy in seven convulsions, with prophecy and blood-smoke

 

I. The Lantern Peace

 

They stitched a peace from moth-eaten treaties,

hung it over the region, a paper kite in crosswind....

and congratulated themselves

for taming the wind.

 

But the wind was only waiting.

It circled, patient as a wolf,

while diplomats posed for photographs

on the lip of a crater

still breathing the warm breath of yesterday’s dead.

 

II. Enter the Clowns of Empire

 

Then, cue the spotlight,

the two great jesters of the age

burst through the curtain.

as if history were a circus

and the audience had paid extra for calamity.

 

Trump, lacquered in grievance,

mistaking volume for destiny.

swaggering like a man who believes

the universe is contractually obliged

to applaud his every misstep.

 

Netanyahu, measuring time

the way generals measure borders ....

always shrinking,

always defended with someone else’s blood.

 

They tripped over their own red lines,

slipped on the banana peel of diplomacy,

and declared the fall

a masterstroke of strategy.

 

The orchestra, confused,

played the overture to a tragedy

as if it were a patriotic march.

for a parade no one survived.

 

III. The Heirs in the Wings

 

Backstage in Tehran,

the heir apparents sharpened their silhouettes.

 

Eje’i counting punishments like rosary beads.

Hejazi whispering to the shadows

that loyalty is a blade with two edges.

Hassan Khomeini adjusting the ancestral halo

to fit his skull

as if it had been waiting there

since the first sermon of the Republic.

 

They watched the stage burn

and nodded ....

for this too was written

in the margins of the Revolution,

in ink that never dries.

 

IV. The IRGC Chorus

 

Then rose the chorus ....

boots pounding

like a second heartbeat beneath the earth.

 

They marched through smoke

thick with the ghosts of martyrs,

eyes fixed on the Strait of Hormuz,

that narrow throat of the world

where oil, ambition, prophecy

choke on the same passage.

 

They sang the old song:

 

We survive.

We endure.

We outlast the empires

that mistake us for a footnote.

 

V. The Awakening

 

Across the region,

minarets carried the tremor

of a billion unanswered prayers.

 

Some cried for vengeance,

some for justice,

some simply for the dead

who had no names left to bury.

 

The streets filled like riverbeds

after sudden storm ....

a flood of grief, fury, memory,

and the knowledge

that the innocent always pay

for the theatre of powerful men.

who never stay for the final act.

 

VI. The Aftermath

 

And what of the architects,

the self-appointed custodians of law,

fluent in its exceptions,

eloquent in its evasions?

 

They will stagger from this war

like gamblers from a burning casino,

pockets full of ash,

eyes stinging with the smoke

of their own cleverness.

 

They will ask how the fire started

when they were only playing with matches.

 

But the world remembers.

The world always keeps score.

 

VII. The Traverse

 

Around the corner lies the traverse ....

a long descent into a conflict

that will not obey its makers.

 

A war that eats its own script.

A region reshaping itself

in ways no general can predict.

 

The heirs rise.

The guards tighten their grip.

The streets remember the carnage.

 

And when the dust settles,

when the lanterns of peace

are nothing but charred wire,

the prophets will step forward,

ink dripping like blood,

 

and speak the line history prefers to whisper:

 

THE WARNING WAS WRITTEN.

THE MATCH WAS YOURS,

AND THE FIRE?

THE FIRE ANSWERS TO NO ONE!

 

 

[email protected]

2 March 2026

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Written by
marshal-gebbie
81 / M / Australian
Published
Mar 1
Lines·Words
115·583
Notes

A piece like this wants to walk a razor’s edge: darkly comic, theatrically grotesque, yet carrying the prophetic weight of what you and I both know is unfolding — a peace so fragile it shatters at the slightest touch, and great powers so clumsy in their “grand strategy” that their motives become almost slapstick against the backdrop of real human ruin.

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