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CONJUGATION

dawnmade

i am not of meat

nor name.

 

through dawn

i frostburst

(that heartstrike from a dream

into blank space

a rush into the unknown

before the foot even thinks to move)

 

in my pocket

collected: flickers, gestures,

the half-born shapes of becoming

and at the bottom,

a forgotten sugarflake,

shaped like almost-memory

 

 

to unbody —

to fly so light

bones melt into space

and you become the air

that holds someone else’s wings

 

to softline —

to become a tender, see-through edge

between the fragile

and what breaks

while holding the light inside

 

to breathreach —

to approach the world

with a full inhale,

and no need for translation

 

to cryrise —

to weep with inner rivers

that rise as mist

into the air we share

 

to chordhold —

to be the silent harmony

beneath someone else’s song

unheard

but holding everything in place

 

to hearthsee —

to look so deeply

your gaze becomes a palm

warming the face of what is

 

to hushscream —

to be a scream

that became breath

and entered silence

as both king and servant

 

 

and when this day grows tired

of its own light,

before tomorrow begins to dawn,

 

i will selfglint

(reflect in the emptiness)

 

and skykin

(return to where

the stars

are needles of light

inside our own eyes)

 

I don’t plan to “matter” yesterday

stitched from firm decisions

and the noise of their collapse

 

tonight

i will dremerge

softly,

like bread

unsure if it’s fully baked

or still just dough

dreaming of the oven

 

i’ll rise

to teacup myself,

wrap in warmth,

and look at the world

the way a cat does

through a curtain of rain:

with so much gentleness

it almost feels like disdain

but is really

the purest form of attention.

 

and I’ll spend time

by time-loudstaring

(standing in front of the wind

like someone who forgot

what doing was,

just a breathing comma

in a word that burns)

 

if the moment betrays me,

i’ll crumb it

a little laughter,

a little forgetting,

pressed flat

into a toaster of carelessness

until it browns on both sides.

 

then

i will inlost myself a bit

on purpose,

between the hips of waiting

just to find a place

i never mapped,

but my bones call home.

 

if someone asks what i’m doing,

i’ll say:

“i’ve ingobleted the moment.”

(respect it

this is a ceremony

that doesn’t pour twice)

 

maybe

i’ll even hugpress someone

like a child who holds too tightly

not knowing

how much is “allowed”

because the strength of a hug

is measured

by how long it takes

to leave it.

 

and when everything wilts

into bed

without asking,

i’ll unadult myself

for the time that doesn’t count

peel off the skin of responsibility,

play campsites on the carpet,

believing my invisible friends

still need me

 

and if i fall asleep

let it be by accident

let reality celebrate

without me

for a moment

and let it know:

i’ll come back

with soon,

just to enphrase myself

for a moment

in the sentence

that forgot me as a word

and revealed

i was a verb

 

DICTIONARY OF UNUSABLE BUT NECESSARY VERBS

 

to indrip — to quietly enter a moment, like a drop disappearing into water without a trace

to startune — to shift slightly toward light, slightly toward nothing, and pause in a place of balance

to presence — to be actively here, like trembling air in the room, despite everything

to worlden — to attempt to be stillness when existence itself resists your being

to tommorowin — to sense your future from within, like holding your breath before the next step

to frostburst — to feel the sudden heart-surge toward the unknown, like frost cracking under first sunlight

to unbody — to fly so lightly your bones dissolve into distance, and distance into wings

to softline — to become a soft, transparent boundary between what is fragile and what would break it

to breathreach — to meet the world with a full inhale, an exchange of breath where no words are needed

to cryrise — to cry with inner rivers that evaporate into the air we share

to chordhold — to be the unheard harmony in someone else’s day, the silent chord everything rests on

to hearthsee — to look so deeply your gaze becomes a touch, and the touch becomes understanding

to hushscream — a scream that has become breath, entering silence as both its master and its servant

to selfglint — to glimpse your reflection in the emptiness and collapse with relief

to skykin — to return to the stars, to become a speck of light in someone’s gaze

to dremerge — to softly dissolve into drowsing, just now becoming a shape again

to teacup — to settle into the cup of warmth, into a moment with no demands

to time-loudstare — to stand in the wind with symbolic aimlessness, like a question without a question mark

to crumb — to break a problem into tiny, harmless pieces with laughter and forgetting

to inlost — to go off-course on purpose, to find yourself on a map you never had

to ingoblet — to live through the goblet of a moment, and choke gently on the fullness of now

to hugpress — to hug with the full strength of innocence, not of grip, but of holding

to unadult — to shed the armor of seriousness and become again a cleansed space for play

to enphrase — to enter yourself like a sentence that continues, and remain forever between two signs

to ghostthaw — to feel the sudden warmth of a memory in a room that is otherwise cold

to wordwait — to hold a thought in your mouth like a stone, waiting for it to turn into a seed

to echosink — to listen to the silence after a conversation until you find the part of yourself that didn’t speak

 

life is a verb

the kind you won’t find in a dictionary,

but it happens to you

and often, what matters most

is the thing you don’t know how to name

 

you know you were

and that you happened

and, thank god,

that you still

are

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Written by
RastislavKnezi
M
Published
Jan 9
Lines·Words
174·1k
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