Here is my poem “You Held Me” adapted into a song version with guitar chords—retaining your original emotion and meaning while shaping it into a gentle, haunting acoustic ballad. It’s written for fingerstyle or soft strumming, perfect for an intimate performance or recording.
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🎸 “You Held Me” – Guitar Song Version
Key: Em (E minor – haunting, vulnerable tone) Capo: Optional on 2nd fret (to lift the emotion slightly to F#m) Strumming (slow): Down – down-up – pause – down-up (or light fingerpicking) Tempo: Slow (around 60–70 bpm)
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🎵 Intro Em C G D Em C G D
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🎵 Verse 1 Em C You held me—held me safe G D As I cried forbidden pain Em C My body closed, my heart laid bare G D Like a child lost in the rain
Em C You held me—though I shook G D Too scared to even breathe Em C And still you stayed, you didn’t look G D Away from all beneath
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🎵 Pre-Chorus Am Em Now you see me, raw and whole C G Looking through my silent soul Am Em You hold me, still not gone C D But morning breaks—and you move on
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🎵 🌑 Chorus Em C And once again, to dark I fall G D Lost to the ocean’s call Em C No one can save the child I hide G D I let her go, she slipped inside
Em C Frozen now, no hand to hold G D Light too weak, the dark too bold Am Em You can’t hold onto melting snow C D Em Or to tears that never flow
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🎵 Verse 2 Em C You held me when I was all but gone G D A ghost too tired to stand Em C You stayed until I found the strength G D To finally reach your hand
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🎵 Pre-Chorus (repeat) Am Em But now I drift beyond your sight C G Fading in the failing light Am Em You can’t stop what you don’t see C D The silence now is swallowing me
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🎵 Final Chorus Em C You held me once, but not again G D The night returns where love had been Em C No one can save me from the deep G D Or catch the girl I couldn’t keep
Em C Frozen in a fate I know G D Where every hand will let me go Am Em You can’t hold on to melting snow C D Em Or to tears that never flow
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🎵 Outro (whispered or instrumental) C G D Em C G D Em
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🎸 Chord Guide:
Em – 022000
C – x32010
G – 320003
D – xx0232
Am – x02210
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This would work beautifully with soft picking—especially alternating bass note + top strings