Dry dirt as far as the eye can see,
an empty landscape, then I turn
and see her, and she says,
How did we get here? and I say,

I think I’m asleep and dreaming,
and she says she thought that too,
then a fierce wind, and all is
brownish-gray air-borne dust,

then the monkey yells, Cut!
and he tells David Crocket,
the camera-man, that they
have truly captured reality

with great verisimilitude,
and the next thing I know is
I’m here, face down in the water
and washing ashore on a very

small island, a big sand-bar, really,
and she is naked, in a fetal position
and the monkey is kneeling over
Crocket’s corpse like an alter-boy,

weeping, and she yells, Shut-up,
you ***** little ape! and the monkey
howls and bites her on the leg, and
she crawls to one end of the sand bar

and I to the other end, and all is water,
as far as the eye can see, and the
monkey, a television actor, then a
director of acclaimed historical dramas,

is lamenting that Crocket was, The
Da Vinci of the modern age, and I’m
thinking, Da Vinci? Yeah. The guy
who never finished anything, and I ask,

How did we get here? and she says
she must be asleep and dreaming,
and I’m thinking, Yes, that must be
all there is to it. We’re dreaming.